Ireland | 48 Titles
The Lobster (2015)
Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis
Cameras | ARRI ALEXA XT Camera
A:D (2005)
Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef
Cameras | Sony DCR-VX2000 Camera
Lenses | Sony Lenses
The Lost City of Z (2016)
Directed by | James Gray | Cinematography by | Darius Khondji | Editing by | John Axelrad, Lee Haugen
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Advanced Camera
Lenses | Angenieux HR Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Flare Lenses, Panavision E Series Anamorphic Lenses
Casino Royale (1967)
Directed by | Val Guest, Ken Hughes, John Huston, Joseph McGrath, Robert Parrish, Richard Talmadge | Cinematography by | Jack Hildyard | Editing by | Bill Lenny
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Star Wars: The Force Awakens (2015)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Star Wars: Episode VIII – The Last Jedi (2017)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Ryan’s Daughter (1970)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage
Cameras | Super Panavision-70 Camera
Lenses | Panavision Lenses
Paddington 2 (2017)
Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Jonathan Amos, Mark Everson
Cameras | ARRI ALEXA Series Cameras
The Quiet Man (1952)
Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray
Cameras | Mitchell Cameras
Black Narcissus (1947)
Directed by | Michael Powell, Emeric Pressburger | Cinematography by | Jack Cardiff | Editing by | Reginald Mills
Cameras | Technicolor 3-Strip Camera
The Big Red One (1980)
Directed by | Samuel Fuller | Cinematography by | Adam Greenberg | Editing by | Bryan McKenzie, Morton Tubor
Cameras | ARRIFLEX Camera
The Banshees of Inisherin (2022)
Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Mikkel E.G. Nielsen
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
The Quiet Girl (2022)
Directed by | Colm Bairéad | Cinematography by | Kate McCullough | Editing by | John Murphy
Cameras | Sony CineAlta VENICE Camera
Lenses | Zeiss Compact Prime CP.3 Lenses
Detainment (2018)
Killers Within (2018)
Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham
Cameras | Sony PXW-FS7 Camera
Vikings (2013)
| Cinematography by | P.J. Dillon, Peter Robertson, Owen McPolin, John S. Bartley, Suzie Lavelle | Editing by | Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses | Panavision Lenses
Brenda (2015)
Directed by | Matteo Bertoli | Cinematography by | Matteo Bertoli | Editing by | Ciaran Murray
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Zeiss Lenses
Sing Street (2016)
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus, Julian Ulrichs
Cameras | ARRICAM Lite (LT) Camera, Red Epic Camera
Everything in This Country Must (2004)
Directed by | Gary McKendry | Cinematography by | Jim Whitaker | Editing by | Paul Martinez
Cameras | Aaton Cameras, ARRIFLEX Camera
Six Shooter (2004)
Directed by | Martin McDonagh | Cinematography by | Baz Irvine | Editing by | Nicolas Gaster
Cameras | Panavision Cameras
Lenses | Panavision Lenses
