Visual Effects Supervisor: Pixomondo
Greenland (2020)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Gabriel Fleming
Cameras: ARRI ALEXA Mini Camera
Division Visual Effects Supervisor: Pixomondo
'Westworld' Les Écorchés (2018)
Directed by: Nicole Kassell
Cinematography by: M. David Mullen
Edited by: Anna Hauger
Division Visual Effects Supervisor: Pixomondo
'Westworld' Phase Space (2018)
Directed by: Tarik Saleh
Cinematography by: John Grillo
Edited by: Ron Rosen
Division Visual Effects Supervisor: Pixomondo
'Westworld' Akane no Mai (2018)
Directed by: Craig Zobel
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Division Visual Effects Supervisor: Pixomondo
'Westworld' Virtù e Fortuna (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Anna Hauger
Division Visual Effects Supervisor: Pixomondo
'Westworld' Reunion (2018)
Directed by: Vincenzo Natali
Cinematography by: John Grillo
Edited by: David Eisenberg
Division Visual Effects Supervisor: Pixomondo
'Westworld' Journey into Night (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Andrew Seklir
Visual Effects Supervisor: Pixomondo
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Visual Effects Supervisor: Pixomondo
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Division Visual Effects Supervisor: Pixomondo - 6 Episodes, 2018
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Division Visual Effects Supervisor: Pixomondo
'The Walking Dead' Always Accountable (2015)
Directed by: Jeffrey F. January
Cinematography by: Michael E. Satrazemis
Edited by: Rachel Goodlett Katz
Division Visual Effects Supervisor: Pixomondo
'The Walking Dead' Heads Up (2015)
Directed by: David Boyd
Cinematography by: Stephen Campbell
Edited by: Avi Youabian
Division Visual Effects Supervisor: Pixomondo
'The Walking Dead' Start to Finish (2015)
Directed by: Michael E. Satrazemis
Cinematography by: Stephen Campbell
Edited by: Dan Liu
Division Vfx Producer: Pixomondo
'Sleepy Hollow' Paradise Lost (2015)
Directed by: Russell Lee Fine
Cinematography by: Tod Campbell
Edited by: Andrew Coutts
Division Vfx Producer: Pixomondo
'Sleepy Hollow' Pittura Infamante (2015)
Directed by: John R. Leonetti
Cinematography by: Glen Keenan
Edited by: Scott Gamzon
Division Vfx Producer: Pixomondo
'Sleepy Hollow' Spellcaster (2015)
Directed by: Paul A. Edwards
Edited by: Andrew Coutts
Pixomondo: Division Vfx Producer
'Sleepy Hollow' Blood and Fear (2015)
Directed by: Kate Dennis
Cinematography by: Bing Sokolsky
Pixomondo: Division Vfx Producer
'Sleepy Hollow' The Sisters Mills (2015)
Directed by: Guillermo Navarro
Cinematography by: Jan Richter-Friis
Edited by: Steve Haugen
Pixomondo: Division Vfx Producer
'Sleepy Hollow' Dead Men Tell No Tales (2015)
Directed by: Russell Lee Fine
Cinematography by: Bing Sokolsky
Edited by: Andrew Coutts
Pixomondo: Vfx Producer
'Sleepy Hollow' This Red Lady from Caribee (2015)
Directed by: Olatunde Osunsanmi
Cinematography by: Jan Richter-Friis
Edited by: Scott Gamzon
Pixomondo: Division Vfx Producer
'Sleepy Hollow' The Art of War (2015)
Directed by: Hanelle M. Culpepper
Cinematography by: Bing Sokolsky
Edited by: Steve Haugen
Pixomondo: Division Vfx Producer
'Sleepy Hollow' Novus Ordo Seclorum (2015)
Directed by: Russell Lee Fine
Cinematography by: Jan Richter-Friis
Edited by: Andrew Coutts
Division Vfx Producer: Pixomondo
'Sleepy Hollow' Kali Yuga (2015)
Directed by: Douglas Aarniokoski
Cinematography by: Tod Campbell
Division Vfx Supervisor: Pixomondo
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Division Vfx Producer: Pixomondo
'Sleepy Hollow' This Is War (2014)
Directed by: Ken Olin
Cinematography by: Tod Campbell
Edited by: Scott Gamzon
Division Vfx Producer: Pixomondo
'Sleepy Hollow' The Kindred (2014)
Directed by: Paul A. Edwards
Cinematography by: Glen Keenan
Edited by: John L. Roberts
Division Vfx Producer: Pixomondo
'Sleepy Hollow' Root of All Evil (2014)
Directed by: Jeffrey G. Hunt
Cinematography by: Glen Keenan
Edited by: Scott Gamzon
Division Vfx Producer: Pixomondo
'Sleepy Hollow' The Weeping Lady (2014)
Directed by: Larry Teng
Cinematography by: Tod Campbell
Edited by: John L. Roberts
Division Vfx Producer: Pixomondo
'Sleepy Hollow' Deliverance (2014)
Directed by: Nick Copus
Cinematography by: Tod Campbell
Edited by: Scott Gamzon
Division Vfx Producer: Pixomondo
'Sleepy Hollow' Heartless (2014)
Directed by: David Boyd
Cinematography by: Tod Campbell
Edited by: John L. Roberts
Division Vfx Producer: Pixomondo
