Still Photographer
Ocean's Eight (2018)
Directed by: Gary Ross
Cinematography by: Eigil Bryld
Edited by: Juliette Welfling
Still Photographer
Second Act (2018)
Directed by: Peter Segal
Cinematography by: Ueli Steiger
Edited by: Jason Gourson
Cameras: ARRI ALEXA Mini Camera
Still Photographer
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Still Photographer
How to Be Single (2016)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Still Photographer
Collateral Beauty (2016)
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
Ringside Photographer, Still Photographer
Creed (2015)
Directed by: Ryan Coogler
Cinematography by: Maryse Alberti
Editing System: Avid Editing System
Bagman, Still Photographer
The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Still Photographer
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Still Photographer: New York
Broken City (2013)
Directed by: Allen Hughes
Cinematography by: Ben Seresin
Edited by: Cindy Mollo
Cameras: ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Editing System: Avid Editing System
Still Photographer
Side Effects (2013)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Still Photographer
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Still Photographer
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Still Photographer: New York
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Still Photographer
Arthur (2011)
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Still Photographer
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Still Photographer
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Still Photographer
Jonas Brothers: The 3D Concert Experience (2009)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Still Photographer
Did You Hear About the Morgans? (2009)
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Stills Photographer
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Still Photographer: New York
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Still Photographer
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Still Photographer
27 Dresses (2008)
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Still Photographer
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Still Photographer
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Still Photographer
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Still Photographer
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Still Photographer
'The Sopranos' The Fleshy Part of the Thigh (2006)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Still Photographer
The Devil Wears Prada (2006)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Still Photographer
'The Sopranos' Mr. & Mrs. John Sacrimoni Request (2006)
Directed by: Steve Buscemi
Cinematography by: Phil Abraham
Edited by: William B. Stich
Still Photographer
'The Sopranos' Join the Club (2006)
Directed by: David Nutter
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Still Photographer
'The Sopranos' Mayham (2006)
Directed by: Jack Bender
Cinematography by: Phil Abraham
Still Photographer
'The Sopranos' Members Only (2006)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Still Photographer: New York
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer: New York
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Still Photographer: New York
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Still Photographer: New York
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Still Photographer
Runaway Jury (2003)
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Still Photographer
'The Sopranos' The Strong, Silent Type (2002)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Still Photographer
'The Sopranos' Whoever Did This (2002)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
Still Photographer
'The Sopranos' Mergers and Acquisitions (2002)
Directed by: Daniel Attias
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Still Photographer
'The Sopranos' Watching Too Much Television (2002)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Still Photographer
'The Sopranos' Everybody Hurts (2002)
Directed by: Steve Buscemi
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Still Photographer
'The Sopranos' The Weight (2002)
Directed by: Jack Bender
Cinematography by: Phil Abraham
Edited by: Conrad M. Gonzalez
Still Photographer
'The Sopranos' Pie-o-My (2002)
Directed by: Henry Bronchtein
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Still Photographer
'The Sopranos' Christopher (2002)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: William B. Stich
Still Photographer
'The Sopranos' No Show (2002)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Still Photographer
'The Sopranos' For All Debts Public and Private (2002)
Directed by: Allen Coulter
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Still Photographer
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Still Photographer: New York
In America (2002)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Photographer #1, Still Photographer
Maid in Manhattan (2002)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Craig McKay
Still Photographer
'The Sopranos' University (2001)
Directed by: Allen Coulter
