Visual Effects
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor
Freedom (2014)
Directed by: Peter Cousens
Cinematography by: Dean Cundey
Edited by: Ray Hubley
Digital Compositor
'Agents of S.H.I.E.L.D.' Ragtag (2014)
Directed by: Roxann Dawson
Cinematography by: Feliks Parnell
Edited by: Conrad Smart
Vfx Supervisor
The Loft (2014)
Directed by: Erik Van Looy
Cinematography by: Nicolas Karakatsanis
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Digital Compositor
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Digital Compositor - 1 Episode, 2014
Agents of S.H.I.E.L.D. (2013)
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Visual Effects Supervisor
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Visual Effects Supervisor
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Digital Compositor
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Visual Effects Supervisor: XY & Z Visual Effects
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Visual Effects Supervisor: XY & Z Visual Effects
Bachelorette (2012)
Directed by: Leslye Headland
Cinematography by: Doug Emmett
Edited by: Jeffrey Wolf
Cameras: Red One MX Camera
Compositor: Talking Bird Pictures
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: XY&Z Visual Effects
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Footloose (2011)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Visual Effects Artist: VelocityApe FX
Kill the Irishman (2011)
Directed by: Jonathan Hensleigh
Cinematography by: Karl Walter Lindenlaub
Edited by: Douglas Crise
Visual Effects Supervisor
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Visual Effects Supervisor
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Visual Effects Supervisor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Visual Effects Supervisor
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: XYZ
Let Me In (2010)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Edited by: Stan Salfas
Visual Effects Supervisor
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Visual Effects Supervisor
Meet the Browns (2008)
Directed by: Tyler Perry
Cinematography by: Sandi Sissel
Edited by: Maysie Hoy
Visual Effects Supervisor
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: XY&Z Visual Effects
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Visual Effects Supervisor
My Best Friend's Girl (2008)
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Visual Effects Supervisor
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Visual Effects Supervisor: XY&Z Visual Effects
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Digital Compositor
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Digital Compositor
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Visual Effects Supervisor: X Y & Z Visual Effects
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Visual Effects Supervisor: XY&Z Visual Effects
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Visual Effects Supervisor: XY&Z Visual Effects
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Visual Effects Supervisor
Why Did I Get Married? (2007)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Compositor: Amalgamated Pixels Inc.
Peaceful Warrior (2006)
Directed by: Victor Salva
Cinematography by: Sharone Meir
Edited by: Ed Marx
Visual Effects Supervisor: XY & Z Visual Effects
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Visual Effects Supervisor: XY&Z
The Ex (2006)
Directed by: Jesse Peretz
Cinematography by: Tom Richmond
Digital Compositor
Running Scared (2006)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Compositor: Captive Audience Productions
The Exorcism of Emily Rose (2005)
Directed by: Scott Derrickson
Cinematography by: Tom Stern
Edited by: Jeff Betancourt
Compositor: Amalgamated Pixels
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Digital Compositor
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Motion Control
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Compositor
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor: Digital Firepower
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Digital Video Playback: Hunter/Gratzner Industries, Inc.
Don't Say a Word (2001)
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Digital Video Technician: The Chandler Group
Ghosts of Mars (2001)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Paul C. Warschilka
Digital Compositor
Original Sin (2001)
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Digital Compositor: VCE.com
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Compositor
The Crew (2000)
Directed by: Michael Dinner
Cinematography by: Juan Ruiz Anchía
Edited by: Nicholas C. Smith
Visual Effects Compositor
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Digital Video Tech: Visual Effects Miniature Photography
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Swing Gang
Girls in Prison (1994)
Directed by: John McNaughton
Cinematography by: Jean de Segonzac
Edited by: Larry Bock
