Aerial Camera Technician
Tenet (2020)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Aerial Camera Technician
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Aerial Camera Technician
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
Aerial Camera Technician
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Aerial Camera Technician
Midnight Special (2016)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Aerial Camera Technician
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Aerial Camera Technician
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Aerial Camera Technician
Fifty Shades of Grey (2015)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA XT Plus Camera
Aerial Camera Operator
'Arctic Air' High Water (2014)
Directed by: Gary Harvey
Edited by: Franco Pante
Aerial Camera Operator
'Arctic Air' Rites of Passage (2014)
Directed by: Amanda Tapping
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Aerial Camera Operator
'Arctic Air' On the Edge (2014)
Directed by: Martin Wood
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Eclipse Technician: Splinter Unit, Vancouver
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Aerial Camera Operator
'Arctic Air' The Fugitive (2014)
Directed by: Anthony Atkins
Cinematography by: Michael C. Blundell
Edited by: Lara Mazur
Aerial Camera Technician
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Aerial Camera Technician
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Aerial Camera Technician
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Aerial Camera Technician
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Aerial Camera Operator
'Arctic Air' Flying Solo (2014)
Directed by: Anthony Atkins
Cinematography by: Michael C. Blundell
Edited by: Lara Mazur
Aerial Camera Operator
'Arctic Air' The Fall PT.2 (2014)
Directed by: Gary Harvey
Cinematography by: Michael C. Blundell
Edited by: Lara Mazur
Aerial Camera Operator
'Arctic Air' The Fall PT.1 (2014)
Directed by: Gary Harvey
Cinematography by: Michael C. Blundell
Aerial Camera Operator
'Arctic Air' Last Drop (2014)
Directed by: Amanda Tapping
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Aerial Camera Operator
'Arctic Air' Wildfire (2013)
Directed by: Anthony Atkins
Edited by: Lara Mazur
Aerial Camera Technician
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Aerial Camera Operator
'Arctic Air' Bombs Away (2013)
Directed by: Anthony Atkins
Edited by: Lara Mazur
Aerial Camera Operator
'Arctic Air' Open Season (2013)
Directed by: Gary Harvey
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Aerial Camera Technician
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Aerial Camera Technician
Temptation: Confessions of a Marriage Counselor (2013)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Aerial Camera Operator / Camera Operator: Aerial Unit
'Arctic Air' There's Gold in Them Thar Hills (2013)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Aerial Camera Operator / Camera Operator: Aerial Unit
'Arctic Air' Dangerous Cargo (2013)
Directed by: Anne Wheeler
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Aerial Camera Technician
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Aerial Camera Operator
'Arctic Air' Skeletons in the Closet (2013)
Directed by: Neill Fearnley
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Aerial Camera Operator
'Arctic Air' Stormy Weather (2013)
Directed by: Anne Wheeler
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Aerial Camera Operator / Camera Operator: Aerial Unit - 30 Episodes, 2012-2014
Arctic Air (2012)
Aerial Camera Operator
'Arctic Air' Out of a Clear Blue Sky (2012)
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Aerial Camera Operator
'Arctic Air' Hijacked (2012)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Aerial Camera Operator
'Arctic Air' All the Vital Things (2012)
Directed by: Robert Lieberman
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Aerial Camera Operator
'Arctic Air' Northern Lights (2012)
Directed by: Anthony Atkins
Cinematography by: Bruce Worrall
Edited by: Rick Martin
Aerial Camera Operator
'Arctic Air' C-TVAK (2012)
Directed by: Mike Rohl
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Aerial Camera Operator
'Arctic Air' Vancouver Is Such a Screwed Up City (2012)
Directed by: Stacey Stewart Curtis
Cinematography by: Bruce Worrall
Edited by: Lara Mazur
Aerial Camera Operator
'Arctic Air' Drop in for Lunch (2012)
Directed by: Gary Harvey
Edited by: Lara Mazur
Aerial Camera Operator
'Arctic Air' New North (2012)
Directed by: James Dunnison
Cinematography by: Bruce Worrall
Edited by: Franco Pante
Aerial Camera Operator
'Arctic Air' The Professional (2012)
Directed by: Kevin Fair
Cinematography by: Bruce Worrall
Edited by: Rick Martin
Aerial Camera Technician
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Aerial Camera Technician
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Aerial Camera Technician
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Aerial Camera Technician
Madea's Witness Protection (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Aerial Eclipse Operator: Manila
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Aerial Camera Technician
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Aerial Camera Technician
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Aerial Camera Technician
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Aerial Camera Technician
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Aerial Camera Technician
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Aerial Camera Technician
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Camera Technician: Wescam, Second Unit
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Aerial Camera Technician
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Aerial Camera Technician
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Aerial Camera Technician
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Aerial Camera Technician: Aerial Unit
Altitude (2010)
Directed by: Kaare Andrews
Cinematography by: Norm Li
Edited by: Chris Bizzocchi
Aerial Camera Technician
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Aerial Camera Technician
For Colored Girls (2010)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Aerial Camera Technician
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Aerial Camera Technician
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Aerial Camera Technician
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Aerial Camera Technician
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Aerial Camera Technician
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Camera Technician: Wescam, Second Unit
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Aerial Camera Technician
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Aerial Camera Technician
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Aerial Camera Technician
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Technician: Wescam
Far Cry (2008)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Karen Porter
Aerial Camera Technician
The Rocker (2008)
Directed by: Peter Cattaneo
Cinematography by: Anthony B. Richmond
Aerial Camera Technician
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
