Linda Yeaney

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The Beekeeper | ShotOnWhat?

First Assistant Sound Editor

The Beekeeper (2024)

Directed by: David Ayer

Cinematography by: Gabriel Beristain

Edited by: Geoffrey O'Brien

Cameras: ARRI Alexa 35 Camera

The Color Purple | ShotOnWhat?

First Assistant Sound Editor

The Color Purple (2023)

Directed by: Blitz Bazawule

Cinematography by: Dan Laustsen

Edited by: Jon Poll

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

Puss in Boots: The Last Wish | ShotOnWhat?

First Assistant Sound Editor

Puss in Boots: The Last Wish (2022)

Directed by: Joel Crawford, Januel Mercado

Cinematography by: Chris Stover

Edited by: James Ryan

Suicide Squad | ShotOnWhat?

2nd Assistant Sound Editor

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Midnight Special | ShotOnWhat?

First Assistant Sound Editor

Midnight Special (2016)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hail, Caesar! | ShotOnWhat?

Assistant Sound Editor

Hail, Caesar! (2016)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

Interstellar | ShotOnWhat?

First Assistant Sound Editor

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Mr. Peabody & Sherman | ShotOnWhat?

First Assistant Sound Editor

Mr. Peabody & Sherman (2014)

Directed by: Rob Minkoff

Edited by: Mike Andrews

Turbo | ShotOnWhat?

First Assistant Sound Editor

Turbo (2013)

Directed by: David Soren

Cinematography by: Chris Stover

Edited by: James Ryan

Underworld: Awakening | ShotOnWhat?

Assistant Sound Editor

Underworld Awakening (2012)

Directed by: Måns Mårlind, Björn Stein

Cinematography by: Scott Kevan

Edited by: Jeff McEvoy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Rise of the Guardians | ShotOnWhat?

First Assistant Sound Editor

Rise of the Guardians (2012)

Directed by: Peter Ramsey

Edited by: Joyce Arrastia

The Dark Knight Rises | ShotOnWhat?

First Assistant Sound Editor

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Puss in Boots | ShotOnWhat?

First Assistant Sound Editor

Puss in Boots (2011)

Directed by: Chris Miller

Cinematography by: Gil Zimmerman

Edited by: Erika Dapkewicz

Thor | ShotOnWhat?

First Assistant Sound Editor

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

In Time | ShotOnWhat?

First Assistant Sound Editor

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Inception | ShotOnWhat?

First Assistant Sound Editor

Inception (2010)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera

Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

First Assistant Sound Editor

Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

Land of the Lost | ShotOnWhat?

First Assistant Sound Editor

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Fool's Gold | ShotOnWhat?

First Assistant Sound Editor

Fool's Gold (2008)

Directed by: Andy Tennant

Cinematography by: Don Burgess

Edited by: Troy Takaki, Tracey Wadmore-Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Dark Knight | ShotOnWhat?

First Assistant Sound Editor

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

The Assassination of Jesse James by the Coward Robert Ford | ShotOnWhat?

First Assistant Sound Editor

The Assassination of Jesse James by the Coward Robert Ford (2007)

Directed by: Andrew Dominik

Cinematography by: Roger Deakins

Edited by: Curtiss Clayton, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

The Prestige | ShotOnWhat?

First Assistant Sound Editor

The Prestige (2006)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Firewall | ShotOnWhat?

Assistant Sound Editor

Firewall (2006)

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Jim Page

War of the Worlds | ShotOnWhat?

First Assistant Sound Editor

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Serenity | ShotOnWhat?

Assistant Sound Editor

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Walking Tall | ShotOnWhat?

First Assistant Sound Editor

Walking Tall (2004)

Directed by: Kevin Bray

Cinematography by: Glen MacPherson

Edited by: George Bowers, Robert Ivison

A Series of Unfortunate Events | ShotOnWhat?

First Assistant Sound Editor

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Master and Commander: The Far Side of the World | ShotOnWhat?

First Assistant Sound Editor

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Signs | ShotOnWhat?

First Assistant Sound Editor

Signs (2002)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Ballistic: Ecks vs. Sever | ShotOnWhat?

First Assistant Sound Editor

Ballistic: Ecks vs. Sever (2002)

Directed by: Wych Kaosayananda

Cinematography by: Julio Macat

Edited by: Jay Cassidy, Caroline Ross

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses

Moonlight Mile | ShotOnWhat?

First Assistant Sound Editor

Moonlight Mile (2002)

Directed by: Brad Silberling

Cinematography by: Phedon Papamichael

Edited by: Lisa Zeno Churgin

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses

S1m0ne | ShotOnWhat?

First Assistant Sound Editor

S1m0ne (2002)

Directed by: Andrew Niccol

Cinematography by: Edward Lachman

Edited by: Paul Rubell

Unbreakable | ShotOnWhat?

First Assistant Sound Editor

Unbreakable (2000)

Directed by: M. Night Shyamalan

Cinematography by: Eduardo Serra

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Pollock | ShotOnWhat?

First Assistant Sound Editor

Pollock (2000)

Directed by: Ed Harris

Cinematography by: Lisa Rinzler

Edited by: Kathryn Himoff

Cameras: Aaton Cameras, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Get Carter | ShotOnWhat?

First Assistant Sound Editor

Get Carter (2000)

Directed by: Stephen Kay

Cinematography by: Mauro Fiore

Edited by: Gerald B. Greenberg

Magnolia | ShotOnWhat?

