Special Effects Shop Foreman
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Special Effects Project Supervisor
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Special Effects Foreman: Los Angeles Crew
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Special Effects Shop Foreman
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Special Effects Foreman
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Special Effects Shop Foreman
We Bought a Zoo (2011)
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects Shop Foreman
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Special Effects Foreman
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Special Effects Foreman
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Special Effects Foreman
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Special Effects Foreman
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
Special Effects Shop Foreperson
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Special Effects Technician
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Special Effects Shop Foreman
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Special Effects Foreman
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Special Effects Foreman
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Special Effects Technician
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Special Effects Foreman
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Special Effects Foreman: Replacement FX Crew
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Special Effects Shop Foreman
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Special Effects Foreman
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Special Effects Foreman
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Foreman
Evolution (2001)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Special Effects Technician
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Special Effects
Road Trip (2000)
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Sheldon Kahn
Special Effects Pyro Technician
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Special Effects Foreman
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Special Effects Technician: Los Angeles
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Special Effects Foreman
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Special Effects Foreman
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Special Effects Foreperson
Star Trek: First Contact (1996)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Special Effects Foreman
Strange Days (1995)
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
Special Effects Foreman
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Assistant Special Effects
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Special Effects Assistant
Harley Davidson and the Marlboro Man (1991)
Directed by: Simon Wincer
Cinematography by: David Eggby
Edited by: Corky Ehlers
Cameras: Panavision Cameras
Special Effects Assistant
Point Break (1991)
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Assistant
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Special Effects Technician
Die Hard 2 (1990)
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Special Effects
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Special Effects Technician
Tremors (1990)
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
Special Effects Supervisor
Rain Man (1988)
Directed by: Barry Levinson
Cinematography by: John Seale
Edited by: Stu Linder
Cameras: Panavision Panaflex Camera
Special Effects Technician
Endangered Species (1982)
Directed by: Alan Rudolph
Cinematography by: Paul Lohmann
Edited by: Tom Walls
Special Effects Technician
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Special Effects Technician
1941 (1979)
Directed by: Steven Spielberg
Cinematography by: William A. Fraker
Edited by: Michael Kahn
Cameras: Panavision Panaflex Series Cameras
Special Effects Technician
The Fury (1978)
Directed by: Brian De Palma
Cinematography by: Richard H. Kline
Edited by: Paul Hirsch
