William Sherak

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Ambulance | ShotOnWhat?

Producer - Produced By

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Ready or Not | ShotOnWhat?

Producer - Produced By

Ready or Not (2019)

Movie

Directed by: Matt Bettinelli-Olpin, Tyler Gillett

Cinematography by: Brett Jutkiewicz

Edited by: Terel Gibson

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke 5/i Lenses

Suspiria | ShotOnWhat?

Producer

Suspiria (2018)

Directed by: Luca Guadagnino

Cinematography by: Sayombhu Mukdeeprom

Edited by: Walter Fasano

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses: Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Slender Man | ShotOnWhat?

Producer

Slender Man (2018)

Directed by: Sylvain White

Cinematography by: Luca Del Puppo

Edited by: Jake York

Cameras: Sony PMW-F55 Camera, Sony α7S II Camera

Lenses: Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

The Mummy | ShotOnWhat?

Stereo Executive Producer: Stereo D

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Mad Max: Fury Road | ShotOnWhat?

3d Conversion: Stereo D

Mad Max: Fury Road (2015)

Directed by: George Miller

Cinematography by: John Seale

Edited by: Margaret Sixel

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Terminator Genisys | ShotOnWhat?

Stereo Executive Producer

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jurassic World | ShotOnWhat?

Stereo Executive Producer

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

San Andreas | ShotOnWhat?

3d Conversion: Stereo D

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Star Wars: The Force Awakens | ShotOnWhat?

The SpongeBob Movie: Sponge Out of Water | ShotOnWhat?

Stereo Executive Producer

The SpongeBob Movie: Sponge Out of Water (2015)

Directed by: Paul Tibbitt, Mike Mitchell

Cinematography by: Phil Meheux

Edited by: David Ian Salter

Cameras: ARRI ALEXA Camera

Hercules | ShotOnWhat?

Stereo Executive Producer

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Teenage Mutant Ninja Turtles | ShotOnWhat?

Stereo Executive Producer

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Exodus: Gods and Kings | ShotOnWhat?

Stereo Executive Producer: Stereo D

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Godzilla | ShotOnWhat?

Stereo Executive Producer

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

The Wolverine | ShotOnWhat?

Stereo Executive Producer: Stereo D

The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Pacific Rim | ShotOnWhat?

3d Conversion: Stereo D

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Percy Jackson: Sea of Monsters | ShotOnWhat?

Stereo Executive Producer - Stereo D

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Stereo Executive Producer - Stereo D

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Trek Into Darkness | ShotOnWhat?

Stereo Executive Producer: Stereo D

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Iron Man Three | ShotOnWhat?

R.I.P.D. | ShotOnWhat?

Stereo Executive Producer - Stereo D

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

The Avengers | ShotOnWhat?

Stereo Executive Producer - Stereo D

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Columbus Circle | ShotOnWhat?

Producer

Columbus Circle (2012)

Directed by: George Gallo

Cinematography by: Anastas N. Michos

Edited by: Malcolm Campbell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Katy Perry: Part of Me | ShotOnWhat?

Stereo Executive Producer - Stereo D

Katy Perry: Part of Me (2012)

Directed by: Dan Cutforth, Jane Lipsitz

Edited by: Scott Evans, Brian David Lazarte, Scott Richter, Hans van Riet

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

John Carter | ShotOnWhat?

Executive Stereo Producer: Stereo D

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Stereo Executive Producer - Stereo D

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Captain America: The First Avenger | ShotOnWhat?

Stereo Executive Producer - Stereo D

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Stereoscopic Conversion Executive Producer: Stereo D

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

I Hate Valentine's Day | ShotOnWhat?

Producer

I Hate Valentine's Day (2009)

Directed by: Nia Vardalos

Cinematography by: Brian Pryzpek

Edited by: Steve Edwards, Tony Lombardo

Middle Men | ShotOnWhat?

Producer

Middle Men (2009)

Directed by: George Gallo

Cinematography by: Lukas Ettlin

Edited by: Malcolm Campbell

Role Models | ShotOnWhat?

Executive Producer

Role Models (2008)

Directed by: David Wain

Cinematography by: Russ T. Alsobrook

Edited by: Eric Kissack

Cameras: Panavision Cameras

Bangkok Dangerous | ShotOnWhat?

Producer

Bangkok Dangerous (2008)

Directed by: Danny Pang, Oxide Chun Pang

Cinematography by: Decha Srimantra

Edited by: Mike Jackson, Curran Pang

The Burrowers | ShotOnWhat?

Producer

The Burrowers (2008)

Directed by: J.T. Petty

Cinematography by: Phil Parmet

Edited by: Andy Grieve, Robb Sullivan

Cameras: Panavision Cameras

Bachelor Party 2: The Last Temptation | ShotOnWhat?

Producer

Bachelor Party 2: The Last Temptation (2008)

Direct to Video

Directed by: James Ryan

Cinematography by: Roy H. Wagner

Edited by: Robert Komatsu

The Messengers | ShotOnWhat?

Producer

The Messengers (2007)

Directed by: Danny Pang, Oxide Chun Pang

Cinematography by: David Geddes

Edited by: John Axelrad, Armen Minasian, Tim Mirkovich

The Hard Easy | ShotOnWhat?

Executive Producer

The Hard Easy (2006)

Directed by: Ari Ryan

Cinematography by: Robert Morris

Edited by: Monica Anderson, Gary Trentham

Cameras: Panavision Cameras

Darkness Falls | ShotOnWhat?

Producer

Darkness Falls (2003)

Directed by: Jonathan Liebesman

Cinematography by: Dan Laustsen

Edited by: Timothy Alverson, Steve Mirkovich

Four Dogs Playing Poker | ShotOnWhat?

Executive Producer

Four Dogs Playing Poker (2000)

Directed by: Paul Rachman

Cinematography by: Claudio Rocha

Edited by: Conrad M. Gonzalez

Me, Myself & Irene | ShotOnWhat?

Background Motel Guest

Me, Myself & Irene (2000)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Christopher Greenbury

Dudley Do-Right | ShotOnWhat?

Assistant: John Davis

Dudley Do-Right (1999)

Directed by: Hugh Wilson

Cinematography by: Donald E. Thorin

Edited by: Don Brochu

Doctor Dolittle | ShotOnWhat?

Assistant: Mr. Friendly

Doctor Dolittle (1998)

Directed by: Betty Thomas

Cinematography by: Russell Boyd

Edited by: Peter Teschner

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