Netherlands | 40 Titles
Als Het Leven Soms Anders Is (2024)
Directed by | Lotte Ruules | Cinematography by | Max van de Pol | Editing by | Keno Aladjuz
Cameras | Sony CineAlta VENICE Camera
Je Bent Al Hier (2024)
Directed by | Inez Eltink | Cinematography by | Jor Broeder | Editing by | Keno Aladjuz
Cameras | Sony ILME-FX3 Camera
Rups (2024)
Directed by | Susanne Hagen | Cinematography by | Jesse Post | Editing by | Keno Aladjuz
Cameras | ARRI ALEXA Mini LF Camera
Dunkirk (2017)
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Verwaant (2023)
Directed by | Syb Faes | Cinematography by | Bregje Pontzen | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema 4K Camera
Geluid van het Einde (2023)
Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg
Cameras | Blackmagic Pocket Cinema 4K Camera
Waiting for Smith’s Trilogy (2024)
Directed by | Sebastiaan de Reuver | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema 4K Camera
Kacke Kost Geld (2021)
Directed by | Joël Mulder | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Canon Cameras, Panasonic Lumix DMC-GH5s Camera
Instorten (2022)
Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg
Cameras | Blackmagic Pocket Cinema 4K Camera
Van Hitcom Naar Shitcom (En Weer Terug) (2024)
Directed by | Charmeno Kraladis | Cinematography by | Tijmen Kroonenberg | Editing by | Keno Aladjuz
Cameras | Panasonic Lumix DMC-GH5s Camera
Control Delete (2024)
Directed by | Kris van Melle | Cinematography by | Britt Adriaansen | Editing by | Keno Aladjuz
Cameras | Blackmagic URSA Camera
Post Mortem (2022)
Directed by | Luca Larsen | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Zeiss Compact Prime CP.2 Lenses
Diamonds Are Forever (1971)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, John W. Holmes
Cameras | ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200
The Spy Who Dumped Me (2018)
Directed by | Susanna Fogel | Cinematography by | Barry Peterson | Editing by | Jonathan Schwartz
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Kompas (2024)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens
The Hitman’s Bodyguard (2017)
Directed by | Patrick Hughes | Cinematography by | Jules O'Loughlin | Editing by | Jake Roberts
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens
Close (2022)
Directed by | Lukas Dhont | Cinematography by | Frank van den Eeden | Editing by | Alain Dessauvage
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
Wortels Uit Blik (2022)
Directed by | Keno Aladjuz | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Zeiss Compact Prime CP.2 Lenses
Een Rivier om te Bevriezen (2023)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.2 Lenses