Visual Effects Supervisor: Midas VFX
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Visual Effects Supervisor: Peerless
Doctor Sleep (2019)
Directed by: Mike Flanagan
Cinematography by: Michael Fimognari
Edited by: Mike Flanagan
Cameras: ARRI ALEXA 65 Camera
Lenses: Hasselblad Lenses
Vfx Supervisor: Peerless
Outlaw King (2018)
Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Compositor
Den of Thieves (2018)
Directed by: Christian Gudegast
Cinematography by: Terry Stacey
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor
'Bodyguard' Episode #1.1 (2018)
Directed by: Thomas Vincent
Cinematography by: John Lee
Edited by: Steve Singleton
Visual Effects Supervisor
'Bodyguard' Episode #1.2 (2018)
Directed by: Thomas Vincent
Cinematography by: John Lee
Edited by: Steve Singleton
Visual Effects Supervisor
'Bodyguard' Episode #1.3 (2018)
Directed by: Thomas Vincent
Cinematography by: John Lee
Edited by: Steve Singleton
Visual Effects Supervisor
'Bodyguard' Episode #1.4 (2018)
Directed by: John Strickland
Cinematography by: John Lee
Edited by: Andrew McClelland
Visual Effects Supervisor
'Bodyguard' Episode #1.5 (2018)
Directed by: John Strickland
Cinematography by: John Lee
Edited by: Andrew McClelland
Visual Effects Supervisor - 5 Episodes, 2018
Bodyguard (2018)
Cinematography by: John Lee
Cameras: Red Helium (Weapon) 8K
2d Supervisor
'The White Princess' English Blood on English Soil (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
2d Supervisor - 8 Episodes, 2017
The White Princess (2017)
Cinematography by: Chris Seager
Cameras: ARRI ALEXA Plus Camera
2d Supervisor
'The White Princess' Old Curses (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
2d Supervisor
'The White Princess' Two Kings (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
2d Supervisor
'The White Princess' The Pretender (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
2d Supervisor
'The White Princess' Traitors (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
2d Supervisor
'The White Princess' Burgundy (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
2d Supervisor
'The White Princess' Hearts and Minds (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
2d Supervisor
'The White Princess' In Bed with the Enemy (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Post Viz: Spill Studios
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Compositor: Peerless
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Vfx Supervisor: Peerless
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
2d Supervisor: Peerless
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Visual Effects Supervisor: Peerless
Youth (2015)
Directed by: Paolo Sorrentino
Cinematography by: Luca Bigazzi
Edited by: Cristiano Travaglioli
Cameras: Red Epic Dragon Camera
Lenses: Zeiss Ultra Prime Lenses
Compositor: Peerless
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
2d Supervisor: Peerless
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Visual Effects Supervisor: Peerless Camera Co
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Compositor
The Two Faces of January (2014)
Directed by: Hossein Amini
Cinematography by: Marcel Zyskind
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk C-Series Lenses
Post Vis Compositor
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Compositor: Prime Focus
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Lead Compositor
Dead Man Down (2013)
Directed by: Niels Arden Oplev
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Plus Camera
Senior Compositor: Digital Domain Reliance London
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Lead Compositor: Reliance
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Stereo Compositor
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Senior Compositor: Digital Domain London
Rock of Ages (2012)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Compositor
Killing Bono (2011)
Directed by: Nick Hamm
Cinematography by: Kieran McGuigan
Edited by: Billy Sneddon
Compositor
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Compositor: Molinare
Tracker (2010)
Directed by: Ian Sharp
Cinematography by: Harvey Harrison
Edited by: Sean Barton
Compositor
Africa United (2010)
Directed by: Debs Paterson
Cinematography by: Sean Bobbitt
Edited by: Victoria Boydell
Compositor: One Of Us
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Lead Compositor
I Am Slave (2010)
Directed by: Gabriel Range
Cinematography by: Robbie Ryan
Edited by: Brand Thumim
Compositor: Cinesite
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
2d Artist: Molinare London
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Compositor: Animal Logic
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Compositor
Fantastic Mr. Fox (2009)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Nikon D3 Camera
Lenses: Cooke Varotal Lenses
Roto Artist: MPC
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Compositor: Cinesite
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Compositor: Men From Mars
Mutant Chronicles (2008)
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Prep Artist: MPC
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Compositor: MFM
St. Trinian's (2007)
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Lenses: Cooke S4 Lenses
Prep Artist: MPC / Roto Artist: MPC
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Prep Artist: MPC / Roto Artist: MPC
Man cheng jin dai huang jin jia (2006)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Roto/prep Artist: MPC
Sixty Six (2006)
Directed by: Paul Weiland
Cinematography by: Daniel Landin
Edited by: Paul Tothill
Roto/prep Artist: MPC
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Roto/prep Artist: MPC
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Roto/prep Artist: MPC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Digital Effects Artist
The Best Man (2005)
Directed by: Stefan Schwartz
Cinematography by: Haris Zambarloukos
