Robert Wilson

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Blonde | ShotOnWhat?

Hair Stylist

Blonde (2022)

Directed by: Andrew Dominik

Cinematography by: Chayse Irvin

Edited by: Adam Robinson

Cameras: ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses: ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Ford v Ferrari | ShotOnWhat?

Hair Stylist: Georgia

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Den of Thieves | ShotOnWhat?

Key Hair Stylist: Second Unit

Den of Thieves (2018)

Directed by: Christian Gudegast

Cinematography by: Terry Stacey

Edited by: David S. Cox, Joel Cox, Nathan Godley

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Prime Lenses

Avengers: Infinity War | ShotOnWhat?

Hair Stylist: Legacy Effects

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Hair Stylist

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Thor: Ragnarok | ShotOnWhat?

Hair Stylist

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Spider-Man: Homecoming | ShotOnWhat?

Key Hair Stylist

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Baby Driver | ShotOnWhat?

Hair Department Head: Second Unit, Key Hair Stylist: Reshoots

Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Neighbors 2: Sorority Rising | ShotOnWhat?

Hair Stylist

Neighbors 2: Sorority Rising (2016)

Directed by: Nicholas Stoller

Cinematography by: Brandon Trost

Edited by: Zene Baker, Michael A. Webber

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Miracles from Heaven | ShotOnWhat?

Key Hair Stylist

Miracles from Heaven (2016)

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Emma E. Hickox

Cameras: ARRI Cameras

Lenses: ARRI Lenses

Captain America: Civil War | ShotOnWhat?

Hair Stylist

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

"Silicon Valley" White Hat/Black Hat | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' White Hat/Black Hat (2015)

Television Episode

Directed by: Alec Berg

Cinematography by: Tim Suhrstedt

Edited by: Brian Merken

"Silicon Valley" Adult Content | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Adult Content (2015)

Television Episode

Directed by: Alec Berg

Cinematography by: Tim Suhrstedt

Edited by: Tim Roche

"Silicon Valley" Homicide | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Homicide (2015)

Television Episode

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: Brian Merken

"Silicon Valley" Server Space | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Server Space (2015)

Television Episode

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: Tim Roche

"Silicon Valley" The Lady | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' The Lady (2015)

Television Episode

Directed by: Alec Berg

Cinematography by: Tim Suhrstedt

Edited by: Brian Merken

"Silicon Valley" Bad Money | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Bad Money (2015)

Television Episode

Directed by: Alec Berg

Cinematography by: Tim Suhrstedt

Edited by: Tim Roche

"Silicon Valley" Runaway Devaluation | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Runaway Devaluation (2015)

Television Episode

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: Brian Merken

Trumbo | ShotOnWhat?

Hair Stylist

Trumbo (2015)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

"Silicon Valley" Sand Hill Shuffle | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Sand Hill Shuffle (2015)

Television Episode

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: Tim Roche

"Silicon Valley" Signaling Risk | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Signaling Risk (2014)

Television Episode

Directed by: Alec Berg

Cinematography by: Jim Denault

Edited by: Tim Roche

"Silicon Valley" Proof of Concept | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Proof of Concept (2014)

Television Episode

Directed by: Mike Judge

Cinematography by: Jim Denault

Edited by: Tim Roche

"Silicon Valley" Optimal Tip-To-Tip Efficiency | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Optimal Tip-To-Tip Efficiency (2014)

Television Episode

Directed by: Mike Judge

Cinematography by: Jim Denault

Edited by: Brian Merken, Tim Roche

"Silicon Valley" Third Party Insourcing | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Third Party Insourcing (2014)

Television Episode

Directed by: Alec Berg

Cinematography by: Jim Denault

Edited by: Brian Merken, Tim Roche

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Hair Stylist

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Silicon Valley | ShotOnWhat?

Key Hair Stylist - 14 Episodes, 2014-2015

Silicon Valley (2014)

Television Series

Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross

Cinematography by: Tim Suhrstedt, Jim Denault

Edited by: Tim Roche, Brian Merken, Al LeVine, Paul Zucker, Brian Bautista

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Hair Stylist

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

"Silicon Valley" The Cap Table | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' The Cap Table (2014)

Television Episode

Directed by: Mike Judge

Cinematography by: Jim Denault

Edited by: Brian Merken

"Silicon Valley" Articles of Incorporation | ShotOnWhat?

Key Hair Stylist

'Silicon Valley' Articles of Incorporation (2014)

Television Episode

Directed by: Tricia Brock

Cinematography by: Jim Denault

Edited by: Tim Roche

"True Blood" Who Are You, Really? | ShotOnWhat?

Key Hair Stylist

'True Blood' Who Are You, Really? (2013)

Television Episode

Directed by: Stephen Moyer

Cinematography by: David Klein

Edited by: Louise Innes

Jimmy P. | ShotOnWhat?

