Special Effects Supervisor
Dune (2020)
| USA, Hungary, Canada
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Cameras: ARRI ALEXA LF, ARRI ALEXA Mini LF
Special Effects Supervisor
The Girl in the Spider's Web (2018)
| Germany, Sweden, USA
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Edited by: Tatiana S. Riegel
Special Effects Supervisor
Blade Runner 2049 (2017)
| USA, UK, Hungary, Canada, Spain
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Special Effects Coordinator: Germany / Special Effects Supervisor: Second Unit, Germany
Captain America: Civil War (2016)
| USA
Cinematography by: Trent Opaloch
Special Effects Coordinator / Special Effects Supervisor
Bridge of Spies (2015)
| Germany, India, USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Special Effects Supervisor
The Hunger Games: Mockingjay - Part 2 (2015)
| USA
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Special Effects Supervisor
The Monuments Men (2014)
| USA, Germany
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Special Effects Supervisor
The Hunger Games: Mockingjay - Part 1 (2014)
| USA
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Special Effects Supervisor: Nefzer Babelsberg
The Grand Budapest Hotel (2014)
| Germany, USA
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Editing System: Avid Editing System
Special Effects Supervisor
Hansel & Gretel: Witch Hunters (2013)
| Germany, USA
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Special Effects Coordinator / Special Effects Supervisor
A Good Day to Die Hard (2013)
| USA, Russia
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Special Effects Supervisor
The Apparition (2012)
| USA, Germany
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Supervisor: Die Nefxers
Hanna (2011)
| USA, UK, Germany
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Special Effects Supervisor
Anonymous (2011)
| UK, Germany, USA
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Peter R. Adam
Cameras: ARRI ALEXA Camera
Special Effects Supervisor: Second Unit
Your Highness (2011)
| USA
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Special Effects Supervisor
The Three Musketeers (2011)
| USA, Germany, France, UK
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Special Effects Supervisor
The White Ribbon (2009)
| Germany, Austria, France, Italy, Canada
Directed by: Michael Haneke
Cinematography by: Christian Berger
Edited by: Monika Willi
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Special Effects Supervisor
Inglourious Basterds (2009)
| Germany, USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Special Effects Supervisor
Pandorum (2009)
| Germany, UK, USA
Directed by: Christian Alvart
Cinematography by: Wedigo von Schultzendorff
Additional Special Effects Supervisor
Ninja Assassin (2009)
| Germany, USA
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Special Effects Coordinator
The Chronicles of Narnia: Prince Caspian (2008)
| USA, Poland, Slovenia, Czech Republic, UK
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Supervisor
Krabat (2008)
| Germany, UK, Romania
Directed by: Marco Kreuzpaintner
Cinematography by: Daniel Gottschalk
Edited by: Hansjörg Weißbrich
Special Effects Coordinator
Eragon (2006)
| USA, UK, Hungary
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Special Effects Supervisor
Æon Flux (2005)
| USA, Germany, Brazil, Italy
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Special Effects Supervisor: Germany
Flightplan (2005)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Special Effects Supervisor
Around the World in 80 Days (2004)
| USA, Germany, Ireland, UK
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Armourer Department Head
Equilibrium (2002)
| USA
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Special Effects
Enemy at the Gates (2001)
| UK, France, Germany, Ireland, USA
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Special Effects Supervisor
Buffalo Soldiers (2001)
| UK, Germany
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith
Cameras: Panavision Cameras
Special Effects Supervisor
27 Missing Kisses (2000)
| Germany, Georgia, UK, France
Directed by: Nana Dzhordzhadze
Cinematography by: Phedon Papamichael
Edited by: Vessela Martschewski
Cameras: Moviecam Cameras
Special Effects Supervisor
Night Shapes (1999)
| Germany
Directed by: Andreas Dresen
Cinematography by: Andreas Höfer
Edited by: Monika Schindler
Special Effects Supervisor: Germany
Victory (1996)
| UK, France, Germany
Directed by: Mark Peploe
Cinematography by: Bruno de Keyzer
Special Effects Crew
Rob Roy (1995)
| UK, USA
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter Honess
Weapons
Shining Through (1992)
| USA, UK
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
