Post-production Supervisor
American Honey (2016)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Joe Bini
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Post-production Supervisor
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Post-production Consultant
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Post-production Supervisor
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Post-production Supervisor
The Salvation (2014)
Directed by: Kristian Levring
Cinematography by: Jens Schlosser
Edited by: Pernille Bech Christensen
Cameras: ARRI ALEXA Plus Camera
Post-production Supervisor
Vampire Academy (2014)
Directed by: Mark Waters
Cinematography by: Tony Pierce-Roberts
Edited by: Chris Gill
Cameras: ARRI ALEXA Camera
Post-production Supervisor
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Post-production Supervisor
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Post-production Supervisor
Last Passenger (2013)
Directed by: Omid Nooshin
Cinematography by: Angus Hudson
Edited by: Joe Walker
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Post-production Supervisor
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Post-production Supervisor
Perfect Sense (2011)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Post-production Supervisor
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Post-production Supervisor
Swinging with the Finkels (2011)
Directed by: Jonathan Newman
Cinematography by: Dirk Nel
Edited by: Eddie Hamilton
Cameras: Sony CineAlta F35 Camera
Lenses: Angenieux Optimo Zoom Lenses
Post-production Supervisor
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Post-production Supervisor
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Post-production Supervisor
Tracker (2010)
Directed by: Ian Sharp
Cinematography by: Harvey Harrison
Edited by: Sean Barton
Post-production Supervisor
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Post-production Supervisor
Four Lions (2010)
Directed by: Christopher Morris
Cinematography by: Lol Crawley
Edited by: Billy Sneddon
Cameras: Sony HDW-F900 Camera
Post-production Supervisor
Planet 51 (2009)
Edited by: Alex Rodríguez
Editing System: Autodesk Smoke Editing System
Post-production Supervisor
Valhalla Rising (2009)
Directed by: Nicolas Winding Refn
Cinematography by: Morten Søborg
Edited by: Matthew Newman
Cameras: Red One Camera
Post-production Supervisor
Fish Tank (2009)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Post-production Supervisor
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Post-production Supervisor
The Boys Are Back (2009)
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Post-production Supervisor
Vampire Killers (2009)
Directed by: Phil Claydon
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: Red One Camera
Post-production Supervisor
Angus, Thongs and Perfect Snogging (2008)
Directed by: Gurinder Chadha
Cinematography by: Dick Pope
Edited by: Justin Krish
Post-production Supervisor
RocknRolla (2008)
Directed by: Guy Ritchie
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: ARRIFLEX D-20 Camera
Post-production Supervisor
The Walker (2007)
Directed by: Paul Schrader
Cinematography by: Chris Seager
Edited by: Julian Rodd
Cameras: ARRI Cameras
Post-production Supervisor
Once (2007)
Directed by: John Carney
Cinematography by: Tim Fleming
Edited by: Paul Mullen
Cameras: Sony HVR-Z1E Camera
Post-production Supervisor
Miss Potter (2006)
Directed by: Chris Noonan
Cinematography by: Andrew Dunn
Edited by: Robin Sales
Post-production Supervisor
The Long Weekend (2005)
Directed by: Pat Holden
Cinematography by: Brian Pearson
Edited by: Martin Brinkler
Post-production Supervisor: J&E Post Production
White Noise (2005)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Nick Arthurs
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Post-production Supervisor
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Post-production Supervisor
Girl with a Pearl Earring (2003)
Directed by: Peter Webber
Cinematography by: Eduardo Serra
Edited by: Kate Evans
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Post-production Supervisor
Wondrous Oblivion (2003)
Directed by: Paul Morrison
Cinematography by: Nina Kellgren
Edited by: David Freeman
Post-production Supervisor
Revelation (2001)
Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd
Post-production Coordinator
Billy Elliot (2000)
Directed by: Stephen Daldry
Cinematography by: Brian Tufano
Edited by: John Wilson
Cameras: Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses