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United Kingdom | 100 Titles

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Tetris (2021)

Motion Picture | 2D | 4K Project | Color |

Directed by | Jon S. Baird

Starring | Taron Egerton, Togo Igawa, Ben Bradley

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision Anamorphic Zoom Lenses, Panavision AWZ2.3 37-85mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Cosmos (2019)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 128 Minutes

Directed by | Elliot Weaver, Zander Weaver | Cinematography by | Elliot Weaver, Zander Weaver | Editing by | Elliot Weaver, Zander Weaver

Starring | Tom England, Joshua Ford, Arjun Singh Panam, Ben Vardy

Cameras | Blackmagic Pocket Cinema Camera

Event Horizon (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1, 2.55:1 | 96 Minutes

Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter

Starring | Laurence Fishburne, Sam Neill, Kathleen Quinlan, Joely Richardson

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Edie (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Simon Hunter | Cinematography by | August Jakobsson | Editing by | Olly Stothert

Starring | Sheila Hancock, Kevin Guthrie, Paul Brannigan, Amy Manson

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Master Prime Lenses

The Aeronauts (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley

Starring | Felicity Jones, Eddie Redmayne, Himesh Patel, Vincent Perez

Cameras | Red Monstro 8K Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens

Brave New World (2020)

Television Series | 2D | Color |

| Cinematography by | Andrew Commis, Carl Sundberg, Gustav Danielsson | Editing by | Sacha Szwarc, Tom Hemmings, Dominic Strevens, Daniel Greenway

Starring | Alden Ehrenreich, Jessica Brown Findlay, Harry Lloyd, Nicholle Hembra

Isle of Dogs (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Edward Bursch, Ralph Foster, Andrew Weisblum

Starring | Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban

Cameras | Canon EOS-1DX Camera

Mary Queen of Scots (2018)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Josie Rourke | Cinematography by | John Mathieson | Editing by | Chris Dickens

Starring | Saoirse Ronan, Margot Robbie, Jack Lowden, Joe Alwyn

Cameras | Panavision Millennium DXL Camera, Red Epic Helium Camera

Skinjob (2017)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 15 Minutes

Directed by | Steve Simmons | Editing by | Wayne Daniells

Avengers: Endgame (2019)

Motion Picture | 3D | 4K Project | Color | 1.90:1, 2.39:1 | 181 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

Cameras | ALEXA IMAX Camera

Lenses | Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Blade Runner (1982)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings

Starring | Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Speed Lenses

Lawrence of Arabia (1962)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 216 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates

Starring | Peter O'Toole, Alec Guinness, Anthony Quinn, Jack Hawkins

Cameras | Super Panavision-70 Camera

Lenses | Panavision Super Panavision 70 Series Lenses

Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

The Radicalization of Jeff Boyd (2017)

Motion Picture | 2D | HD Project | Black & White, Color | 2.39:1 | 117 Minutes

Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder

Starring | Uwe Schwarzwalder, Yessica Sanchez, Zarina Tadjibaeva, Jörg Reichlin

Cameras | Blackmagic Pocket Cinema Camera

Call the Midwife (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce | Editing by | Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis

Starring | Vanessa Redgrave, Laura Main, Jenny Agutter, Judy Parfitt

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo 45-120mm T2.8 Lens, Cooke S4 Lenses

Genesis: Live at Wembley Stadium (1988)

Direct to Video | 2D | HD Project | Color | 120 Minutes

Directed by | James Yukich | Editing by | Jerry Behrens

Starring | Tony Banks, Phil Collins, Mike Rutherford, Daryl Stuermer

Gladiator (2000)

Motion Picture | 2D | Color | 2.39:1 | 155 Minutes

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed

Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Sad Hill Unearthed (2017)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 86 Minutes

Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch

Starring | Ennio Morricone, James Hetfield, Joe Dante, Clint Eastwood

Cameras | Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Dunkirk (2017)

Motion Picture | 2D | 2K Project, 4K Project | Color | 1.43:1, 1.90:1, 2.20:1, 2.35:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses

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