Germany | 97 Titles
The Amazing Race (2001)
60 Minutes
| Cinematography by | Peter Rieveschl, Per Larsson, Tom Cunningham, Josh Gitersonke | Editing by | Paul C. Nielsen, Julian Gomez, Andrew Kozar, Jennifer Nelson, Jacob Parsons, Eric Goldfarb, Mike Bolanowski, Ryan Leamy, Chris Dalzell, Rich Remis, Evan Finn, Andy Castor, Eric Beetner, Paolo Cascardo, Aaron M. Lewis, Jeremy Gantz, Steven J. Escobar, Andrew Frank, Jules Frazier, Steven Urrutia, Chris DiMaso, Eric Van Wagenen, Phillip Pableo, Jason Pedroza, Jon Bachmann, Trevor Frey, Tony Diaz, Matt Deitrich, Heeyeon Chang, Paul Withers, Grace Piena, Jonathan Moore, Nicole Vanderneut, Steve Mellon, James M. Smith, Katherine Griffin, Darrick Lazo, Jeff Runyan, Craig E. Serling, Hudson Smith, Tim Bartlett, Matt Antell, Tori Rodman, Byron Glickfeld, Teki Cruickshank, Eli Frankel, Scott Storm, Brian York, Damon Olney, Kinsey Beck, Noelle Debruhl, Christina Fontana, Jay Gammill, Josh Lowry, Sharmila Ariathurai, Tom McGah, Joubin Mortazavi, Rob LaLonde, Barry A. O'Brien, Adam Powell, Damien Baskette, David Dooyun Kim, Seth T. Levine, Joel Bender, Josh Belson, Conroy Browne, Fernanda Cardoso, Tenna Guthrie, Karen Smith, Danny Flynn, Josh Lennox, Marc Markley, Jason Thompson, Finian Shea Johnson, Ernesto de la O, Kathy Messer, Carrie Ansell, Paul Coyne, Clayton Halsey, Don Misraje, Brian Phillips, Michael E. Polakow, M. Edward Salier, Patrick Sayers, Michael Friedman, Chris Skopinski, Marina Catala, Edward Doty, Shari Hammerman, Mick LeGrande, Jacob Lane, Jill Pleeter, Jason Stewart, Matt Kay, Trevor Campbell, Shane Moran, Jason Groothuis, Eric Johannsen, Kelly Coskran, Hans van Riet, Zack Bell, Natalie Ebnet, Tricia Rodrigo, Eric Scott Wilson, Brooks Larson, Skip Robinson, Jimmy Giritlian, Kellen Cruden, Gary Pennington, Roderick Paramour, Ryan Morrell, Tracy Bacenas, A.G. Bealer, Heidi Scharfe, Phillip Gessert, Jennifer Barlow, Henry Harmon, Derek Vaughn, Robbie Paramormodified:
The Grand Budapest Hotel (2014)
99 Minutes
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling Cameras | ARRICAM Studio (ST) Camera
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Bohemian Rhapsody (2018)
134 Minutes
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottmanmodified:
Black Wedding (2015)
70 Minutes
Directed by | Thomas Bohn | Cinematography by | Frank Glencairn Cameras | Blackmagic Cinema Camera
Lenses | Zeiss Lenses
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Chitty Chitty Bang Bang (1968)
144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley Cameras | Super Panavision-70 Camera
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Atomic Blonde (2017)
115 Minutes
Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses | Hawk V-Lite Vintage´74 Lens
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The Radicalization of Jeff Boyd (2017)
117 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder Cameras | Blackmagic Pocket Cinema Camera
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Dogs of Berlin (2018)
542 Minutes
Capture Resolution | 3424 x 2202 - (1.55:1) Capture Resolution, 5120 x 2880 - (1.78:1) Capture Resolution, 6560 x 3100 - (2.12:1) Capture Resolution
| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leica Summilux-C Series Lenses
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Karakter (1997)
122 Minutes
Directed by | Mike van Diem | Cinematography by | Rogier Stoffers | Editing by | Jessica de Koning Cameras | ARRIFLEX 35 BL4 Camera
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Der Staat gegen Fritz Bauer (2015)
105 Minutes
Directed by | Lars Kraume | Cinematography by | Jens Harant | Editing by | Barbara Giesmodified:
Morris from America (2016)
91 Minutes
Directed by | Chad Hartigan | Cinematography by | Sean McElwee | Editing by | Anne Fabini Cameras | ARRI ALEXA Camera, Red Epic Camera
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Jason Bourne (2016)
123 Minutes
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution, 6144x3160 - (1.94:1) Capture Resolution
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
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Beyond Silence (1996)
109 Minutes
Directed by | Caroline Link | Cinematography by | Gernot Roll | Editing by | Patricia Rommelmodified:
Clouds of Sils Maria (2014)
124 Minutes
Directed by | Olivier Assayas | Cinematography by | Yorick Le Saux | Editing by | Marion Monniermodified:
Eddie the Eagle (2015)
106 Minutes
Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Martin Walshmodified:
Der Fan (1982)
92 Minutes
Directed by | Eckhart Schmidt | Cinematography by | Bernd Heinl | Editing by | Patricia Rommel, Eckhart Schmidtmodified:
Captain America: Civil War (2016)
147 Minutes
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
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Sophie Scholl: The Final Days (2005)
120 Minutes
Directed by | Marc Rothemund | Cinematography by | Martin Langer | Editing by | Hans Funckmodified:
Operation Homecoming: Writing the Wartime Experience (2007)
81 Minutes
Directed by | Richard Robbins | Cinematography by | Jason Ellson | Editing by | Gillian McCarthymodified:
I’m Off Then (2015)
92 Minutes
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring Lenses | Fujinon Alura Zoom 45-250mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
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