Bryan Godwin

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Sonic the Hedgehog | ShotOnWhat?

Visual Effects Supervisor

Sonic the Hedgehog (2020)

Directed by: Jeff Fowler

Cinematography by: Stephen F. Windon

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Joker | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Joker (2019)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Editing System: Avid Editing System

Ocean's Eight | ShotOnWhat?

Owner/executive Vfx Supervisor: Shade Vfx

Ocean's Eight (2018)

Directed by: Gary Ross

Cinematography by: Eigil Bryld

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

"Westworld" Journey into Night | ShotOnWhat?

Owner/executive VFX Supervisor: Shade VFX

'Westworld' Journey into Night (2018)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Darran Tiernan

Edited by: Andrew Seklir

"Westworld" Reunion | ShotOnWhat?

Owner/executive VFX Supervisor: Shade VFX

'Westworld' Reunion (2018)

Television Episode

Directed by: Vincenzo Natali

Cinematography by: John Grillo

Edited by: David Eisenberg

"Westworld" Virtù e Fortuna | ShotOnWhat?

Owner/executive VFX Supervisor: Shade VFX

'Westworld' Virtù e Fortuna (2018)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Darran Tiernan

Edited by: Anna Hauger

"Westworld" The Riddle of the Sphinx | ShotOnWhat?

Owner/executive VFX Supervisor: Shade VFX

'Westworld' The Riddle of the Sphinx (2018)

Television Episode

Directed by: Lisa Joy

Cinematography by: John Grillo

Edited by: Andrew Seklir

"Westworld" Akane no Mai | ShotOnWhat?

Owner/executive VFX Supervisor: Shade VFX

'Westworld' Akane no Mai (2018)

Television Episode

Directed by: Craig Zobel

Cinematography by: Darran Tiernan

Edited by: David Eisenberg

"Westworld" Phase Space | ShotOnWhat?

Owner/executive VFX Supervisor: Shade VFX

'Westworld' Phase Space (2018)

Television Episode

Directed by: Tarik Saleh

Cinematography by: John Grillo

Edited by: Ron Rosen

"Westworld" The Passenger | ShotOnWhat?

Owner/executive VFX Supervisor: Shade VFX

'Westworld' The Passenger (2018)

Television Episode

Directed by: Frederick E.O. Toye

Cinematography by: John Grillo

Edited by: Anna Hauger, Mako Kamitsuna, Andrew Seklir

The Greatest Showman | ShotOnWhat?

Owner/executive Vfx Supervisor: Shade VFX

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Baywatch | ShotOnWhat?

Visual Effects Executive Supervisor: Shade VFX

Baywatch (2017)

Directed by: Seth Gordon

Cinematography by: Eric Steelberg

Edited by: Peter S. Elliot

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The 5th Wave | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

"Marco Polo" Hug | ShotOnWhat?

Owner/vfx Supervisor

'Marco Polo' Hug (2016)

Television Episode

Directed by: David Petrarca

Cinematography by: Vanja Cernjul

Edited by: Andy Keir

"Marco Polo" Let God's Work Begin | ShotOnWhat?

Owner/vfx Supervisor

'Marco Polo' Let God's Work Begin (2016)

Television Episode

Directed by: David Petrarca

Cinematography by: Vanja Cernjul

Edited by: Andy Keir

"Marco Polo" Lost Crane | ShotOnWhat?

Owner/vfx Supervisor

'Marco Polo' Lost Crane (2016)

Television Episode

Directed by: Alik Sakharov

Cinematography by: Gavin Struthers

Edited by: William Henry

"Marco Polo" Heirs | ShotOnWhat?

Owner/vfx Supervisor

'Marco Polo' Heirs (2016)

Television Episode

Directed by: James McTeigue

Cinematography by: Romain Lacourbas

Edited by: Malcolm Jamieson

"Marco Polo" Episode #2.1 | ShotOnWhat?

Owner/vfx Supervisor / Vfx Supervisor: Shade Vfx

'Marco Polo' Hunter and the Sable Weaver (2016)

Television Episode

Directed by: Daniel Minahan

Cinematography by: Romain Lacourbas

Edited by: Michael Berenbaum

"Marco Polo" Lullaby | ShotOnWhat?

Owner/vfx Supervisor

'Marco Polo' Lullaby (2016)

Television Episode

Directed by: Jon Amiel

Cinematography by: Vanja Cernjul

Edited by: Erica Freed Marker

"Marco Polo" Serpent's Terms | ShotOnWhat?

