Re-recording Mixer
'Stranger Things' Chapter One: The Hellfire Club (2022)
Cinematography by: Caleb Heymann
Edited by: Dean Zimmerman
Re-recording Mixer
'Stranger Things' Chapter Two: Vecna's Curse (2022)
Cinematography by: Caleb Heymann
Re-recording Mixer
'Stranger Things' Chapter Four: Dear Billy (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Edited by: Dean Zimmerman
Re-recording Mixer
'Stranger Things' Chapter Three: The Monster and the Superhero (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Re-recording Mixer
'Stranger Things' Chapter Five: The Nina Project (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Re-recording Mixer
'Stranger Things' Chapter Six: The Dive (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Re-recording Mixer
'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)
Cinematography by: Caleb Heymann
Re-recording Mixer
'Stranger Things' Chapter Eight: Papa (2022)
Cinematography by: Caleb Heymann
Edited by: Katheryn Naranjo
Re-recording Mixer
'Stranger Things' Chapter Nine: The Piggyback (2022)
Cinematography by: Caleb Heymann
Sound Design Consultant
Halloween Kills (2021)
Directed by: David Gordon Green
Cinematography by: Michael Simmonds
Edited by: Timothy Alverson
Re-recording Mixer / Supervising Sound Editor
'Stranger Things' Chapter Six: The Birthday (2019)
Directed by: Uta Briesewitz
Re-recording Mixer / Supervising Sound Editor
'Stranger Things' Chapter Seven: The Bite (2019)
Cinematography by: Lachlan Milne
Re-recording Mixer / Supervising Sound Editor
'Stranger Things' Chapter Eight: The Battle of Starcourt (2019)
Cinematography by: Lachlan Milne
Re-recording Mixer / Supervising Sound Editor
'Stranger Things' Chapter Five: The Source (2019)
Directed by: Uta Briesewitz
Re-recording Mixer / Supervising Sound Editor
'Stranger Things' Chapter Four: The Sauna Test (2019)
Directed by: Shawn Levy
Cinematography by: Lachlan Milne
Re-recording Mixer / Supervising Sound Editor
'Stranger Things' Chapter Three: The Case of the Missing Lifeguard (2019)
Directed by: Shawn Levy
Cinematography by: Lachlan Milne
Re-recording Mixer / Supervising Sound Editor
'Stranger Things' Chapter Two: The Mall Rats (2019)
Re-recording Mixer / Supervising Sound Editor
'Stranger Things' Chapter One: Suzie, Do You Copy? (2019)
Supervising Sound Editor/re-recording Mixer
Overlord (2018)
Directed by: Julius Avery
Edited by: Matt Evans
Re-recording Mixer
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Supervising Sound Editor
Upgrade (2018)
Directed by: Leigh Whannell
Cinematography by: Stefan Duscio
Edited by: Andy Canny
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Re-Recording Mixer
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Re Recording Mixer, Re Recording Mixer: Skywalker Sound
All I See Is You (2016)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Hughes Winborne
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Re-recording Mixer
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Re-recording Mixer / Supervising Sound Editor
Midnight Special (2016)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Re-recording Mixer
10 Cloverfield Lane (2016)
Directed by: Dan Trachtenberg
Cinematography by: Jeff Cutter
Edited by: Stefan Grube
Cameras: Red Epic Dragon Camera
Re-recording Mixer / Sound Supervisor - 17 Episodes, 2019-2022, Re-recording Mixer / Supervising Sound Editor - 8 Episodes, 2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Sound Designer: Kelvin Optical, Inc.
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Re-recording Mixer / Sound Designer
Prince Avalanche (2013)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Colin Patton
Cameras: ARRI ALEXA Camera
Sound Designer
The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Sound Designer
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Additional Sound Designer / Re-recording Mixer
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Re-recording Mixer
Where the Trail Ends (2012)
Directed by: Jeremy Grant
Cinematography by: Brad McGregor
Re-recording Mixer / Supervising Sound Designer / Supervising Sound Editor
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Re-recording Mixer / Sound Designer
Madagascar 3: Europe's Most Wanted (2012)
Edited by: Nick Fletcher
Editing System: Avid Editing System
Additional Re-recording Mixer
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Additional Re-recording Mixer , Sound Designer
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Re-Recording Mixer: Additional / Supervising Sound Designer
Take Shelter (2011)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Parke Gregg
Additional Sound Designer
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Additional Sound Designer , Sound Effects Editor
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Designer
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Re-recording Mixer / Supervising Sound Designer
Skateland (2010)
Directed by: Anthony Burns
Cinematography by: Peter Simonite
Edited by: Robert Hoffman
Additional Re-recording Mixer , Sound Effects Editor
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Re-recording Mixer
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Re-recording Mixer
Brief Interviews with Hideous Men (2009)
Directed by: John Krasinski
Cinematography by: John Bailey
Cameras: Panavision Panaflex Camera
Fx Editor
Coraline (2009)
Directed by: Henry Selick
Cinematography by: Pete Kozachik
Editing System: Avid Editing System
Additional Re-recording Mixer: Skywalker Sound
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Sound Effects Editor
Two Lovers (2008)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Assistant Sound Designer / Sound Effects Editor
The Simpsons Movie (2007)
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Assistant Sound Designer
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Assistant Sound Designer, Sound Effects Editor
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Assistant Sound Designer
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Assistant Sound Designer
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Assistant Sound Designer
Bobby (2006)
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Additional Sound Mixer , Sound Effects Editor
Monster House (2006)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Assistant Sound Designer
Zidane, un portrait du 21e siècle (2006)
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Assistant Sound Designer
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Assistant Sound Designer
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Assistant Sound Designer
Shrek 2 (2004)
Assistant Sound Designer , Sound Effects Recordist
The Polar Express (2004)
Directed by: Robert Zemeckis
Assistant Sound Designer, Sound Effects Editor
The Incredibles (2004)
Directed by: Brad Bird
Edited by: Stephen Schaffer
Assistant Sound Designer
Darkness Falls (2003)
Directed by: Jonathan Liebesman
Cinematography by: Dan Laustsen
Assistant Sound Designer / Assistant Sound Editor
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Sound Editorial Production Assistant: Weddington Productions
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
