Re-recording Mixer / Sound Effects Editor / Supervising Sound Editor
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Sound Designer / Supervising Sound Editor
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Sound Effects Editor / Supervising Sound Editor
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Sound Designer / Supervising Sound Editor
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Sound Designer / Sound Effects Editor / Supervising Sound Editor
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Supervising Sound Editor
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Sound Designer / Supervising Sound Editor
Stone (2010)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Sound Effects Editor - 12 Episodes, 2010
Boardwalk Empire (2010)
Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland
Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier
Sound Effects Editor
'Boardwalk Empire' Boardwalk Empire (2010)
Directed by: Martin Scorsese
Cinematography by: Stuart Dryburgh
Edited by: Sidney Wolinsky
Sound Effects Editor
'Boardwalk Empire' The Ivory Tower (2010)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Sound Effects Editor
'Boardwalk Empire' Broadway Limited (2010)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Sound Effects Editor
'Boardwalk Empire' Anastasia (2010)
Directed by: Jeremy Podeswa
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Sound Effects Editor
'Boardwalk Empire' Nights in Ballygran (2010)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Sound Effects Editor
'Boardwalk Empire' Family Limitation (2010)
Directed by: Timothy Van Patten
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Sound Effects Editor
'Boardwalk Empire' Home (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Sound Effects Editor
'Boardwalk Empire' Hold Me in Paradise (2010)
Directed by: Brian Kirk
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Sound Effects Editor
'Boardwalk Empire' Belle Femme (2010)
Directed by: Brad Anderson
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Sound Effects Editor
'Boardwalk Empire' The Emerald City (2010)
Directed by: Simon Cellan Jones
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Sound Effects Editor
'Boardwalk Empire' Paris Green (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Sound Effects Editor
'Boardwalk Empire' A Return to Normalcy (2010)
Directed by: Timothy Van Patten
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Sound Effects Editor
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Sound Designer
Handsome Harry (2009)
Directed by: Bette Gordon
Cinematography by: Nigel Bluck
Edited by: Keiko Deguchi
Re-recording Mixer / Supervising Sound Editor
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Sound Designer , Supervising Sound Editor
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Sound Designer / Sound Effects Editor / Supervising Sound Editor
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Additional Sound Re-recording Mixer / Sound Designer / Supervising Sound Editor
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Sound Designer
The Wackness (2008)
Directed by: Jonathan Levine
Cinematography by: Petra Korner
Edited by: Josh Noyes
Re-recording Mixer / Supervising Sound Editor
Lust, Caution (2007)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Edited by: Tim Squyres
Sound Effects Editor / Supervising Sound Editor
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Supervising Sound Designer / Supervising Sound Editor
The Night Listener (2006)
Directed by: Patrick Stettner
Cinematography by: Lisa Rinzler
Edited by: Andy Keir
Sound Effects Designer
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Sound Editor
A Guide to Recognizing Your Saints (2006)
Directed by: Dito Montiel
Cinematography by: Eric Gautier
Sound Designer
Fur: An Imaginary Portrait of Diane Arbus (2006)
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Sound Effects Recordist
The Notorious Bettie Page (2005)
Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke
Re-recording Mixer / Supervising Sound Editor
Brokeback Mountain (2005)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Sound Effects Designer
North Country (2005)
Directed by: Niki Caro
Cinematography by: Chris Menges
Edited by: David Coulson
Sound Designer , Supervising Sound Editor
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Sound Designer
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Sound Designer
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Sound: Design / Supervising Sound Editor
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Re-recording Mixer / Sound Effects Designer / Sound Effects Editor
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Sound Effects Editor
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Sound Designer
The Man Who Wasn't There (2001)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Supervising Sound Editor
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Sound Designer
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Sound Designer
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Sound Effects Designer
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Sound Effects Editor
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Designer
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Sound Effects Editor
The Object of My Affection (1998)
Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar
Sound Effects Designer
The Ice Storm (1997)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Sound Effects Editor
4 Little Girls (1997)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Samuel D. Pollard
Sound Effects Designer
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Additional Sound Effects
Fast, Cheap & Out of Control (1997)
Directed by: Errol Morris
Cinematography by: Robert Richardson
Sound Effects Editor
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
Lone Star (1996)
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Sound Effects Editor
The Perez Family (1995)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Cameras: Moviecam Compact Camera
Sound Editor
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Sound Effects Editor
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Sound Effects Editor
Clockers (1995)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Sam Pollard
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Sound Effects Editor
Get Shorty (1995)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Sound Effects Editor
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Sound Effects Editor
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Sound Effects Editor
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Sound Editor
Household Saints (1993)
Directed by: Nancy Savoca
Cinematography by: Bobby Bukowski
Edited by: Elizabeth Kling
Sound Effects Editor
Passion Fish (1992)
Directed by: John Sayles
Cinematography by: Roger Deakins
Edited by: John Sayles
Sound Effects Editor
Night on Earth (1991)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Jay Rabinowitz
Synclavier Engineer
Family Business (1989)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Sound Effects Editor
Mystery Train (1989)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Melody London
Sound Editor
Do the Right Thing (1989)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
Sound Effects Editor
Mortuary Academy (1988)
Directed by: Michael Schroeder
Edited by: Ellen Keneshea
Sound Effects Editor: Access
She's Gotta Have It (1986)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Spike Lee
Sound Effects Editor
The Stuff (1985)
Directed by: Larry Cohen
Cinematography by: Paul Glickman
Edited by: Armond Lebowitz
