Visual Effects Data Wrangler / Visual Effects Photographer
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Visual Effects Data Wrangler / Visual Effects Photographer
Suburbicon (2017)
Directed by: George Clooney
Cinematography by: Robert Elswit
Edited by: Stephen Mirrione
Cameras: ARRI ALEXA XT Plus Camera
Data Wrangler: Mexico
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Data Wrangler/photographer / Visual Effects Associate Producer: Scanline VFX
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Vfx Data Wrangler/photographer
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Visual Effects Data Wrangler: Reshoots
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Vfx Data Wrangler
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Associate Vfx Producer: Scanline VFX
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Production Management: Scanline VFX
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Data Wrangler
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Visual Effects Producer: Scanline VFX
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Visual Effects Producer
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Production Support: Scanline VFX
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Digital Producer: Scanline VFX
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Digital Producer: Scanline VFX
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Visual Effects Production Manager: Scanline VFX
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Visual Effects Production Manager: ScanlineVFX
The Ghost Writer (2010)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Visual Effects Production Manager: Scanline VFX
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Visual Effects Production Manager
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Visual Effects Production Manager
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Production Secretary
'House M.D.' Resignation (2007)
Directed by: Martha Mitchell
Cinematography by: Gale Tattersall
Edited by: Chris Brookshire
Production Secretary
'House M.D.' Insensitive (2007)
Directed by: Deran Sarafian
Cinematography by: Gale Tattersall
Edited by: Dorian Harris
Production Secretary
'House M.D.' Half-Wit (2007)
Directed by: Katie Jacobs
Cinematography by: Gale Tattersall
Edited by: Kimberly Ray
Production Secretary
'House M.D.' Top Secret (2007)
Directed by: Deran Sarafian
Cinematography by: Gale Tattersall
Edited by: Chris Brookshire
Production Secretary
'House M.D.' Fetal Position (2007)
Directed by: Matt Shakman
Cinematography by: Gale Tattersall
Edited by: Dorian Harris
Production Secretary
'House M.D.' Airborne (2007)
Directed by: Elodie Keene
Cinematography by: Gale Tattersall
Edited by: Zeborah Tidwell
Production Secretary
'House M.D.' Act Your Age (2007)
Directed by: Daniel Sackheim
Cinematography by: Gale Tattersall
Edited by: Chris Brookshire
Production Secretary
'House M.D.' House Training (2007)
Directed by: Paul McCrane
Cinematography by: Gale Tattersall
Edited by: Dorian Harris
Production Secretary
'House M.D.' Family (2007)
Directed by: David Straiton
Cinematography by: Gale Tattersall
Edited by: Kimberly Ray
Production Secretary
'House M.D.' Needle in a Haystack (2007)
Directed by: Peter O'Fallon
Cinematography by: Gale Tattersall
Edited by: Kimberly Ray
Production Secretary
'House M.D.' The Jerk (2007)
Directed by: Daniel Sackheim
Cinematography by: Gale Tattersall
Production Secretary
'House M.D.' Human Error (2007)
Directed by: Katie Jacobs
Cinematography by: Gale Tattersall
Edited by: Kimberly Ray
Production Secretary
'House M.D.' Words and Deeds (2007)
Directed by: Daniel Sackheim
Cinematography by: Gale Tattersall
Edited by: Dorian Harris
Production Secretary
'House M.D.' One Day, One Room (2007)
Directed by: Juan José Campanella
Cinematography by: Gale Tattersall
Edited by: Chris Brookshire
Sequence Coordinator: Rhythm & Hues Studios
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Vfx On Set
'House M.D.' Distractions (2006)
Directed by: Daniel Attias
Cinematography by: Roy H. Wagner
Edited by: Dorian Harris
Visual Effects Assistant: Previz
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Visual Effects Coordinator
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Vfx On Set
'House M.D.' Spin (2005)
Directed by: Fred Gerber
Cinematography by: Roy H. Wagner
Edited by: Dorian Harris
Editorial Production Assistant
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Production Secretary / Vfx On Set - 17 Episodes, 2005-2007
House M.D. (2004)
Directed by: Greg Yaitanes, Deran Sarafian, David Straiton, Daniel Attias, Daniel Sackheim, Miguel Sapochnik, David Platt, Matt Shakman, Juan José Campanella, Katie Jacobs, Andrew Bernstein, Sanford Bookstaver, Peter O'Fallon, Fred Gerber, David Semel, Lesli Linka Glatter, Newton Thomas Sigel, Bryan Spicer, Bryan Singer, Frederick King Keller, David Shore, James Hayman, Martha Mitchell, Hugh Laurie, Tucker Gates, Tim Southam, Peter Medak, Paris Barclay, Guy Ferland, Keith Gordon, Tim Hunter, Bill Johnson, Nelson McCormick, Gloria Muzio, Randy Zisk, Jace Alexander, Félix Enríquez Alcalá, Laura Innes, John F. Showalter, Tony To, Elodie Keene, Paul McCrane, Matthew Penn, Nick Gomez, S.J. Clarkson, Kate Woods, Colin Bucksey, Julian Higgins, Stefan Schwartz, Peter Weller
Cinematography by: Gale Tattersall, Roy H. Wagner, Anthony Gaudioz, Walt Lloyd, Newton Thomas Sigel, Cort Fey, James Dillinger
Edited by: Dorian Harris, Chris Brookshire, Amy M. Fleming, Kimberly Ray, Lawrence Curtis, Zeborah Tidwell, Bonnie Koehler, Chad Mochrie, Marta Evry, Sue Blainey, Bill Johnson, Christopher Nelson, Tatiana S. Riegel, Deborah Moran, Arge O'Neal, Jo Francis, Elliot Graham, Anthony Pinker, Scott Boyd, Seth Clark, David Post, Stephen Semel
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Visual Effects Production Assistant
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Production Assistant
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Production Assistant
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Production Assistant
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
