Director Of Photography: Second Unit
John Wick: Chapter 4 (2023)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Nathan Orloff
Director Of Photography: Additional Photography
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Second Unit Director
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Cinematography
The Counselor (2013)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Director Of Photography: Vfx Unit
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Director Of Photography: Second Unit, Second Unit Director
The Raven (2012)
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Director Of Photography: Second Unit, Second Unit Director
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Second Unit Director
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Director Of Photography: Second Unit, Second Unit Director
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Director Of Photography: Breakaway Unit
City of Ember (2008)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Camera Operator: Palio Unit / Director Of Photography: Second Unit
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Director Of Photography: Second Unit, UK, Second Unit Director: UK
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Director Of Photography: UK Additional Second Unit
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Director Of Photography: Second Unit, Second Unit Director
Hannibal Rising (2007)
Directed by: Peter Webber
Cinematography by: Ben Davis
Director Of Photography: Additional Photography / Director Of Photography: Visual Effects Unit, Visual Effects Director Of Photography
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Director Of Photography: Second Unit, Second Unit Director
Basic Instinct 2 (2006)
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados
Second Unit Director
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Director Of Photography: Second Unit
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Director Of Photography: Second Unit, Second Unit Director
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Director Of Photography: Second Unit, Second Unit Director
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Director Of Photography: Second Unit
The Phantom of the Opera (2004)
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Director Of Photography: Second Unit, Second Unit Director
Monsieur N. (2003)
Directed by: Antoine de Caunes
Cinematography by: Pierre Aïm
Edited by: Joële Van Effenterre
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Additional Unit Director, Additional Unit Photographer
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Director Of Photography: Second Unit, Second Unit Director
Brotherhood of the Wolf (2001)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Director Of Photography: Second Unit, Second Unit Director
Animal Farm (1999)
Directed by: John Stephenson
Cinematography by: Mike Brewster
Edited by: Colin Green
Camera Operator
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Camera Operator
The Princess Bride (1987)
Directed by: Rob Reiner
Cinematography by: Adrian Biddle
Edited by: Robert Leighton
Camera Operator
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Camera Operator
The Keep (1983)
Directed by: Michael Mann
Cinematography by: Alex Thomson
Cameras: ARRIFLEX 35 BL3 Camera
Assistant Camera
Players (1979)
Directed by: Anthony Harvey
Cinematography by: James Crabe
Edited by: Randy Roberts
Assistant Camera: Plate Unit
The Spy Who Loved Me (1977)
Directed by: Lewis Gilbert
Cinematography by: Claude Renoir
Edited by: John Glen
Clapper Loader
Aces High (1976)
Directed by: Jack Gold
Cinematography by: Gerry Fisher
Edited by: Anne V. Coates
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Clapper Loader
The Adventure of Sherlock Holmes' Smarter Brother (1975)
Directed by: Gene Wilder
Cinematography by: Gerry Fisher
Edited by: Jim Clark
