Scoring Mixer - 1 Episode, 2021
1883 (2021)
TV Mini Series
Edited by: Chad Galster, Nathan Gunn, Brooke Rupe, Martin Nicholson, John Coniglio, Christopher Gay, Ryan Malanaphy
Scoring Mixer
Exposed (2016)
Directed by: Gee Malik Linton
Cinematography by: Trevor Forrest
Edited by: Melody London
Cameras: ARRI ALEXA Camera
Music Scoring Mixer
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scoring Mixer
The Wedding Ringer (2015)
Directed by: Jeremy Garelick
Cinematography by: Bradford Lipson
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Scoring Mixer
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Recording Engineer
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Recording Engineer
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Scoring Mixer
Xi you ji: Da nao tian gong (2014)
Directed by: Soi Cheang
Edited by: Ka-Fai Cheung
Cameras: Red One MX Camera
Scoring Mixer
The November Man (2014)
Directed by: Roger Donaldson
Cinematography by: Romain Lacourbas
Edited by: John Gilbert
Cameras: ARRI ALEXA Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Score Mixer
Rubinrot (2013)
Directed by: Felix Fuchssteiner
Cinematography by: Sonja Rom
Edited by: Wolfgang Weigl
Cameras: Red Epic Camera, Red One MX Camera
Score Recorder
2 Guns (2013)
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Recording Engineer
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Recording Engineer
Bless Me, Ultima (2013)
Directed by: Carl Franklin
Cinematography by: Paula Huidobro
Lenses: Cooke S4 Lenses
Scoring Mixer
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scoring Mixer
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Score Mixer
Death of a Superhero (2011)
Directed by: Ian Fitzgibbon
Cinematography by: Tom Fährmann
Edited by: Tony Cranstoun
Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark II Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Score Recordist / Scoring Mixer
Final Destination 5 (2011)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Score Recordist / Scoring Mixer
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Score Mixer
Rubbeldiekatz (2011)
Directed by: Detlev Buck
Cinematography by: Marc Achenbach
Edited by: Dirk Grau
Music Engineer
Hodejegerne (2011)
Directed by: Morten Tyldum
Cinematography by: John Andreas Andersen
Edited by: Vidar Flataukan
Score Mixer
In the Name of the King: Two Worlds (2011)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Peter Forslund
Recording Engineer
The Dragon Pearl (2011)
Directed by: Mario Andreacchio
Cinematography by: Geoffrey Simpson
Edited by: Suresh Ayyar
Scoring Mixer
The Roommate (2011)
Directed by: Christian E. Christiansen
Cinematography by: Phil Parmet
Edited by: Randy Bricker
Cameras: Panavision Genesis Camera
Orchestral Recording Engineer
Machine Gun Preacher (2011)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Music Recording Engineer
Scream 4 (2011)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Peter McNulty
Cameras: Panavision Cameras
Scoring Mixer
Jumping the Broom (2011)
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: Sony CineAlta F35 Camera
Scoring Mixer
Death at a Funeral (2010)
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Genesis Camera
Scoring Mixer
In a Better World (2010)
Directed by: Susanne Bier
Cinematography by: Morten Søborg
Cameras: Red One Camera
Lenses: Angenieux Lenses
Scoring Mixer
Camp Rock 2: The Final Jam (2010)
Directed by: Paul Hoen
Cinematography by: David A. Makin
Edited by: Girish Bhargava
Scoring Mixer
Remember Me (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Scoring Mixer
Kongen av Bastøy (2010)
Directed by: Marius Holst
Cinematography by: John Andreas Andersen
Edited by: Michal Leszczylowski
Music Mixing Engineer / Music Recording Engineer
The Last Station (2009)
Directed by: Michael Hoffman
Cinematography by: Sebastian Edschmid
Edited by: Patricia Rommel
Editing System: Autodesk Smoke Editing System
Scoring Mixer
The Girl with the Dragon Tattoo (2009)
Directed by: Niels Arden Oplev
Cinematography by: Eric Kress
Edited by: Anne Østerud
Music Mixer
