Associate Producer, First Assistant Director
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Associate Producer, First Assistant Director
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Associate Producer, First Assistant Director
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Associate Producer, Blue Eight, First Assistant Director
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
First Assistant Director
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
First Assistant Director
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Director
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
First Assistant Director: Additional Photography
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
First Assistant Director: Second Unit
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
First Assistant Director: Second Unit
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
First Assistant Director: Second Unit
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
First Assistant Director: Second Unit
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
First Assistant Director: Aerial Unit
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
First Assistant Director
Wild Target (2010)
Directed by: Jonathan Lynn
Cinematography by: David Johnson
Edited by: Michael Parker
Cameras: ARRICAM Studio (ST) Camera
First Assistant Director
The Disappearance of Alice Creed (2009)
Directed by: J Blakeson
Cinematography by: Philipp Blaubach
Edited by: Mark Eckersley
First Assistant Director: UK
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Second Assistant Director
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
First Assistant Director: Additional Photography
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Happy Customer, Second Assistant Director
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Second Assistant Director
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Second Assistant Director
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Second Assistant Director
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Second Assistant Director: Second Unit
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Second Assistant Director: Second Unit
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Second Assistant Director
It's All About Love (2003)
Directed by: Thomas Vinterberg
Cinematography by: Anthony Dod Mantle
Edited by: Valdís Óskarsdóttir
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Lenses, Zeiss Ultra Prime Lenses
Second Assistant Director: London
My House in Umbria (2003)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Humphrey Dixon
Second Assistant Director
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Second Assistant Director - 2 Episodes, 2000
Jason and the Argonauts (2000)
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Second Second Assistant Director
Quills (2000)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Peter Boyle
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Director
'Jason and the Argonauts' Episode #1.1 (2000)
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Second Assistant Director
'Jason and the Argonauts' Episode #1.2 (2000)
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Third Assistant Director
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Production Assistant
An Awfully Big Adventure (1995)
Directed by: Mike Newell
Cinematography by: Dick Pope
Edited by: Jon Gregory
Production Assistant
El marido perfecto (1993)
Directed by: Beda Docampo Feijóo
Cinematography by: Frantisek Uldrich
Edited by: José Salcedo
