Senior Paint Artist: Weta Digital
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Optical: Weta FX Ltd
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Senior Paint Artist: Weta Digital
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Senior Paint Artist: Weta Digital
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Digital Compositor: Splice
'Them' Day 7: Morning (2021)
Directed by: Craig William Macneill
Cinematography by: Xavier Grobet
Edited by: Kevin D. Ross
Digital Compositor: Splice
'Them' Day 3 (2021)
Directed by: Nelson Cragg
Cinematography by: Xavier Grobet
Edited by: David Kashevaroff
Digital Compositor: Splice
'Them' Day 1 (2021)
Directed by: Nelson Cragg
Cinematography by: Checco Varese
Digital Compositor: CoSA VFX
'Westworld' Crisis Theory (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Andrew Seklir
Digital Compositor: CoSA VFX
'Westworld' Passed Pawn (2020)
Directed by: Helen Shaver
Cinematography by: Matt Flannery
Edited by: Anna Hauger
Digital Compositor: CoSA VFX
'Westworld' Decoherence (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Ali Comperchio
Digital Compositor: CoSA VFX
'Westworld' Genre (2020)
Directed by: Anna Foerster
Cinematography by: Zoë White
Edited by: Andrew Seklir
Digital Compositor: CoSA VFX
'Helstrom' Leviathan (2020)
Directed by: Sanford Bookstaver
Cinematography by: Bernard Couture
Edited by: Brian G. Addie
Senior Compositor: Kojo
Hotel Mumbai (2018)
Directed by: Anthony Maras
Cinematography by: Nick Remy Matthews
Senior Paint Artist: Weta Digital
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Senior Paint Artist: Weta Digital
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Senior Paint Artist: Weta Digital
'Game of Thrones' Beyond the Wall (2017)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Tim Porter
Senior Paint Artist: Weta Digital
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Digital Compositor: Rising Sun Pictures
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Digital Compositor: Rising Sun Pictures
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Senior Paint Artist: Weta Digital
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Digital Compositor: CoSA VFX , Digital Compositor: CoSA VFX - 4 Episodes, 2020
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Senior Paint Artist: Weta Digital
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Senior Paint Artist: Weta Digital
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Digital Compositor: Weta Digital
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Senior Paint Artist: Weta Digital
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Digital Compositor: Rising Sun Pictures
Pan (2015)
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Senior Paint Artist: Weta Digital
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Compositor: Laika
The Boxtrolls (2014)
Cinematography by: John Ashlee Prat
Edited by: Edie Ichioka
Cameras: Canon EOS-5D Mark III Camera
Compositor: WWFX
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Digital Compositor: WWFX
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Flare Artist: Hydraulx
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Compositor: Laika
ParaNorman (2012)
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Senior Paint Artist: Weta Digital - 1 Episode, 2017
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Flare Artist: Hydraulx
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Flame Artist: At The Post
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Flame Artist: Hydraulx
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Flame Artist: Hydraulx
Skyline (2010)
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Stereo Effects Artist: CafeFX
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Digital Compositor: Technicolor
Tang shan da di zhen (2010)
Directed by: Xiaogang Feng
Cinematography by: Yue Lü
Edited by: Yang Xiao
Digital Compositor: I.E. Effects
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Stereoscopic Associate Technical Director: Sony Imageworks
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Stereoscopic Compositor: Prime Focus VFX
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Compositor: Gradient Effects
The Informers (2008)
Directed by: Gregor Jordan
Cinematography by: Petra Korner
Edited by: Robert Brakey
Digital Artist: At The Post
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Paint/rotoscope Artist: Flash Film Works
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
