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European Union | 748 Titles

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The Talented Mr. Ripley (1999)

Motion Picture | 2D | Color | 1.85:1 | 139 Minutes

Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch

Starring | Matt Damon, Gwyneth Paltrow, Jude Law, Cate Blanchett

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ben-Hur (1959)

Motion Picture | 2D | Film Project | Color | 2.55:1, 2.76:1 | 212 Minutes

Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth

Starring | Charlton Heston, Jack Hawkins, Stephen Boyd, Haya Harareet

Cameras | MGM Camera 65 Camera

Lenses | Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Lenses, Panavision Lenses

Est – Ouest (1999)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Hervé Schneid

Starring | Oleg Menshikov, Sandrine Bonnaire, Catherine Deneuve, Sergey Bodrov

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

New Kids Nitro (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 74 Minutes

Directed by | Steffen Haars, Flip Van der Kuil | Cinematography by | Joris Kerbosch | Editing by | Brian Ent, Flip Van der Kuil

Starring | Huub Smit, Tim Haars, Wesley van Gaalen, Steffen Haars

Cameras | Red One MX Camera

Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Angenieux Optimo DP Zoom Lenses, Cooke Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses

Crimson Tide (1995)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Gene Hackman, Denzel Washington, Matt Craven, George Dzundza

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Big Fish (2003)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 125 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A Soldier’s Daughter Never Cries (1998)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson

Starring | Leelee Sobieski, Kris Kristofferson, Barbara Hershey, Jane Birkin

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Troy (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 163 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess

Starring | Brad Pitt, Eric Bana, Orlando Bloom, Julian Glover

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Cooke S4 Lenses

A Dangerous Method (2011)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Michael Fassbender, Keira Knightley, Viggo Mortensen, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)

Documentary | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Errol Morris | Cinematography by | Robert Chappell, Peter Donahue | Editing by | Doug Abel, Chyld King, Karen Schmeer

Starring | Robert McNamara, John F. Kennedy, Fidel Castro, Richard Nixon

Cameras | Sony HDW-F900 Camera

Downfall (2004)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 156 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Bruno Ganz, Alexandra Maria Lara, Ulrich Matthes, Juliane Köhler

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Being Julia (2004)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton

Starring | Annette Bening, Michael Gambon, Maury Chaykin, Jeremy Irons

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Varotal Lenses

Braveheart (1995)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 178 Minutes

Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum

Starring | Mel Gibson, Sophie Marceau, Patrick McGoohan, Angus Macfadyen

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Breaking the Waves (1996)

Motion Picture | 2D | Color | 2.39:1 | 159 Minutes

Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn

Starring | Emily Watson, Stellan Skarsgård, Katrin Cartlidge, Jean-Marc Barr

Cameras | Moviecam Compact Camera

Lenses | Zeiss Lenses

The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

Charlie and the Chocolate Factory (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 115 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Johnny Depp, Freddie Highmore, David Kelly, Helena Bonham Carter

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

La délicatesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant

Starring | Audrey Tautou, François Damiens, Bruno Todeschini, Mélanie Bernier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

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