Sound Effects Editor
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Sound Effects Editor: Los Angeles
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Sound Effects Editor
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Supervising Sound Editor
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Sound Recordist - Weapons
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Sound Effects Editor
Think Like a Man (2012)
Directed by: Tim Story
Cinematography by: Larry Blanford
Edited by: Peter S. Elliot
Cameras: Red Epic Camera
Sound Designer
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Additional Sound Designer
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Sound Effects Editor
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Sound Effects Editor
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Sound Effects Recording
There Be Dragons (2011)
Directed by: Roland Joffé
Cinematography by: Gabriel Beristain
Edited by: Richard Nord
Sound Recordist - Weapons
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Sound Effects Recordist
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Sound Effects Editor
Mahler on the Couch (2010)
Cinematography by: Benedict Neuenfels
Edited by: Jochen Kunstler
Cameras: Red Digital Cinema Cameras
Sound Effects Editor
Sex and the City 2 (2010)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Sound Designer
Kill Theory (2009)
Directed by: Chris Moore
Cinematography by: David A. Armstrong
Edited by: Maureen Meulen
Sound Designer
Dark Country (2009)
Directed by: Thomas Jane
Cinematography by: Geoff Boyle
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Lenses: Angenieux Lenses, Schneider Lenses
Sound Designer
S. Darko (2009)
Directed by: Chris Fisher
Cinematography by: Marvin V. Rush
Edited by: Kent Beyda
Cameras: Red One Camera
Sound Editor
Welcome Home, Roscoe Jenkins (2008)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Sound Design Editor / Sound Effects Editor
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Sound Effects Editor
Grindhouse (2007)
Sound Editor
Arnolds Park (2007)
Directed by: Gene Teigland
Cinematography by: Craig Peterschmidt
Edited by: Gene Teigland
Sound Designer
Letters from Iwo Jima (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Sound Designer , Sound Effects Editor
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Sound Designer / Sound Effects Editor
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Sound Effects Designer / Sound Effects Editor
The Great Raid (2005)
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Sound Effects Editor
Rx (2005)
Directed by: Ariel Vromen
Cinematography by: Scott Kevan
Edited by: Danny Rafic
Sound Designer
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Sound Effects Designer / Sound Effects Editor / Sound Recordist
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Sound Effects Editor
Against the Ropes (2004)
Directed by: Charles S. Dutton
Cinematography by: Jack N. Green
Edited by: Eric L. Beason
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
A Christmas Carol: The Musical (2004)
Directed by: Arthur Allan Seidelman
Cinematography by: Hanania Baer
Edited by: Bert Glatstein
Temp Sound Effects Editor
Darkness Falls (2003)
Directed by: Jonathan Liebesman
Cinematography by: Dan Laustsen
Sound Effects Recordist
Levity (2003)
Directed by: Ed Solomon
Cinematography by: Roger Deakins
Edited by: Pietro Scalia
Sound Effects Editor
The Order (2003)
Directed by: Brian Helgeland
Cinematography by: Nicola Pecorini
Edited by: Kevin Stitt
Sound Effects Editor
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Supervising Sound Editor
Tuck Everlasting (2002)
Directed by: Jay Russell
Cinematography by: James L. Carter
Edited by: Jay Cassidy
Cameras: Panavision Panaflex Gold II Camera
Sound Designer
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Sound Effects Editor
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Special Sound Designer
Daddy and Them (2001)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Cameras: Panavision Cameras
Sound Design Editor
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Sound Effects Designer / Sound Effects Editor
Bless the Child (2000)
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Sound Effects Editor / Temp Effects Editor
Bait (2000)
Directed by: Antoine Fuqua
Cinematography by: Tobias A. Schliessler
Edited by: Alan Edward Bell
Cameras: Panavision Cameras
Sound Effects Designer
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Sound Effects Editor
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Sound Effects Designer , Sound Effects Editor
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Sound Effects Editor
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Sound Editor
Ringmaster (1998)
Directed by: Neil Abramson
Cinematography by: Russell j Lyster
Edited by: Suzanne Hines
Sound Effects Editor
A Murder of Crows (1998)
Directed by: Rowdy Herrington
Cinematography by: Robert Primes
Edited by: Harry B. Miller III
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Editor
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Sound Effects Editor
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Sound Fx Editor
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Foley Editor / Sound Effects Designer / Sound Effects Editor
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Supervising Sound Editor
Mad Dog Time (1996)
Directed by: Larry Bishop
Cinematography by: Frank Byers
Edited by: Norman Hollyn
Editing System: Lightworks Editing System
Sound Editor / Sound Effects Editor
Mallrats (1995)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Paul Dixon
Sound Editor
Gold Diggers: The Secret of Bear Mountain (1995)
Directed by: Kevin James Dobson
Cinematography by: Ross Berryman
Edited by: Stephen Butler
