Production Coordinator: Additional Photography
Ghostbusters (2016)
| USA, Australia
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Production Coordinator: LA Unit
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Production Coordinator: 2nd Unit
The Hunger Games: Mockingjay - Part 1 (2014)
| USA
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Production Coordinator: Additional Photography
Annabelle (2014)
| USA
Directed by: John R. Leonetti
Cinematography by: James Kniest
Edited by: Tom Elkins
Production Office Coordinator: Live Action Photography
The Lego Movie (2014)
| USA, Denmark, Australia
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
Production Coordinator: Additional Photography
Thor: The Dark World (2013)
| USA
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Assistant Production Coordinator: Reshoots
R.I.P.D. (2013)
| USA
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Assistant Production Coordinator: Reshoots
Furious 6 (2013)
| USA, Japan, Spain, UK
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Assistant Production Coordinator: Reshoots
Iron Man Three (2013)
| USA
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
Assistant Production Coordinator: Hawaii
Battleship (2012)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Assistant Production Coordinator: La
Django Unchained (2012)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Assistant Production Coordinator: La
The Dark Knight Rises (2012)
| UK, USA
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Assistant Production Coordinator
Pirates of the Caribbean: On Stranger Tides (2011)
| USA, UK
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Assistant Production Coordinator: Los Angeles
Marmaduke (2010)
| USA
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Assistant Production Coordinator
Date Night (2010)
| USA
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Assistant Production Coordinator
I Love You, Man (2009)
| USA
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Assistant Production Coordinator: Las Vegas
The Hangover (2009)
| USA, Germany
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Assistant Production Coordinator: Second Unit
Iron Man (2008)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Assistant Production Office Coordinator
Live Free or Die Hard (2007)
| USA, UK
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Editing System: Avid Editing System
Assistant Production Coordinator
Snakes on a Plane (2006)
| USA, Germany
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Assistant Production Coordinator , Production Office Coordinator: Splinter Unit
The Pursuit of Happyness (2006)
| USA
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Production Coordinator
The Break-Up (2006)
| USA
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Assistant Production Coordinator
The Fast and the Furious: Tokyo Drift (2006)
| USA, Germany, Japan
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Assistant Accountant
Elizabethtown (2005)
| USA
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Production Secretary
American Pie Presents: Band Camp (2005)
| USA
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Danny Saphire
Accounting Production Assistant
Lemony Snicket's A Series of Unfortunate Events (2004)
| USA, Germany
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Production Assistant
The Italian Job (2003)
| USA, France, UK, Italy
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Accounting Production Assistant: Scene Enhancements
Vanilla Sky (2001)
| USA, Spain
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
