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Top Gun: Maverick | ShotOnWhat?

Music Mixed By

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

No Time to Die | ShotOnWhat?

The Meg | ShotOnWhat?

Score Mixed By

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Composer: Additional Music

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Score Music Mixer

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Live by Night | ShotOnWhat?

Music Score Mixer

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Kung Fu Panda 3 | ShotOnWhat?

Songs Producer

Kung Fu Panda 3 (2016)

Directed by: Alessandro Carloni, Jennifer Yuh Nelson

Edited by: Clare Knight

Eddie the Eagle | ShotOnWhat?

Music Score Mixer

Eddie the Eagle (2015)

Directed by: Dexter Fletcher

Cinematography by: George Richmond

Edited by: Martin Walsh

Cameras: ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Kingsman: The Secret Service | ShotOnWhat?

Music Score Mixer

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Captain America: The Winter Soldier | ShotOnWhat?

Music Score Mixer, Soundtrack Album Producer

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Captain Phillips | ShotOnWhat?

Composer: Additional Music / Score Mixer / Score Producer / Score Recordist

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Kick-Ass 2 | ShotOnWhat?

Music Score Mixer

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Total Recall | ShotOnWhat?

Music Score Mixer

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Madagascar 3: Europe's Most Wanted | ShotOnWhat?

Vocals

Madagascar 3: Europe's Most Wanted (2012)

Directed by: Eric Darnell, Tom McGrath, Conrad Vernon

Edited by: Nick Fletcher

Editing System: Avid Editing System

Ruby Sparks | ShotOnWhat?

Music Score Producer/mixer , Score Mixer

Ruby Sparks (2012)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Matthew Libatique

Edited by: Pamela Martin

Lenses: Cooke Speed Panchro Lenses

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Music Score Mixer

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Underworld: Awakening | ShotOnWhat?

Scoring Mixer

Underworld Awakening (2012)

Directed by: Måns Mårlind, Björn Stein

Cinematography by: Scott Kevan

Edited by: Jeff McEvoy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Man on a Ledge | ShotOnWhat?

Music Mixer

Man on a Ledge (2012)

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

X: First Class | ShotOnWhat?

Music Producer / Music Score Mixer

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Three Musketeers | ShotOnWhat?

Additional Score Mixer

The Three Musketeers (2011)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRI ALEXA Camera, Red One MX Camera, Weisscam HS-2 Camera

Lenses: Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens

Crazy, Stupid, Love. | ShotOnWhat?

Score Mixer

Crazy, Stupid, Love. (2011)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Waiting for Forever | ShotOnWhat?

Music Score Producer/mixer

Waiting for Forever (2010)

Directed by: James Keach

Cinematography by: Matthew Irving

Edited by: Pamela March

Father of Invention | ShotOnWhat?

Music Score Mixer / Music Score Producer

Father of Invention (2010)

Directed by: Trent Cooper

Cinematography by: Steve Yedlin

Edited by: Heather Persons

I Love You Phillip Morris | ShotOnWhat?

Music Score Mixer: Westside Pacific Studio

I Love You Phillip Morris (2009)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

The Joneses | ShotOnWhat?

Music Score Mixer / Music Score Producer

The Joneses (2009)

Directed by: Derrick Borte

Cinematography by: Yaron Orbach

Edited by: Janice Hampton

Pirates of the Caribbean: At World's End | ShotOnWhat?

Additional Score Mixer / Additional Score Recordings

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

I Now Pronounce You Chuck & Larry | ShotOnWhat?

Score Mixer

I Now Pronounce You Chuck & Larry (2007)

Directed by: Dennis Dugan

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Score Recordist

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Da Vinci Code | ShotOnWhat?

Music Mixer

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Batman Begins | ShotOnWhat?

Music Score Mixer

Batman Begins (2005)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Domino | ShotOnWhat?

Score Mixer

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

The Weather Man | ShotOnWhat?

Score Recordist

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

The Ring Two | ShotOnWhat?

Score Mixer

The Ring Two (2005)

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Be Cool | ShotOnWhat?

Music Score Mixer

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

Team America: World Police | ShotOnWhat?

Additional Score Mixer / Music Scoring Mixer

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Shark Tale | ShotOnWhat?

Score Mixer

Shark Tale (2004)

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

King Arthur | ShotOnWhat?

Score Mixer

King Arthur (2004)

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

Bad Boys II | ShotOnWhat?

Additional Score Mixer

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Matchstick Men | ShotOnWhat?

Score Mixer

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Black Hawk Down | ShotOnWhat?

Score Recordist

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Rain Man | ShotOnWhat?

Music Recordist

Rain Man (1988)

Directed by: Barry Levinson

Cinematography by: John Seale

Edited by: Stu Linder

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

Paperhouse | ShotOnWhat?

Music Recording Engineer

Paperhouse (1988)

Directed by: Bernard Rose

Cinematography by: Mike Southon

Edited by: Dan Rae

Taffin | ShotOnWhat?

Recording Engineer And Mixer , Sound Recording Engineer

Taffin (1988)

Directed by: Francis Megahy

Cinematography by: Paul Beeson

Edited by: Peter Tanner

The Fruit Machine | ShotOnWhat?

Score Engineer / Score Mixer

The Fruit Machine (1988)

Directed by: Philip Saville

Cinematography by: Dick Pope

Edited by: Richard Bedford

Castaway | ShotOnWhat?

Music Recordist

Castaway (1986)

Directed by: Nicolas Roeg

Cinematography by: Harvey Harrison

Edited by: Tony Lawson

Cameras: Panavision Cameras

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