'Sleepy Hollow' Mama (2014)
Directed by: Wendey Stanzler
Cinematography by: Glen Keenan
Edited by: Andrew Coutts
Division Vfx Producer: Pixomondo
'Sleepy Hollow' Magnum Opus (2014)
Directed by: Douglas Aarniokoski
Cinematography by: Tod Campbell
Division Vfx Producer: Pixomondo
'Sleepy Hollow' The Akeda (2014)
Directed by: Dwight H. Little
Cinematography by: Glen Keenan
Edited by: John L. Roberts
Division Visual Effects Supervisor: Pixomondo
'Sleepy Hollow' Bad Blood (2014)
Directed by: Ken Olin
Cinematography by: Tod Campbell
Edited by: Neil Felder
Division Visual Effects Supervisor: Pixomondo
'Sleepy Hollow' The Indispensable Man (2014)
Directed by: Adam Kane
Cinematography by: Robert LaBonge
Edited by: Imelda Betiong
Division Visual Effects Supervisor: Pixomondo
'Sleepy Hollow' The Vessel (2014)
Directed by: Romeo Tirone
Cinematography by: Tod Campbell
Edited by: Scott Gamzon
Vfx Supervisor: Pixomondo
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Division Compositing Supervisor: Pixomondo
'Sleepy Hollow' The Golem (2013)
Directed by: J. Miller Tobin
Cinematography by: Robert LaBonge
Edited by: Neil Felder
Division Compositing Supervisor: Pixomondo
'Sleepy Hollow' Sanctuary (2013)
Directed by: Liz Friedlander
Cinematography by: John R. Leonetti
Edited by: Imelda Betiong
Division Visual Effects Supervisor: Pixomondo
'Sleepy Hollow' The Midnight Ride (2013)
Directed by: Douglas Aarniokoski
Cinematography by: Teodoro Maniaci
Edited by: Neil Felder
Division Visual Effects Supervisor: Pixomondo
'Sleepy Hollow' The Sin Eater (2013)
Directed by: Ken Olin
Cinematography by: John R. Leonetti
Edited by: Imelda Betiong
Division Visual Effects Supervisor: Pixomondo
'Sleepy Hollow' John Doe (2013)
Directed by: Ernest R. Dickerson
Cinematography by: Teodoro Maniaci
Edited by: Casey O. Rohrs
Division Vfx Producer: Pixomondo / Division Visual Effects Supervisor: Pixomondo / Pixomondo: Division Vfx Producer / Division Compositing Supervisor: Pixomondo / Pixomondo: Division Vfx Producer / Pixomondo: Vfx Producer - 27 Episodes, 2013-2015
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Division Visual Effects Supervisor: Pixomondo
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Division Digital Supervisor: Pixomondo
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Visual Effects Division Supervisor: Pixomondo
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Digital Supervisor: Soho VFX
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Lead Compositor: Soho VFX
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Division Visual Effects Supervisor: Pixomondo - 3 Episodes, 2015
The Walking Dead (2010)
Directed by: Greg Nicotero, Michael E. Satrazemis, Ernest R. Dickerson, David Boyd, Guy Ferland, Billy Gierhart, Jeffrey F. January, Michelle MacLaren, Tricia Brock, Seith Mann, Michael Slovis, Rosemary Rodriguez, Alrick Riley, Gwyneth Horder-Payton, Daniel Sackheim, Julius Ramsay, Jennifer Lynch, Kari Skogland, Dan Liu, Larry Teng, Michael Cudlitz, Frank Darabont, Johan Renck, Phil Abraham, Daniel Attias, Clark Johnson, Lesli Linka Glatter, Jeremy Podeswa, Stefan Schwartz, Michael Uppendahl, Larysa Kondracki, Stephen Williams, Avi Youabian, Darnell Martin, John Polson, Daisy von Scherler Mayer, Laura Belsey, Meera Menon, Millicent Shelton, Liesl Tommy
Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall
Compositing Lead: Soho VFX
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Digital Supervisor: Soho VFX
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Lead Compositor
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Lead Compositor: Vfx
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Lead Compositor: Soho VFX
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Digital Compositor
Max Payne (2008)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Digital Compositor: Soho VFX
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Digital Compositor: Soho VFX
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Digital Compositor: Soho VFX
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Digital Compositor: Soho VFX
Black Christmas (2006)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Digital Compositor: Soho VFX
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Digital Compositor: Soho VFX
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Digital Compositor: SOHO VFX
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
