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Greece | 17 Titles

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Kynodontas (2009)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 97 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Christos Stergioglou, Michele Valley, Angeliki Papoulia, Hristos Passalis

Cameras | Moviecam Compact MK2 Camera

Lenses | Optica Elite Lenses

Kinetta (2005)

Motion Picture | 2D | Color | 1.66:1 | 95 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Evangelia Randou, Aris Servetalis, Costas Xikominos

Alps (2011)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Christos Voudouris | Editing by | Yorgos Mavropsaridis

Starring | Stavros Psyllakis, Aris Servetalis, Johnny Vekris

Cameras | Red One Camera

For Your Eyes Only (1981)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 127 Minutes

Directed by | John Glen | Cinematography by | Alan Hume | Editing by | John Grover

Starring | Roger Moore, Carole Bouquet, Topol

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Leitz Summilux-C Series Lenses

Triangle of Sadness (2022)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 2.39:1 | 147 Minutes

Directed by | Ruben Östlund | Cinematography by | Fredrik Wenzel | Editing by | Mikel Cee Karlsson, Ruben Östlund

Starring | Thobias Thorwid, Harris Dickinson, Charlbi Dean

Cameras | ARRI ALEXA LF Camera, Red Gemini Camera, Red Helium 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

Glass Onion (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 139 Minutes

Glass Onion | ShotOnWhat?

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Edward Norton, Kate Hudson

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Zeiss Supreme Prime Series Lenses

The Amazing Race (2001)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Peter Rieveschl, Per Larsson, Tom Cunningham, Josh Gitersonke | Editing by | Paul C. Nielsen, Julian Gomez, Andrew Kozar, Jennifer Nelson, Jacob Parsons, Eric Goldfarb, Mike Bolanowski, Ryan Leamy, Chris Dalzell, Rich Remis, Evan Finn, Andy Castor, Eric Beetner, Paolo Cascardo, Aaron M. Lewis, Jeremy Gantz, Steven J. Escobar, Andrew Frank, Jules Frazier, Steven Urrutia, Chris DiMaso, Eric Van Wagenen, Phillip Pableo, Jason Pedroza, Jon Bachmann, Trevor Frey, Tony Diaz, Matt Deitrich, Heeyeon Chang, Paul Withers, Grace Piena, Jonathan Moore, Nicole Vanderneut, Steve Mellon, James M. Smith, Katherine Griffin, Darrick Lazo, Jeff Runyan, Craig E. Serling, Hudson Smith, Tim Bartlett, Matt Antell, Tori Rodman, Byron Glickfeld, Teki Cruickshank, Eli Frankel, Scott Storm, Brian York, Damon Olney, Kinsey Beck, Noelle Debruhl, Christina Fontana, Jay Gammill, Josh Lowry, Sharmila Ariathurai, Tom McGah, Joubin Mortazavi, Rob LaLonde, Barry A. O'Brien, Adam Powell, Damien Baskette, David Dooyun Kim, Seth T. Levine, Joel Bender, Josh Belson, Conroy Browne, Fernanda Cardoso, Tenna Guthrie, Karen Smith, Danny Flynn, Josh Lennox, Marc Markley, Jason Thompson, Finian Shea Johnson, Ernesto de la O, Kathy Messer, Carrie Ansell, Paul Coyne, Clayton Halsey, Don Misraje, Brian Phillips, Michael E. Polakow, M. Edward Salier, Patrick Sayers, Michael Friedman, Chris Skopinski, Marina Catala, Edward Doty, Shari Hammerman, Mick LeGrande, Jacob Lane, Jill Pleeter, Jason Stewart, Matt Kay, Trevor Campbell, Shane Moran, Jason Groothuis, Eric Johannsen, Kelly Coskran, Hans van Riet, Zack Bell, Natalie Ebnet, Tricia Rodrigo, Eric Scott Wilson, Brooks Larson, Skip Robinson, Jimmy Giritlian, Kellen Cruden, Gary Pennington, Roderick Paramour, Ryan Morrell, Tracy Bacenas, A.G. Bealer, Heidi Scharfe, Phillip Gessert, Jennifer Barlow, Henry Harmon, Derek Vaughn, Robbie Paramor

Starring | Phil Keoghan, Joyce Agu, Uchenna Agu, Jet McCoy

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Murderball (2005)

Documentary | 2D | SD Project | Color | 1.85:1 | 88 Minutes

Directed by | Henry Alex Rubin, Dana Adam Shapiro | Cinematography by | Henry Alex Rubin | Editing by | Conor O'Neill, Geoffrey Richman

Starring | Joe Soares, Keith Cavill, Mark Zupan, Joe Bishop

Cameras | Panasonic AG-DVX100 Camera

Xenia (2014)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Panos H. Koutras | Cinematography by | Hélène Louvart, Simos Sarketzis | Editing by | Yorgos Lamprinos

Starring | Kostas Nikouli, Nikos Gelia, Yannis Stankoglou, Marisha Triantafyllidou

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens

Patton (1970)

Motion Picture | 2D | Film Project | Color | 172 Minutes

Directed by | Franklin J. Schaffner | Cinematography by | Fred J. Koenekamp | Editing by | Hugh S. Fowler

Starring | George C. Scott, Karl Malden, Stephen Young, Michael Strong

Cameras | Mitchell FC 65mm Camera

The Two Faces of January (2014)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Hossein Amini | Cinematography by | Marcel Zyskind | Editing by | Nicolas Chaudeurge, Jon Harris

Starring | Viggo Mortensen, Kirsten Dunst, Oscar Isaac, Daisy Bevan

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Hawk C-Series Lenses

Trilogia II: I skoni tou hronou (2008)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 125 Minutes

Directed by | Theodoros Angelopoulos | Cinematography by | Andreas Sinanos | Editing by | Giorgos Helidonidis, Yannis Tsitsopoulos

Starring | Willem Dafoe, Bruno Ganz, Michel Piccoli, Irène Jacob

Cameras | ARRIFLEX 535 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Before Midnight (2013)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Richard Linklater | Cinematography by | Christos Voudouris | Editing by | Sandra Adair

Starring | Ethan Hawke, Julie Delpy, Seamus Davey-Fitzpatrick, Ariane Labed

Cameras | ARRI ALEXA Camera

Directing Hell (2011)

Motion Picture | 2D | Color, Black and White | 1.78:1 (16x9) | 79 Minutes

Directing Hell | ShotOnWhat?

Directed by | Christos Houliaras | Cinematography by | Thodoros Mihopoulos | Editing by | Aliki Panagi

Starring | Giannis Angelakas, Yannis Economides, Vadim Glowna, Vicky Harris

Cameras | Canon EOS-7D Camera

27 Missing Kisses (2000)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Nana Dzhordzhadze | Cinematography by | Phedon Papamichael | Editing by | Vessela Martschewski

Starring | Nutsa Kukhianidze, Evgeniy Sidikhin, Shalva Iashvili, Pierre Richard

Cameras | Moviecam Cameras

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