United Kingdom | 105 Titles
Jason Bourne (2016)
 Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse 
 
  Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses 
Dough (2015)
 Directed by | John Goldschmidt | Cinematography by | Peter Hannan | Editing by | Michael Ellis 
 
  Cameras | ARRI ALEXA Camera 
Knights of the Roundtable: King Arthur (2017)
 Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert 
 
  Cameras | ARRI ALEXA XT Camera 
The Legend of Tarzan (2016)
 Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark Day 
 
  Cameras | Red Epic Dragon Camera 
 The Brothers Grimsby (2016)
 Directed by | Louis Leterrier | Cinematography by | Oliver Wood | Editing by | Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas 
 
 Pride and Prejudice and Zombies (2016)
 Directed by | Burr Steers | Cinematography by | Remi Adefarasin | Editing by | Padraic McKinley 
 
  Lenses | Cooke S4/i Lenses 
Eddie the Eagle (2015)
Criminal (2016)
 Directed by | Ariel Vromen | Cinematography by | Dana Gonzales | Editing by | Danny Rafic 
 
  Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera 
 London Has Fallen (2016)
 Directed by | Babak Najafi | Cinematography by | Ed Wild | Editing by | Michael J. Duthie, Paul Martin Smith 
 
  Cameras | Red Epic Dragon Camera 
 Hilary and Jackie (1998)
The Program (2015)
 Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli 
 
  Cameras | Red Epic Camera 
Solomon & Gaenor (1999)
The Man from U.N.C.L.E. (2015)
 Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert 
 
  Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera 
 Ex Machina (2014)
 Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day  
 
  Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses 
The Gunman (2015)
 Directed by | Pierre Morel | Cinematography by | Flavio Martínez Labiano | Editing by | Frédéric Thoraval 
 
  Cameras | ARRI ALEXA XT Camera, Red Epic Camera 
  Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses 
The Danish Girl (2015)
 Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Melanie Oliver 
 
  Cameras | Red Epic Dragon Camera 
 Paddington (2014)
 Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Mark Everson 
 
  Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera 
  Lenses | Cooke S4 Lenses 
The Imitation Game (2014)
 Directed by | Morten Tyldum | Cinematography by | Oscar Faura | Editing by | William Goldenberg  
 
  Lenses | Zeiss Master Prime Lenses 
Pride (2014)
Mr. Turner (2014)
 Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory 
 
  Cameras | ARRI ALEXA Plus Camera, Canon EOS-C500 Camera 
  Lenses | Cooke Speed Panchro Lenses 
 
  
 


































