Hair Department Head

Jimmy P. (2013)

Directed by: Arnaud Desplechin

Cinematography by: Stéphane Fontaine

Edited by: Laurence Briaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

"True Blood" The Sun | ShotOnWhat?

Key Hair Stylist

'True Blood' The Sun (2013)

Television Episode

Directed by: Daniel Attias

Cinematography by: Romeo Tirone

Edited by: Michael Ruscio

"True Blood" You're No Good | ShotOnWhat?

Key Hair Stylist

'True Blood' You're No Good (2013)

Television Episode

Directed by: Howard Deutch

Cinematography by: David Klein

Edited by: Mark Hartzell

"True Blood" Fuck the Pain Away | ShotOnWhat?

Key Hair Stylist

'True Blood' Fuck the Pain Away (2013)

Television Episode

Directed by: Michael Ruscio

Cinematography by: David Klein

Edited by: Carol Stutz

"True Blood" At Last | ShotOnWhat?

Key Hair Stylist

'True Blood' At Last (2013)

Television Episode

Directed by: Anthony Hemingway

Cinematography by: Romeo Tirone

Edited by: Louise Innes

Saving Mr. Banks | ShotOnWhat?

Hair Stylist

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Don Jon | ShotOnWhat?

Key Hair Stylist

Don Jon (2013)

Directed by: Joseph Gordon-Levitt

Cinematography by: Thomas Kloss

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hunger Games: Catching Fire | ShotOnWhat?

Hair Stylist

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Master | ShotOnWhat?

Hair Stylist

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

End of Watch | ShotOnWhat?

Hair Stylist

End of Watch (2012)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

The Amazing Spider-Man | ShotOnWhat?

Hair Stylist

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

"CSI: Crime Scene Investigation" Pick and Roll | ShotOnWhat?

Key Hair Stylist

'CSI: Crime Scene Investigation' Pick and Roll (2012)

Television Episode

Directed by: Alec Smight

Cinematography by: Crescenzo G.P. Notarile

Edited by: Louis Bravo

Argo | ShotOnWhat?

Hair Stylist

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Dark Knight Rises | ShotOnWhat?

Hair Stylist

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Stand Up Guys | ShotOnWhat?

Key Hair Stylist

Stand Up Guys (2012)

Directed by: Fisher Stevens

Cinematography by: Michael Grady

Edited by: Mark Livolsi

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hitchcock | ShotOnWhat?

Hair Stylist

Hitchcock (2012)

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Hair Stylist

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Cowboys & Aliens | ShotOnWhat?

Hair Stylist

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

J. Edgar | ShotOnWhat?

Hair Stylist

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Water for Elephants | ShotOnWhat?

Hair Stylist

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Cinema Verite | ShotOnWhat?

Hair Stylist

Cinema Verite (2011)

Television Movie

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Affonso Beato

Edited by: Sarah Flack, Robert Pulcini

The Artist | ShotOnWhat?

Hair Stylist

The Artist (2011)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Anne-Sophie Bion, Michel Hazanavicius

Cameras: ARRIFLEX 435 ES Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

In Time | ShotOnWhat?

Hair Stylist

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Burlesque | ShotOnWhat?

Hair Stylist

Burlesque (2010)

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Extract | ShotOnWhat?

Hair Stylist

Extract (2009)

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: Julia Wong

The Day the Earth Stood Still | ShotOnWhat?

Hair Stylist

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

True Blood | ShotOnWhat?

Key Hair Stylist - 5 Episodes, 2013

True Blood (2008)

Television Series

Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz

Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

CSI: Crime Scene Investigation | ShotOnWhat?

Key Hair Stylist - 1 Episode, 2012

CSI: Crime Scene Investigation (2000)

Television Series

Directed by: Kenneth Fink, Richard J. Lewis, Alec Smight, Danny Cannon, Brad Tanenbaum, Jeffrey G. Hunt, Louis Shaw Milito, Frank Waldeck, Philip Conserva, Martha Coolidge, David Grossman, Duane Clark, Bill Eagles, Terrence O'Hara, Paris Barclay, Michael Nankin, Eagle Egilsson, Lou Antonio, Thomas J. Wright, Charles Correll, Peter Markle, Deran Sarafian, Michael Slovis, Christopher Leitch, Karen Gaviola, Matt Earl Beesley, Rob Bailey, Quentin Tarantino, William Friedkin, Nathan Hope, Paul McCrane, Michael Shapiro, Michael W. Watkins, Jefery Levy, Allison Liddi-Brown, John Patterson, Oz Scott, Roy H. Wagner, Tucker Gates, Félix Enríquez Alcalá, Nelson McCormick, J. Miller Tobin, Andrew Baron, Jean de Segonzac, Bryan Spicer, Dean White, Jeff Woolnough, Andrew Bernstein, Naren Shankar, Charles Haid, Steven Felder, David Semel, Kevin Bray, Timothy Beavers, Alrick Riley, Claudia Yarmy

Edited by: John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

©2012 - 2025 ShotOnWhat?

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