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Still Photographer
'The Sopranos' Employee of the Month (2001)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Still Photographer
'The Sopranos' Fortunate Son (2001)
Directed by: Henry Bronchtein
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Still Photographer
'The Sopranos' Proshai, Livushka (2001)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Still Photographer
'The Sopranos' Mr. Ruggerio's Neighborhood (2001)
Directed by: Allen Coulter
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Still Photographer
'The Sopranos' Another Toothpick (2001)
Directed by: Jack Bender
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Still Photographer
'The Sopranos' Second Opinion (2001)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Still Photographer
'The Sopranos' He Is Risen (2001)
Directed by: Allen Coulter
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Still Photographer
'The Sopranos' To Save Us All from Satan's Power (2001)
Directed by: Jack Bender
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Still Photographer
'The Sopranos' Amour Fou (2001)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Still Photographer
'The Sopranos' Army of One (2001)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Still Photographer
'The Sopranos' The Telltale Moozadell (2001)
Directed by: Daniel Attias
Cinematography by: Phil Abraham
Edited by: William B. Stich
Still Photographer
'The Sopranos' Pine Barrens (2001)
Directed by: Steve Buscemi
Cinematography by: Phil Abraham
Edited by: Conrad M. Gonzalez
Still Photographer: New York
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Still Photographer
Center Stage (2000)
Directed by: Nicholas Hytner
Cinematography by: Geoffrey Simpson
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Still Photographer, Young Doctor
The Yards (2000)
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Still Photographer - 28 Episodes, 2001-2006
The Sopranos (1999)
Directed by: Timothy Van Patten, John Patterson, Allen Coulter, Alan Taylor, Henry Bronchtein, Jack Bender, Steve Buscemi, Daniel Attias, David Chase, Nick Gomez, Matthew Penn, Lorraine Senna, Andy Wolk, Martin Bruestle, Lee Tamahori, James Hayman, Peter Bogdanovich, Mike Figgis, Rodrigo García, Danny Leiner, David Nutter, Steve Shill, Phil Abraham, Terence Winter
Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Still Photographer
Mickey Blue Eyes (1999)
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
Still Photographer
The Thomas Crown Affair (1999)
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Still Photographer
The Last Days of Disco (1998)
Directed by: Whit Stillman
Cinematography by: John Thomas
Still Photographer
The Object of My Affection (1998)
Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar
Still Photographer
Picture Perfect (1997)
Directed by: Glenn Gordon Caron
Cinematography by: Paul Sarossy
Edited by: Robert M. Reitano
Still Photographer
The Ice Storm (1997)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Still Photographer
The Crucible (1996)
Directed by: Nicholas Hytner
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
The Pallbearer (1996)
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Still Photographer
Blue in the Face (1995)
Cinematography by: Adam Holender
Edited by: Christopher Tellefsen
Still Photographer
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Still Photographer
The Cowboy Way (1994)
Directed by: Gregg Champion
Cinematography by: Dean Semler
Edited by: Michael Tronick
Still Photographer
Quiz Show (1994)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Cameras: ARRIFLEX 35mm Cameras
Still Photographer: New York
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Still Photographer: Washington D.C.
Born Yesterday (1993)
Directed by: Luis Mandoki
Cinematography by: Lajos Koltai
Edited by: Lesley Walker
Cameras: ARRIFLEX Camera
Still Photographer: Washington D.C.
The Distinguished Gentleman (1992)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Still Photographer
Rich in Love (1992)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Still Photographer: New York
Deceived (1991)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Neil Travis
Still Photographer
He Said, She Said (1991)
Cinematography by: Stephen H. Burum
Edited by: Sidney Levin
Cameras: Panavision Cameras
Still Photographer
Men Don't Leave (1990)
Directed by: Paul Brickman
Cinematography by: Bruce Surtees
Edited by: Richard Chew
Still Photographer
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Still Photographer / Still Photographer: New York
True Believer (1989)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Still Photographer
The House on Carroll Street (1987)
Directed by: Peter Yates
Cinematography by: Michael Ballhaus
Edited by: Ray Lovejoy
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Still Photographer: New York
Crocodile Dundee (1986)
Directed by: Peter Faiman
Cinematography by: Russell Boyd
Edited by: David Stiven
Still Photographer
Death of a Salesman (1985)
Directed by: Volker Schlöndorff
Cinematography by: Michael Ballhaus
Still Photographer
After Hours (1985)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
