United Kingdom | 105 Titles
Indiana Jones and the Last Crusade (1989)
Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Braveheart (1995)
Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Platinum Camera
Breaking the Waves (1996)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
28 Weeks Later (2007)
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
Gorky Park (1983)
Directed by | Michael Apted | Cinematography by | Ralf D. Bode | Editing by | Dennis Virkler
Cameras | ARRI ARRIFLEX Series Cameras, J-D-C Camera
101 Dalmatians (1996)
Directed by | Stephen Herek | Cinematography by | Adrian Biddle | Editing by | Trudy Ship
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Aliens (1986)
Directed by | James Cameron | Cinematography by | Adrian Biddle | Editing by | Ray Lovejoy
Lenses | Canon K35 Prime Lenses
One Day (2011)
Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
Harry Potter and the Sorcerer’s Stone (2001)
Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Tyrannosaur (2011)
Directed by | Paddy Considine | Cinematography by | Erik Wilson | Editing by | Pia Di Ciaula
Cameras | Canon EOS-5D Mark II Camera, Red One MX Camera
Lenses | Cooke Speed Panchro Lenses
Happy-Go-Lucky (2008)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | ARRI ARRIFLEX Series Cameras
Saving Private Ryan (1998)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Reign of Fire (2002)
Directed by | Rob Bowman | Cinematography by | Adrian Biddle | Editing by | Thom Noble, Declan McGrath
Cameras | Panavision Cameras
Finding Neverland (2004)
Vera Drake (2004)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | Aaton XTR Prod Camera
Lenses | Cooke S4 Lenses
The Last King of Scotland (2006)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Panavision Lenses
Robin Hood: Prince of Thieves (1991)
Directed by | Kevin Reynolds | Cinematography by | Douglas Milsome | Editing by | Peter Boyle
Cameras | ARRIFLEX Camera
Lenses | ARRI Lenses
Bridget Jones’s Diary (2001)
Directed by | Sharon Maguire | Cinematography by | Stuart Dryburgh | Editing by | Martin Walsh
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Felicia’s Journey (1999)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
It’s All About Love (2003)
Directed by | Thomas Vinterberg | Cinematography by | Anthony Dod Mantle | Editing by | Valdís Óskarsdóttir
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Lenses, Zeiss Ultra Prime Lenses