Rampage (2009)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Thomas Sabinsky
Score Recordist / Scoring Mixer
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Scoring Mixer
The Hole (2009)
Directed by: Joe Dante
Cinematography by: Theo van de Sande
Edited by: Marshall Harvey
Score Recording Engineer
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Score Mixer
Krabat (2008)
Directed by: Marco Kreuzpaintner
Cinematography by: Daniel Gottschalk
Edited by: Hansjörg Weißbrich
Music Recording Mixer
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Music Scoring Engineer / Recording Engineer
The Strangers (2008)
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Scoring Mixer
Let the Right One In (2008)
Directed by: Tomas Alfredson
Cinematography by: Hoyte Van Hoytema
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Super Speed Lenses
Music Engineer
Goodbye Bafana (2007)
Directed by: Bille August
Cinematography by: Robert Fraisse
Edited by: Hervé Schneid
Scoring Mixer
Jack Brooks: Monster Slayer (2007)
Directed by: Jon Knautz
Cinematography by: Joshua Allen
Edited by: Matthew Brulotte
Score Mixer / Score Recordist
Postal (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Julian Clarke
Music Engineer
The Counterfeiters (2007)
Directed by: Stefan Ruzowitzky
Cinematography by: Benedict Neuenfels
Edited by: Britta Nahler
Score Mixer
Far North (2007)
Directed by: Asif Kapadia
Cinematography by: Roman Osin
Edited by: Ewa J. Lind
Score Recordist
The Woods (2006)
Directed by: Lucky McKee
Cinematography by: John R. Leonetti
Cameras: Panavision Cameras
Music Scoring Engineer
Frostbitten (2006)
Directed by: Anders Banke
Cinematography by: Chris Maris
Edited by: Kiko C.C. Sjöberg
Score Recording Engineer
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Music Recording Engineer
The Exorcism of Emily Rose (2005)
Directed by: Scott Derrickson
Cinematography by: Tom Stern
Edited by: Jeff Betancourt
Music Recording Engineer
Sophie Scholl: The Final Days (2005)
Directed by: Marc Rothemund
Cinematography by: Martin Langer
Edited by: Hans Funck
Music Scoring Engineer
A Thousand Roads (2005)
Directed by: Chris Eyre
Cinematography by: Claudio Miranda
Edited by: Harry B. Miller III
Recording Engineer
Headspace (2005)
Directed by: Andrew van den Houten
Cinematography by: William M. Miller
Edited by: Elwaldo Baptiste
Recording Engineer
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Music Recording Engineer
Chasing Ghosts (2005)
Cinematography by: Andrew Huebscher
Edited by: Kyle Dean Jackson
Music Recording Engineer
Spartacus (2004)
Directed by: Robert Dornhelm
Cinematography by: Kees Van Oostrum
Music Scoring Engineer
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Scoring Mixer
(T)Raumschiff Surprise - Periode 1 (2004)
Directed by: Michael Herbig
Cinematography by: Stephan Schuh
Edited by: Alexander Dittner
Cameras: ARRIFLEX Camera
Score Production Coordinator
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Score Mixer
In This World (2002)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Peter Christelis
Cameras: Sony DSR-PD150 Camera
Score Mixer / Score Recordist
Urban Legends: Final Cut (2000)
Directed by: John Ottman
Cinematography by: Brian Pearson
Assistant Sound Engineer: Munich
Rainbow (1995)
Directed by: Bob Hoskins
Cinematography by: Freddie Francis
Edited by: Ray Lovejoy
Music Engineer / Score Mixer
The Young Poisoner's Handbook (1995)
Directed by: Benjamin Ross
Cinematography by: Hubert Taczanowski
Edited by: Anne Sopel
Assistant Sound Recording Engineer
Princess Caraboo (1994)
Directed by: Michael Austin
Cinematography by: Freddie Francis
Edited by: George Akers
Assistant Music Recording Engineer
The Silence of the Lambs (1991)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Score Recordist
Lionheart (1990)
Directed by: Sheldon Lettich
Cinematography by: Robert C. New
Edited by: Mark Conte
Score Recordist
Hider in the House (1989)
Directed by: Matthew Patrick
Cinematography by: Jeffrey Jur
Edited by: Debra T. Smith
Score Recordist
The Fly II (1989)
Directed by: Chris Walas
Cinematography by: Robin Vidgeon
Edited by: Sean Barton
