Additional Visual Effects Supervisor
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Visual Effects Supervisor: Hammerhead Productions
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Visual Effects Supervisor
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Hammerhead
Wanderlust (2012)
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Hammerhead Productions
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Hammerhead
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
The Guilt Trip (2012)
Directed by: Anne Fletcher
Cinematography by: Oliver Stapleton
Senior Visual Effects Supervisor: Hammerhead
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Visual Effects Supervisor
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Bad Teacher (2011)
Directed by: Jake Kasdan
Cinematography by: Alar Kivilo
Edited by: Tara Timpone
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Visual Effects Creative Consultant
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor: Hammerhead Productions
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
Visual Effects Supervisor: Hammerhead
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Visual Effects Supervisor: Hammerhead
Up in the Air (2009)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Visual Effects Supervisor
The Secret Life of Bees (2008)
Directed by: Gina Prince-Bythewood
Cinematography by: Rogier Stoffers
Edited by: Terilyn A. Shropshire
Visual Effects Supervisor: Hammerhead Productions
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Visual Effects Supervisor: Hammerhead Productions
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Visual Effects Supervisor: Hammerhead Productions
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Visual Effects: Hammerhead Productions
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Visual Effects Supervisor: Hammerhead Productions
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Visual Effects Supervisor: Hammerhead Productions
The Heartbreak Kid (2007)
Cinematography by: Matthew F. Leonetti
Effects Animator: Hammerhead
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Supervisor: Hammerhead Productions
Dreamer: Inspired by a True Story (2005)
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Hammerhead Productions
The Ring Two (2005)
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Visual Effects Supervisor: Hammerhead Productions
Get Rich or Die Tryin' (2005)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Visual Effects Supervisor: Hammerhead Productions
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Visual Effects Supervisor: Hammerhead Productions
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Visual Effects Supervisor: Hammerhead Productions
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Animator: Hammerhead Productions
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Visual Effects Supervisor: Hammerhead Productions
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Animator: Hammerhead Productions
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Visual Effects Supervisor: Hammerhead Productions
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Animator: Hammerhead Productions
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Hammerhead Productions
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Lead Animator: Hammerhead Productions
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Visual Effects Supervisor: Hammerhead Productions
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Lead Animator: Hammerhead Productions
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Visual Effects: Hammerhead Productions
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Visual Effects Supervisor: Hammerhead Productions
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Visual Effects: Hammerhead Productions
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Visual Effects Supervisor: Hammerhead Productions
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Visual Effects Supervisor: Hammerhead Productions
Spawn (1997)
Directed by: Mark A.Z. Dippé
Cinematography by: Guillermo Navarro
Visual Effects: Hammerhead Productions
Vampire in Brooklyn (1995)
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Digital Visual Effects: Hammerhead
Showgirls (1995)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Visual Effects Supervisor: PDI
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Visual Effects Supervisor: PDI
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Special Effects Coordinator
Airheads (1994)
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Digital Effects Supervisor: PDI
RoboCop 3 (1993)
Directed by: Fred Dekker
Cinematography by: Gary B. Kibbe
Edited by: Bert Lovitt
Digital Effects Supervisor: PDI
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Digital Effects Supervisor: PDI
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Animator: PDI / Technical Supervisor: PDI
Solar Crisis (1990)
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
