Russell Kennedy

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Napoleon | ShotOnWhat?

First Assistant Camera: C Camera

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

F9 | ShotOnWhat?

Second Unit

F9 (2021)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto

Lenses: Tokina Vista Cinema Prime Lenses

The Aeronauts | ShotOnWhat?

B Camera 1st A/c

The Aeronauts (2019)

Directed by: Tom Harper

Cinematography by: George Steel

Edited by: Mark Eckersley

Cameras: Red Monstro 8K Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

All the Money in the World | ShotOnWhat?

First Assistant Camera: "b" Camera

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

First Assistant Camera

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Beauty and the Beast | ShotOnWhat?

First Assistant Camera

Beauty and the Beast (2017)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Jason Bourne | ShotOnWhat?

First Assistant Camera

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Criminal | ShotOnWhat?

First Assistant Camera

Criminal (2016)

Directed by: Ariel Vromen

Cinematography by: Dana Gonzales

Edited by: Danny Rafic

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

First Assistant Camera

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Cinderella | ShotOnWhat?

First Assistant Camera

Cinderella (2015)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Man from U.N.C.L.E. | ShotOnWhat?

First Assistant Camera

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Pan | ShotOnWhat?

First Assistant Camera

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Fury | ShotOnWhat?

First Assistant Camera / First Assistant Camera: Second Unit

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Captain Phillips | ShotOnWhat?

First Assistant Camera: Malta, Second Unit

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Furious 6 | ShotOnWhat?

Additional 1st A/c.

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Thor: The Dark World | ShotOnWhat?

Additional 1st A/c: Second Unit.

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Dark Shadows | ShotOnWhat?

First Assistant Camera

Dark Shadows (2012)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Snow White and the Huntsman | ShotOnWhat?

First Assistant Camera

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Captain America: The First Avenger | ShotOnWhat?

Clapper Loader: Second Unit

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Contagion | ShotOnWhat?

First Assistant Camera

Contagion (2011)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Jane Eyre | ShotOnWhat?

Second Assistant Camera: "b" Camera

Jane Eyre (2011)

Directed by: Cary Joji Fukunaga

Cinematography by: Adriano Goldman

Edited by: Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Ra.One | ShotOnWhat?

Second Assistant Camera: Additional Crew

Ra.One (2011)

Directed by: Anubhav Sinha

Cinematography by: V. Manikanandan, Nicola Pecorini

Edited by: Sanjay Sharma, Martin Walsh

Robin Hood | ShotOnWhat?

Second Assistant Camera: "b" Camera

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Burke and Hare | ShotOnWhat?

Second Assistant Camera

Burke and Hare (2010)

Directed by: John Landis

Cinematography by: John Mathieson

Edited by: Mark Everson

Nine | ShotOnWhat?

Clapper Loader: "b" Camera

Nine (2009)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Quantum of Solace | ShotOnWhat?

Clapper Loader: "a" Camera, Second Unit

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Hurt Locker | ShotOnWhat?

First Assistant Camera: Second Unit

The Hurt Locker (2008)

Directed by: Kathryn Bigelow

Cinematography by: Barry Ackroyd

Edited by: Chris Innis, Bob Murawski

Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

Editing System: Avid Editing System

Fred Claus | ShotOnWhat?

Second Assistant Camera: Second Unit

Fred Claus (2007)

Directed by: David Dobkin

Cinematography by: Remi Adefarasin

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

The Water Horse | ShotOnWhat?

Second Assistant Camera: Scotland

The Water Horse (2007)

Directed by: Jay Russell

Cinematography by: Oliver Stapleton

Edited by: Mark Warner

Eragon | ShotOnWhat?

Assistant Camera

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Alex Rider: Operation Stormbreaker | ShotOnWhat?

Second Assistant Camera: "b" Camera

Alex Rider: Operation Stormbreaker (2006)

Directed by: Geoffrey Sax

Cinematography by: Chris Seager

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses

The New World | ShotOnWhat?

Assistant Camera

The New World (2005)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Nanny McPhee | ShotOnWhat?

Second Assistant: "b" Camera

Nanny McPhee (2005)

Directed by: Kirk Jones

Cinematography by: Henry Braham

Edited by: Justin Krish, Nick Moore

LD 50 Lethal Dose | ShotOnWhat?

Assistant Camera

LD 50 Lethal Dose (2003)

Directed by: Simon De Selva

Cinematography by: Robin Vidgeon

Edited by: Kant Pan

Harry Potter and the Chamber of Secrets | ShotOnWhat?

Second Assistant Camera: Second Unit

Harry Potter and the Chamber of Secrets (2002)

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

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