Diaogue Editor
The Best of Me (2014)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Matt Chesse
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Dialogue Editor
About Last Night (2014)
Directed by: Steve Pink
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Lenses: Leitz Summilux-C Series Lenses
Dialogue Editor
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Dialogue Editor
Here Comes the Boom (2012)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Supervising Adr Editor
Scream 4 (2011)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Peter McNulty
Cameras: Panavision Cameras
Adr Editor
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Adr Editor
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Supervising Dialogue Editor
Sex and the City 2 (2010)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Dialogue Supervisor
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Supervising Dialogue Editor
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Adr Editor
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Dialogue Editor
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Dialogue Editor
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Dialogue Supervisor
10th & Wolf (2006)
Directed by: Bobby Moresco
Cinematography by: Alex Nepomniaschy
Edited by: Harvey Rosenstock
Dialogue Supervisor
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Dialogue Editor
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Adr Editor
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Dialogue Editor
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Sound Editor
Girl Play (2004)
Directed by: Lee Friedlander
Cinematography by: Michael Negrin
Edited by: Christian White
Adr Editor / Dialogue Editor
Masked and Anonymous (2003)
Directed by: Larry Charles
Cinematography by: Rogier Stoffers
Dialogue Editor
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Dialogue Editor
Dickie Roberts: Former Child Star (2003)
Directed by: Sam Weisman
Cinematography by: Thomas E. Ackerman
Edited by: Roger Bondelli
Adr Editor
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Dialogue Editor
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Editor
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Dialogue Editor
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Dialogue Editor
Dragonfly (2002)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Adr Editor / Dialogue Editor
Rush Hour 2 (2001)
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Dialogue Editor
Riding in Cars with Boys (2001)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Adr Editor / Dialogue Editor / Dialogue Editor: Director's Cut / Supervising Sound Editor
Donnie Darko (2001)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Supervising Adr Editor / Supervising Dialogue Editor
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Adr Editor
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Foley Editor
Life (1999)
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Adr Supervisor
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Supervising Sound Editor
The Love Letter (1999)
Directed by: Peter Ho-Sun Chan
Cinematography by: Tami Reiker
Edited by: Jacqueline Cambas
Supervising Adr Editor
Vampires (1998)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Adr Editor
A Night at the Roxbury (1998)
Directed by: John Fortenberry
Cinematography by: Francis Kenny
Edited by: Jay Kamen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Co-supervising Sound Editor: Dialog And Adr
Best of the Best 4: Without Warning (1998)
Directed by: Phillip Rhee
Cinematography by: Michael D. Margulies
Edited by: Bert Lovitt
Adr Editor
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Foley Editor
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Supervising Adr Editor
Snow White: A Tale of Terror (1997)
Directed by: Michael Cohn
Cinematography by: Mike Southon
Edited by: Ian Crafford
Adr Editor
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Supervising Adr Editor
The Evening Star (1996)
Directed by: Robert Harling
Cinematography by: Don Burgess
Adr Editor
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Adr Editor
The Truth About Cats & Dogs (1996)
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Supervising Sound Editor
Guarding Tess (1994)
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Supervising Sound Editor
The Favor (1994)
Directed by: Donald Petrie
Cinematography by: Tim Suhrstedt
Edited by: Harry Keramidas
Supervising Adr Editor
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Adr Editor
Blown Away (1994)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Adr Editor
RoboCop 3 (1993)
Directed by: Fred Dekker
Cinematography by: Gary B. Kibbe
Edited by: Bert Lovitt
Adr Editor
Buffy the Vampire Slayer (1992)
Directed by: Fran Rubel Kuzui
Cinematography by: James Hayman
Supervising Foley Editor
Under Siege (1992)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Supervising Adr Editor
For the Boys (1991)
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
Supervising Sound Editor
Queens Logic (1991)
Directed by: Steve Rash
Cinematography by: Amir Mokri
Edited by: Patrick Kennedy
Supervising Sound Editor
Sibling Rivalry (1990)
Directed by: Carl Reiner
Cinematography by: Reynaldo Villalobos
Edited by: Bud Molin
Sound Editor
National Lampoon's Christmas Vacation (1989)
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Sound Editor
Tequila Sunrise (1988)
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Sound Editor
Violets Are Blue... (1986)
Directed by: Jack Fisk
Cinematography by: Ralf D. Bode
Edited by: Edward Warschilka
Supervising Sound Editor
About Last Night... (1986)
Directed by: Edward Zwick
Cinematography by: Andrew Dintenfass
Edited by: Harry Keramidas
Cameras: Panavision Cameras
Sound Editor
Crimes of the Heart (1986)
Directed by: Bruce Beresford
Cinematography by: Dante Spinotti
Edited by: Anne Goursaud
Sound Editor
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Sound Editor
All of Me (1984)
Directed by: Carl Reiner
Cinematography by: Richard H. Kline
Edited by: Bud Molin
Sound Editor
The Survivors (1983)
Directed by: Michael Ritchie
Cinematography by: Billy Williams
Edited by: Richard A. Harris
Sound Editor
Wrong Is Right (1982)
Directed by: Richard Brooks
Cinematography by: Fred J. Koenekamp
Edited by: George Grenville
Sound Editor
Frances (1982)
Directed by: Graeme Clifford
Cinematography by: László Kovács
Edited by: John Wright
Sound Editor
On Golden Pond (1981)
Directed by: Mark Rydell
Cinematography by: Billy Williams
Edited by: Robert L. Wolfe
Sound Editor
Ordinary People (1980)
Directed by: Robert Redford
Cinematography by: John Bailey
Edited by: Jeff Kanew
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Sound Editor
Comes a Horseman (1978)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Marion Rothman
Sound Editor
New York, New York (1977)
Directed by: Martin Scorsese
Cinematography by: László Kovács
Cameras: Panavision Cameras
Sound Editor
Looking for Mr. Goodbar (1977)
Directed by: Richard Brooks
Cinematography by: William A. Fraker
Edited by: George Grenville
Apprentice Film Editor
Fun with Dick and Jane (1977)
Directed by: Ted Kotcheff
Cinematography by: Fred J. Koenekamp
Edited by: Danford B. Greene
