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The Lavender Hill Mob (1951)

Motion Picture | 2D | Black & White | 78 Minutes

Directed by | Charles Crichton | Cinematography by | Douglas Slocombe | Editing by | Seth Holt

Starring | Alec Guinness, Stanley Holloway, Sidney James, Alfie Bass

The Riot Club (2014)

Motion Picture | 2D | Color | 107 Minutes

Directed by | Lone Scherfig | Cinematography by | Sebastian Blenkov | Editing by | Jake Roberts

Starring | Sam Claflin, Max Irons, Douglas Booth, Jessica Brown Findlay

The List of Adrian Messenger (1963)

Motion Picture | 2D | Black & White | 98 Minutes

Directed by | John Huston | Cinematography by | Joseph MacDonald | Editing by | Hugh S. Fowler, Terry O. Morse

Starring | Kirk Douglas, Robert Mitchum, Tony Curtis, Burt Lancaster

Clash of the Titans (1981)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Desmond Davis | Cinematography by | Ted Moore | Editing by | Timothy Gee

Starring | Laurence Olivier, Harry Hamlin, Claire Bloom, Maggie Smith

Labyrinth (1986)

Motion Picture | 2D | Color | 101 Minutes

Directed by | Jim Henson | Cinematography by | Alex Thomson | Editing by | John Grover

Starring | David Bowie, Jennifer Connelly, Toby Froud, Shelley Thompson

Blow-Up (1966)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Michelangelo Antonioni | Cinematography by | Carlo Di Palma | Editing by | Frank Clarke

Starring | David Hemmings, Vanessa Redgrave, Sarah Miles, John Castle

Alien (1979)

Motion Picture | 2D | Color | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Derek Vanlint | Editing by | David Crowther, Terry Rawlings, Peter Weatherley

Starring | Sigourney Weaver, Tom Skerritt, John Hurt, Veronica Cartwright

Cameras | Panavision Cameras

Lenses | Panavision Lenses

’71 (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Yann Demange | Cinematography by | Tat Radcliffe | Editing by | Chris Wyatt

Starring | Jack O'Connell, Sam Reid, Sean Harris, Paul Popplewell

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens, Hawk V-Lite Vintage´74 Lens

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Astérix and Obélix: God Save Britannia (2012)

Motion Picture | 3D | Color | 2.39:1 | 110 Minutes

Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine

Starring | Gérard Depardieu, Dany Boon, Edouard Baer, Guillaume Gallienne

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens

Espion(s) (2009)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Nicolas Saada | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling

Starring | Guillaume Canet, Géraldine Pailhas, Stephen Rea, Hippolyte Girardot

Cameras | Aaton Cameras, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Edge of Tomorrow (2014)

Motion Picture | 3D | Color | 2.39:1 | 113 Minutes

Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings

Starring | Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The IT Crowd (2006)

Television Series | 2D | Color | 1.78:1 (16x9) | 25 Minutes

The IT Crowd | ShotOnWhat?

| Cinematography by | Francis De Groote, Bill Broomfield | Editing by | Paul Machliss, Richard Halladey, Graham Barker

Starring | Chris O'Dowd, Richard Ayoade, Katherine Parkinson, Matt Berry

Thor: The Dark World (2013)

Motion Picture | 3D | Color | 2.35:1 | 112 Minutes

Thor: The Dark World | ShotOnWhat?

Directed by | Alan Taylor | Cinematography by | Kramer Morgenthau | Editing by | Dan Lebental, Wyatt Smith

Starring | Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses | Panavision G Series Anamorphic Lenses

Les Misérables (2012)

Motion Picture | 2D | Color | 1.85:1 | 158 Minutes

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver

Starring | Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Who Framed Roger Rabbit (1988)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Who Framed Roger Rabbit | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt

Starring | Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer

Cameras | Panavision Panaflex Camera, VistaVision Cameras

Lenses | Panavision Lenses

Largo Winch II (2011)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet

Starring | Tomer Sisley, Sharon Stone, Ulrich Tukur, Napakpapha Nakprasitte

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-5D Mark II Camera

Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Willow (1988)

Motion Picture | 2D | Color | 126 Minutes

Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott

Starring | Val Kilmer, Joanne Whalley, Warwick Davis, Jean Marsh

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

The Keep (1983)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Michael Mann | Cinematography by | Alex Thomson | Editing by | Dov Hoenig, Tony Palmer

Starring | Scott Glenn, Ian McKellen, Alberta Watson, Jürgen Prochnow

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

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