Steve Griffith

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"The Magicians" No Better to Be Safe Than Sorry | ShotOnWhat?

Head Of Production: Rodeo FX

'The Magicians' No Better to Be Safe Than Sorry (2019)

Television Episode

Directed by: Chris Fisher

Cinematography by: Elie Smolkin

Edited by: Mats Abbott

"The Walking Dead" The Storm | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' The Storm (2019)

Television Episode

Directed by: Greg Nicotero

Cinematography by: Stephen Campbell

Edited by: Alan Cody

"The Walking Dead" The Calm Before | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' The Calm Before (2019)

Television Episode

Directed by: Laura Belsey

Cinematography by: Duane Manwiller

Edited by: Dan Liu, Tiffany Melvin

Shazam! | ShotOnWhat?

Head Of Production: Rodeo FX

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

"The Walking Dead" Scars | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' Scars (2019)

Television Episode

Directed by: Millicent Shelton

Cinematography by: Stephen Campbell

Edited by: Evan Schrodek

"The Walking Dead" Chokepoint | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' Chokepoint (2019)

Television Episode

Directed by: Liesl Tommy

Cinematography by: Duane Manwiller

Edited by: Brian G. Addie, Alan Cody

"The Walking Dead" Bounty | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' Bounty (2019)

Television Episode

Directed by: Meera Menon

Cinematography by: Duane Manwiller

Edited by: Evan Schrodek

"The Walking Dead" Omega | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' Omega (2019)

Television Episode

Directed by: David Boyd

Cinematography by: Stephen Campbell

Edited by: Alan Cody

Pokémon Detective Pikachu | ShotOnWhat?

Head Of Production: Rodeo FX

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

"The Walking Dead" Adaptation | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' Adaptation (2019)

Television Episode

Directed by: Greg Nicotero

Cinematography by: Duane Manwiller

Edited by: Dan Liu

"The Walking Dead" The Bridge | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' The Bridge (2018)

Television Episode

Directed by: Daisy von Scherler Mayer

Cinematography by: Stephen Campbell

Edited by: Jack Colwell

"The Walking Dead" A New Beginning | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' A New Beginning (2018)

Television Episode

Directed by: Greg Nicotero

Cinematography by: Duane Manwiller

Edited by: Alan Cody

"The Walking Dead" Evolution | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' Evolution (2018)

Television Episode

Directed by: Michael E. Satrazemis

Cinematography by: Stephen Campbell

Edited by: Evan Schrodek

"The Walking Dead" Stradivarius | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' Stradivarius (2018)

Television Episode

Directed by: Michael Cudlitz

Cinematography by: Duane Manwiller

Edited by: Alan Cody

"The Walking Dead" Who Are You Now? | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' Who Are You Now? (2018)

Television Episode

Directed by: Larry Teng

Cinematography by: Stephen Campbell

Edited by: Dan Liu

"The Walking Dead" What Comes After | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' What Comes After (2018)

Television Episode

Directed by: Greg Nicotero

Cinematography by: Duane Manwiller

Edited by: Evan Schrodek

"The Walking Dead" The Obliged | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' The Obliged (2018)

Television Episode

Directed by: Rosemary Rodriguez

Cinematography by: Stephen Campbell

Edited by: Alan Cody

"The Walking Dead" Warning Signs | ShotOnWhat?

Head Of Production: Rodeo FX

'The Walking Dead' Warning Signs (2018)

Television Episode

Directed by: Dan Liu

Cinematography by: Duane Manwiller

Edited by: Tiffany Melvin

Stranger Things | ShotOnWhat?

Head Of Production: Rodeo FX - 7 Episodes, 2019

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Magicians | ShotOnWhat?

Head Of Production: Rodeo FX - 1 Episode, 2019

The Magicians (2015)

Television Series

Directed by: Chris Fisher, James L. Conway, John Scott, Joshua Butler, Shannon Kohli, Scott Smith, Carol Banker, Meera Menon, Guy Norman Bee, Rebecca Johnson, Salli Richardson-Whitfield, Mike Cahill, Bill Eagles, Jan Eliasberg, Amanda Tapping, Kate Woods, Elie Smolkin, Sterlin Harjo, Geeta Patel

Cinematography by: Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush

Edited by: Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summicron-C Series Lenses, Panavision PVintage Prime Lenses

Avengers: Age of Ultron | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Guardians of the Galaxy | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

One for the Money | ShotOnWhat?

Visual Effects Producer: Luma Pictures

One for the Money (2012)

Directed by: Julie Anne Robinson

Cinematography by: Jim Whitaker

Edited by: Lisa Zeno Churgin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Captain America: The First Avenger | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Fright Night | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Thor | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

In Time | ShotOnWhat?

Visual Effects Producer: Luma Pictures

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

The Green Hornet | ShotOnWhat?

Visual Effects Producer: Luma Pictures

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Visual Effects Producer: Luma Pictures

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Battle Los Angeles | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Nutcracker in 3D | ShotOnWhat?

Visual Effects Producer: Luma Pictures

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

The Book of Eli | ShotOnWhat?

Visual Effects Producer: Luma

The Book of Eli (2010)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

The Walking Dead | ShotOnWhat?

Head Of Production: Rodeo FX - 15 Episodes, 2018-2019

The Walking Dead (2010)

Television Series

Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall

Edited by: Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera, Panavision Cameras

Lenses: Panavision Lenses, Zeiss Super Speeds Mk I Lenses

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

True Grit | ShotOnWhat?

Visual Effects Producer: Luma Pictures

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

This Is It | ShotOnWhat?

Visual Effects Producer: Luma Pictures

This Is It (2009)

Directed by: Kenny Ortega

Cinematography by: Sandrine Orabona, Tim Patterson

Edited by: Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt

Cameras: Red One Camera

X-Men Origins: Wolverine | ShotOnWhat?

Visual Effects Producer: Luma Pictures

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Gamer | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

A Serious Man | ShotOnWhat?

Visual Effects Producer: Luma Pictures

A Serious Man (2009)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Underworld: Rise of the Lycans | ShotOnWhat?

Vfx Producer: Luma Pictures

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

City of Ember | ShotOnWhat?

Visual Effects Producer: Luma Pictures

City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

Never Back Down | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

Henry Poole Is Here | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Henry Poole Is Here (2008)

Directed by: Mark Pellington

Cinematography by: Eric Schmidt

Edited by: Lisa Zeno Churgin

The Midnight Meat Train | ShotOnWhat?

Visual Effects Producer: Luma Pictures

The Midnight Meat Train (2008)

Directed by: Ryûhei Kitamura

Cinematography by: Jonathan Sela

Edited by: Toby Yates

Hancock | ShotOnWhat?

Visual Effects Producer: Luma Pictures

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Flags of Our Fathers | ShotOnWhat?

Digital Coordinator: Digital Domain

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Stealth | ShotOnWhat?

Digital Coordinator: Digital Domain

Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Digital Coordinator: SPI

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Willard | ShotOnWhat?

Visual Effects Intern: CFX

Willard (2003)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

The Matrix Reloaded | ShotOnWhat?

Visual Effects Intern: CFX

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Peter Pan | ShotOnWhat?

Digital Coordinator: Digital Domain

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Matrix Revolutions | ShotOnWhat?

Visual Effects Intern: CFX

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Eight Legged Freaks | ShotOnWhat?

Visual Effects Intern: CFX

Eight Legged Freaks (2002)

Directed by: Ellory Elkayem

Cinematography by: John S. Bartley

Edited by: David Siegel

K-PAX | ShotOnWhat?

Visual Effects Intern: CFX

K-PAX (2001)

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

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