A Camera Operator/steadicam - 1 Episode, 2019
The Morning Show (2019)
Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Camera Operator: "a" Camera / Steadicam Operator: Additional Photography , Camera Operator: "a" Camera / Steadicam Operator: Additional Photography
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
'a' Camera / Steadicam: Additional Photography
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Camera Operator: A Camera / Steadicam Operator
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Camera Operator: "a" Camera / Steadicam Operator
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Camera Operator: "b" Camera / Steadicam Operator
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Camera Operator: "a" Camera / Steadicam Operator
Get on Up (2014)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Camera Operator: "b" Camera
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Camera Operator / Steadicam
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Camera Operator: "a" Camera / Steadicam Operator
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Camera Operator: Kerner Optical
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Camera Operator: "b" Camera, Washington D.C.
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Steadicam Operator
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Camera Operator: Re-shoots / Steadicam Operator
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Camera Operator
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Camera Operator: "a" Camera / Steadicam Operator
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Camera Operator: "a" Camera / Steadicam Operator
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Camera Operator: "a" Camera / Steadicam Operator
Life as We Know It (2010)
Directed by: Greg Berlanti
Cinematography by: Andrew Dunn
Edited by: Jim Page
Camera Operator: "a" Camera / Steadicam Operator
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Camera Operator
Hotel for Dogs (2009)
Directed by: Thor Freudenthal
Cinematography by: Michael Grady
Edited by: Sheldon Kahn
Camera Operator / Steadicam Operator
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Camera Operator: "b" Camera
21 (2008)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Steadicam Operator
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "b" Camera
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Steadicam Operator: Arizona
The Savages (2007)
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Camera Operator: "b" Camera / Steadicam Operator
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Camera Operator: "a" Camera
'Law & Order: Special Victims Unit' Infected (2006)
Directed by: Michelle MacLaren
Cinematography by: Geoffrey Erb
Edited by: Jim Stewart
Camera Operator: "a" Camera
'Law & Order: Special Victims Unit' Blast (2006)
Directed by: Peter Leto
Cinematography by: George Pattison
Edited by: Karen I. Stern
Camera Operator: "a" Camera
'Law & Order: Special Victims Unit' Manipulated (2006)
Directed by: Matt Earl Beesley
Cinematography by: Geoffrey Erb
Edited by: Jim Stewart
Camera Operator: "a" Camera
'Law & Order: Special Victims Unit' Taboo (2006)
Directed by: Arthur W. Forney
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Camera Operator: "b" Camera, New York / Steadicam Operator: New York
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Camera Operator: "b" Camera / Steadicam Operator
Hide and Seek (2005)
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Camera Operator: "a" Camera
'Law & Order: Special Victims Unit' Storm (2005)
Directed by: David Platt
Cinematography by: Geoffrey Erb
Edited by: Nancy Forner
Camera Operator: "b" Camera / Steadicam Operator
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Camera Operator: "b" Camera
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Camera Operator: "a" Camera / Steadicam Operator
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Steadicam Operator
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Director Of Photography: Second Unit
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Steadicam Operator
Shortcut to Happiness (2003)
Directed by: Alec Baldwin
Cinematography by: Adam Holender
Camera Operator: "a" Camera, New York / Steadicam Operator: New York
In America (2002)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Steadicam Operator
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Steadicam Operator
People I Know (2002)
Directed by: Daniel Algrant
Cinematography by: Peter Deming
Edited by: Suzy Elmiger
Steadicam Operator: Additional Camera
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Additional Grip
Someone Like You... (2001)
Directed by: Tony Goldwyn
Cinematography by: Anthony B. Richmond
Edited by: Dana Congdon
Steadicam Operator
Requiem for a Dream (2000)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Cameras: Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Steadicam Operator
Boiler Room (2000)
Directed by: Ben Younger
Cinematography by: Enrique Chediak
Edited by: Chris Peppe
Steadicam Operator
Pollock (2000)
Directed by: Ed Harris
Cinematography by: Lisa Rinzler
Edited by: Kathryn Himoff
Camera Operator: "a" Camera - 5 Episodes, 2005-2006
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
Additional Grip
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Dolly Grip
No Way Home (1996)
Directed by: Buddy Giovinazzo
Cinematography by: Claudia Raschke
Edited by: Stanley Warnow
Key Grip
Denise Calls Up (1995)
Directed by: Hal Salwen
Cinematography by: Michael Mayers
Edited by: Gary Sharfin
