Gary Duncan

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Furious 7 | ShotOnWhat?

Picture Car Captain: Georgia

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Taken 3 | ShotOnWhat?

Picture Car Coordinator: Georgia

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Need for Speed | ShotOnWhat?

Picture Car Captain

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

Identity Thief | ShotOnWhat?

Picture Car Coordinator

Identity Thief (2013)

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Flight | ShotOnWhat?

Picture Car Coordinator

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Dark Knight Rises | ShotOnWhat?

Picture Car Captain: Pittsburgh, NYC

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Lawless | ShotOnWhat?

Picture Car Captain

Lawless (2012)

Directed by: John Hillcoat

Cinematography by: Benoît Delhomme

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

X: First Class | ShotOnWhat?

Picture Car Coordinator / Picture Car Coordinator: U.S. / Picture Car Coordinator: US

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hall Pass | ShotOnWhat?

Marine Coordinator / Picture Car Coordinator

Hall Pass (2011)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Killers | ShotOnWhat?

Picture Car Captain

Killers (2010)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Richard Francis-Bruce, Mary Jo Markey

Cameras: ARRIFLEX D-21 Camera

Lenses: Hawk V-Series Lenses

Knight and Day | ShotOnWhat?

Picture Car Coordinator / Picture Car Coordinator: U.S. / Picture Car Coordinator: US

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

State of Play | ShotOnWhat?

Picture Car Coordinator

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

One Missed Call | ShotOnWhat?

Picture Car Coordinator

One Missed Call (2008)

Directed by: Eric Valette

Cinematography by: Glen MacPherson

Edited by: Steve Mirkovich

Body of Lies | ShotOnWhat?

Picture Car Coordinator

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Evan Almighty | ShotOnWhat?

Assistant Picture Car Coordinator: Virginia/Washington DC

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

The New World | ShotOnWhat?

Marine Coordinator , Transportation Captain

The New World (2005)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ladder 49 | ShotOnWhat?

Marine Coordinator / Picture Car Coordinator

Ladder 49 (2004)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Bud S. Smith, M. Scott Smith

Iron Jawed Angels | ShotOnWhat?

Transportation Captain

Iron Jawed Angels (2004)

Television Movie

Directed by: Katja von Garnier

Cinematography by: Robbie Greenberg

Edited by: Hans Funck

Just Visiting | ShotOnWhat?

Driver: Insert Car, Chicago/Los Angeles Additional Photography

Just Visiting (2001)

Directed by: Jean-Marie Poiré

Cinematography by: Ueli Steiger

Edited by: Michael A. Stevenson

Cameras: Panavision Cameras

Hearts in Atlantis | ShotOnWhat?

Picture Car Coordinator

Hearts in Atlantis (2001)

Directed by: Scott Hicks

Cinematography by: Piotr Sobocinski

Edited by: Pip Karmel

Thirteen Days | ShotOnWhat?

Driver: Washington, D.C.

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Arlington Road | ShotOnWhat?

Insert Car Driver: Washington D.C.

Arlington Road (1999)

Directed by: Mark Pellington

Cinematography by: Bobby Bukowski

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Palmetto | ShotOnWhat?

Driver: Insert Car

Palmetto (1998)

Directed by: Volker Schlöndorff

Cinematography by: Thomas Kloss

Edited by: Peter Przygodda

The Gingerbread Man | ShotOnWhat?

Driver: Insert Car

The Gingerbread Man (1998)

Directed by: Robert Altman

Cinematography by: Changwei Gu

Edited by: Geraldine Peroni

Black Dog | ShotOnWhat?

Captain: Second Unit

Black Dog (1998)

Directed by: Kevin Hooks

Cinematography by: Buzz Feitshans IV

Edited by: Debra Neil-Fisher, Sabrina Plisco

A Time to Kill | ShotOnWhat?

Picture Car Coordinator

A Time to Kill (1996)

Directed by: Joel Schumacher

Cinematography by: Peter Menzies Jr.

Edited by: William Steinkamp

Cameras: Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Chamber | ShotOnWhat?

Driver: Insert Car

The Chamber (1996)

Directed by: James Foley

Cinematography by: Ian Baker

Edited by: Mark Warner

Dolores Claiborne | ShotOnWhat?

Driver: Camera Car

Dolores Claiborne (1995)

Directed by: Taylor Hackford

Cinematography by: Gabriel Beristain

Edited by: Mark Warner

Striking Distance | ShotOnWhat?

Picture Car Coordinator

Striking Distance (1993)

Directed by: Rowdy Herrington

Cinematography by: Mac Ahlberg

Edited by: Pasquale Buba, Mark Helfrich

Thunderheart | ShotOnWhat?

Transportation Captain

Thunderheart (1992)

Directed by: Michael Apted

Cinematography by: Roger Deakins

Edited by: Ian Crafford

Cameras: ARRI Cameras

Six Pack | ShotOnWhat?

Stunt Car Preparation

Six Pack (1982)

Directed by: Daniel Petrie

Cinematography by: Mario Tosi

Edited by: Rita Roland

The Cannonball Run | ShotOnWhat?

Stunt Car Preparation

The Cannonball Run (1981)

Directed by: Hal Needham

Cinematography by: Michael C. Butler

Edited by: Donn Cambern, William D. Gordean

Smokey and the Bandit | ShotOnWhat?

Stunt Car Preparation

Smokey and the Bandit (1977)

Directed by: Hal Needham

Cinematography by: Bobby Byrne

Edited by: Walter Hannemann, Angelo Ross

Cameras: Panavision Cameras

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