First Assistant Sound Editor

Magnolia (1999)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Cameras, Pathé Cameras

Lenses: Panavision Lenses

Ringmaster | ShotOnWhat?

Assistant Sound Editor

Ringmaster (1998)

Directed by: Neil Abramson

Cinematography by: Russell j Lyster

Edited by: Suzanne Hines

Jackie Brown | ShotOnWhat?

First Assistant Sound Editor

Jackie Brown (1997)

Directed by: Quentin Tarantino

Cinematography by: Guillermo Navarro

Edited by: Sally Menke

Cameras: Moviecam Compact Camera

Lenses: Zeiss Super Speed Lenses

Starship Troopers | ShotOnWhat?

Assistant Sound Editor

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Twister | ShotOnWhat?

First Assistant Sound Editor

Twister (1996)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Mad Dog Time | ShotOnWhat?

First Assistant Sound Editor

Mad Dog Time (1996)

Directed by: Larry Bishop

Cinematography by: Frank Byers

Edited by: Norman Hollyn

Editing System: Lightworks Editing System

The Long Kiss Goodnight | ShotOnWhat?

First Assistant Sound Editor

The Long Kiss Goodnight (1996)

Directed by: Renny Harlin

Cinematography by: Guillermo Navarro

Edited by: William Goldenberg

Hideaway | ShotOnWhat?

First Assistant Sound Editor

Hideaway (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: B.J. Sears

Apollo 13 | ShotOnWhat?

Sound Assistant

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Showgirls | ShotOnWhat?

Sound Effects Assistant

Showgirls (1995)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Mark Helfrich

Naked Gun 33 1/3: The Final Insult | ShotOnWhat?

Assistant Sound Editor

Naked Gun 33 1/3: The Final Insult (1994)

Directed by: Peter Segal

Cinematography by: Robert M. Stevens

Edited by: James R. Symons

Cameras: Panavision Cameras

The Air Up There | ShotOnWhat?

First Assistant Sound Editor

The Air Up There (1994)

Directed by: Paul Michael Glaser

Cinematography by: Dick Pope

Edited by: Tom McMurtry, Michael E. Polakow

Cameras: Panavision Cameras

Blue Sky | ShotOnWhat?

Assistant Adr Editor

Blue Sky (1994)

Directed by: Tony Richardson

Cinematography by: Steve Yaconelli

Edited by: Robert K. Lambert

Cameras: ARRI Cameras

Pulp Fiction | ShotOnWhat?

Assistant Sound Editor

Pulp Fiction (1994)

Directed by: Quentin Tarantino

Cinematography by: Andrzej Sekula

Edited by: Sally Menke

Cameras: Panavision Cameras, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses

Editing System: Lightworks Editing System

Clear and Present Danger | ShotOnWhat?

Assistant Sound Editor

Clear and Present Danger (1994)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Clifford | ShotOnWhat?

Assistant Sound

Clifford (1994)

Directed by: Paul Flaherty

Cinematography by: John A. Alonzo

Edited by: Tim Board, Pembroke J. Herring

Coneheads | ShotOnWhat?

First Assistant Sound Editor

Coneheads (1993)

Directed by: Steve Barron

Cinematography by: Francis Kenny

Edited by: Paul Trejo

Sliver | ShotOnWhat?

Assistant Sound Editor

Sliver (1993)

Directed by: Phillip Noyce

Cinematography by: Vilmos Zsigmond

Edited by: Richard Francis-Bruce, William Hoy, Bert Lovitt

Out on a Limb | ShotOnWhat?

Assistant Sound Editor

Out on a Limb (1992)

Directed by: Francis Veber

Cinematography by: Donald E. Thorin

Edited by: Barry Dresner, Glenn Farr

Cameras: Panavision Cameras

Leap of Faith | ShotOnWhat?

Assistant Sound Editor

Leap of Faith (1992)

Directed by: Richard Pearce

Cinematography by: Matthew F. Leonetti

Edited by: John F. Burnett, Mark Warner, Don Zimmerman

Stop! Or My Mom Will Shoot | ShotOnWhat?

Assistant Sound Editor

Stop! Or My Mom Will Shoot (1992)

Directed by: Roger Spottiswoode

Cinematography by: Frank Tidy

Edited by: Mark Conte, Lois Freeman-Fox

Dutch | ShotOnWhat?

Assistant Sound Editor

Dutch (1991)

Directed by: Peter Faiman

Cinematography by: Charles Minsky

Edited by: Adam Bernardi, Paul Hirsch, Rick Shaine

JFK | ShotOnWhat?

Assistant Sound Editor

JFK (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Joe Hutshing, Pietro Scalia

Cameras: ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E35 35 mm T2.0 Lens

Editing System: K.E.M. Editing System

Awakenings | ShotOnWhat?

Assistant Sound Editor

Awakenings (1990)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Battle Davis, Gerald B. Greenberg

The Long Walk Home | ShotOnWhat?

Assistant Sound Editor

The Long Walk Home (1990)

Directed by: Richard Pearce

Cinematography by: Roger Deakins

Edited by: Bill Yahraus

Another 48 Hrs. | ShotOnWhat?

Assistant Sound Editor

Another 48 Hrs. (1990)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Cameras: Ultracam 35 Camera

Johnny Handsome | ShotOnWhat?

Assistant Sound Editor

Johnny Handsome (1989)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Heart of Midnight | ShotOnWhat?

Apprentice Sound Editor

Heart of Midnight (1988)

Directed by: Matthew Chapman

Cinematography by: Ray Rivas

Edited by: Penelope Shaw

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