Foley Editor
'Mindhunter' Episode #2.4 (2019)
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Foley Editor
'Mindhunter' Episode #2.3 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Foley Editor
'Mindhunter' Episode #2.7 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Foley Editor - 3 Episodes, 2019
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Foley Editor
'House of Cards' Chapter 59 (2017)
Directed by: Alik Sakharov
Cinematography by: Tim Norman
Edited by: Yuka Shirasuna
Foley Editor
'House of Cards' Chapter 60 (2017)
Directed by: Roxann Dawson
Cinematography by: David M. Dunlap
Edited by: Katherine Skjerping
Foley Editor
'House of Cards' Chapter 61 (2017)
Directed by: Roxann Dawson
Cinematography by: David M. Dunlap
Edited by: Katherine Skjerping
Foley Editor
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Foley Editor
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Foley Editor
'House of Cards' Chapter 31 (2015)
Directed by: James Foley
Cinematography by: Martin Ahlgren
Foley Editor
'House of Cards' Chapter 33 (2015)
Directed by: John Dahl
Cinematography by: Martin Ahlgren
Edited by: Lisa Bromwell
Foley Editor
'House of Cards' Chapter 30 (2015)
Directed by: Tucker Gates
Cinematography by: Martin Ahlgren
Edited by: Byron Smith
Foley Editor
'House of Cards' Chapter 34 (2015)
Directed by: John Dahl
Cinematography by: Martin Ahlgren
Edited by: Lisa Bromwell
Foley Editor
'House of Cards' Chapter 35 (2015)
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
Foley Editor
'House of Cards' Chapter 36 (2015)
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
Foley Editor
'House of Cards' Chapter 37 (2015)
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
Foley Editor
'House of Cards' Chapter 38 (2015)
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
Foley Editor
'House of Cards' Chapter 24 (2014)
Directed by: John David Coles
Cinematography by: Igor Martinovic
Foley Editor
'House of Cards' Chapter 23 (2014)
Directed by: Robin Wright
Cinematography by: Igor Martinovic
Edited by: Cindy Mollo
Foley Editor
'House of Cards' Chapter 22 (2014)
Directed by: Jodie Foster
Cinematography by: Igor Martinovic
Edited by: Lisa Bromwell
Foley Editor
'House of Cards' Chapter 14 (2014)
Directed by: Carl Franklin
Cinematography by: Igor Martinovic
Edited by: Byron Smith
Foley Editor
'House of Cards' Chapter 15 (2014)
Directed by: Carl Franklin
Cinematography by: Igor Martinovic
Foley Editor
'House of Cards' Chapter 21 (2014)
Directed by: James Foley
Cinematography by: Igor Martinovic
Edited by: Byron Smith
Foley Editor
'House of Cards' Chapter 16 (2014)
Directed by: James Foley
Cinematography by: Igor Martinovic
Edited by: Cindy Mollo
Foley Editor
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Foley Editor
'House of Cards' Chapter 5 (2013)
Directed by: Joel Schumacher
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Foley Editor
'House of Cards' Chapter 7 (2013)
Directed by: Charles McDougall
Cinematography by: Eigil Bryld
Foley Editor
'House of Cards' Chapter 10 (2013)
Directed by: Carl Franklin
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Foley Editor
'House of Cards' Chapter 11 (2013)
Directed by: Carl Franklin
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Foley Editor
'House of Cards' Chapter 13 (2013)
Directed by: Allen Coulter
Cinematography by: Tim Ives
Edited by: Sidney Wolinsky
Foley Editor - 24 Episodes, 2013-2017
House of Cards (2013)
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Sound Effects Editor
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Foley Editor , Sound Effects Editor
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Foley Editor
Madagascar 3: Europe's Most Wanted (2012)
Edited by: Nick Fletcher
Editing System: Avid Editing System
Foley Editor
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Sound Effects Editor
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Foley Editor
Ice Age: Dawn of the Dinosaurs (2009)
Sound Effects Editor
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Sound Effects Editor
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Foley Editor
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Editor
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Foley Editor
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Foley Editor
Shrek 2 (2004)
Supervising Sound Editor
Finding Home (2003)
Directed by: Lawrence David Foldes
Cinematography by: Jeffrey Seckendorf
Edited by: Todd C. Ramsay
Foley Editor
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Sound Editor
Spin (2003)
Directed by: James Redford
Cinematography by: Paul Ryan
Edited by: Nick Smith
Cameras: Panavision Cameras
Editing System: Autodesk Smoke Editing System
Foley Editor
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Conforming Editor
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Foley Editor
O (2001)
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Sound Effects Editor
The Grey Zone (2001)
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Foley Editor: Skywalker Sound
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Foley Editor
Chocolat (2000)
Directed by: Lasse Hallström
Cinematography by: Roger Pratt
Edited by: Andrew Mondshein
Sound Effects Editor
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Conforming Sound Editor
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Conforming Sound Editor
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Sound Effects Editor
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Sound Effects Editor
Office Space (1999)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Conforming Sound Editor
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
The Newton Boys (1998)
Directed by: Richard Linklater
Cinematography by: Peter James
Edited by: Sandra Adair
Sound Effects Editor
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Sound Effects Editor
54 (1998)
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Effects Editor
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Dialogue Editor
The Rainmaker (1997)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Sound Effects Editor
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Sound Effects Editor
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Sound Editor
Radioland Murders (1994)
Directed by: Mel Smith
Cinematography by: David Tattersall
Edited by: Paul Trejo
Cameras: ARRI ARRIFLEX Series Cameras
Sound Effects Editor: US Version
Siu nin Wong Fei Hung chi: Tit ma lau (1993)
Directed by: Woo-Ping Yuen
Sound Effects Editor
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Re-recording Mixer
Blood and Concrete (1991)
Directed by: Jeffrey Reiner
Cinematography by: Declan Quinn
Sound Effects Editor
Soapdish (1991)
Directed by: Michael Hoffman
Cinematography by: Ueli Steiger
Edited by: Garth Craven
Re-recording Mixer
Mortal Thoughts (1991)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Tom Walls
Re-recording Mixer
Ernest Goes to Jail (1990)
Directed by: John R. Cherry III
Cinematography by: Peter Stein
Edited by: Sharyn L. Ross
Cameras: Panavision Cameras
Re-recording Mixer
Cadillac Man (1990)
Directed by: Roger Donaldson
Cinematography by: David Gribble
Edited by: Richard Francis-Bruce
Re-recording Mixer
Madhouse (1990)
Directed by: Tom Ropelewski
Cinematography by: Dennis C. Lewiston
Edited by: Michael Jablow
Assistant Sound Effects Editor
Always (1989)
Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Sound Editor
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Dialogue Editor
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