Owner/vfx Supervisor

'Marco Polo' Serpent's Terms (2016)

Television Episode

Directed by: Jon Amiel

Cinematography by: Vanja Cernjul

Edited by: Erica Freed Marker

"Marco Polo" Episode #2.8 | ShotOnWhat?

Owner/vfx Supervisor

'Marco Polo' Whitehorse (2016)

Television Episode

Directed by: James McTeigue

Cinematography by: Romain Lacourbas

Edited by: Malcolm Jamieson

"Marco Polo" Episode #2.10 | ShotOnWhat?

Owner/vfx Supervisor / Vfx Supervisor: Shade Vfx

'Marco Polo' The Fellowship (2016)

Television Episode

Directed by: Alik Sakharov

Cinematography by: Gavin Struthers

Edited by: William Henry

"Vinyl" Alibi | ShotOnWhat?

VFX Supervisor: Shade VFX

'Vinyl' Alibi (2016)

Television Episode

Directed by: Allen Coulter

Cinematography by: Reed Morano

Edited by: Tim Streeto

Vinyl | ShotOnWhat?

VFX Supervisor: Shade VFX - 1 Episode, 2016

Vinyl (2016)

Television Series

Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett

Cinematography by: Reed Morano, David Franco, Rodrigo Prieto

Edited by: Tim Streeto, Kate Sanford, David Tedeschi, Perri B. Frank, Eric Lorenz

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

"Marco Polo" Measure Against the Linchpin | ShotOnWhat?

Owner/vfx Supervisor

'Marco Polo' Measure Against the Linchpin (2016)

Television Episode

Directed by: Daniel Minahan

Cinematography by: Romain Lacourbas

Edited by: Michael Berenbaum

Live by Night | ShotOnWhat?

Owner/founder/vfx Supervisor

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Westworld | ShotOnWhat?

Owner/executive Visual Effects Supervisor / Owner/executive VFX Supervisor: Shade VFX - 7 Episodes, 2016-2018

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

"Westworld" The Original | ShotOnWhat?

Owner/executive Visual Effects Supervisor

'Westworld' The Original (2016)

Television Episode

Directed by: Jonathan Nolan

Cinematography by: Paul Cameron

Edited by: Marc Jozefowicz, Stephen Semel

"Westworld" Chestnut | ShotOnWhat?

Owner/executive Visual Effects Supervisor

'Westworld' Chestnut (2016)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Brendan Galvin

Edited by: Mark Yoshikawa

"Westworld" Dissonance Theory | ShotOnWhat?

Owner/executive Visual Effects Supervisor

'Westworld' Dissonance Theory (2016)

Television Episode

Directed by: Vincenzo Natali

Cinematography by: Brendan Galvin

Edited by: Tanya M. Swerling

"Westworld" Contrapasso | ShotOnWhat?

Owner/executive Visual Effects Supervisor

'Westworld' Contrapasso (2016)

Television Episode

Directed by: Jonny Campbell

Cinematography by: Robert McLachlan

Edited by: Mark Yoshikawa

"Westworld" The Adversary | ShotOnWhat?

Owner/executive Visual Effects Supervisor

'Westworld' The Adversary (2016)

Television Episode

Directed by: Frederick E.O. Toye

Cinematography by: Brendan Galvin, Robert McLachlan

Edited by: Tanya M. Swerling

"Westworld" Trompe L'Oeil | ShotOnWhat?

Owner/executive Visual Effects Supervisor

'Westworld' Trompe L'Oeil (2016)

Television Episode

Directed by: Frederick E.O. Toye

Cinematography by: Brendan Galvin

Edited by: Andrew Seklir

"Westworld" Trace Decay | ShotOnWhat?

Owner/executive Visual Effects Supervisor

'Westworld' Trace Decay (2016)

Television Episode

Directed by: Stephen Williams

Cinematography by: Jeffrey Jur, Robert McLachlan

Edited by: Tanya M. Swerling

"Westworld" The Well-Tempered Clavier | ShotOnWhat?

Owner/executive Visual Effects Supervisor

'Westworld' The Well-Tempered Clavier (2016)

Television Episode

Directed by: Michelle MacLaren

Cinematography by: Jeffrey Jur

Edited by: Mark Yoshikawa

"Westworld" The Bicameral Mind | ShotOnWhat?

Owner/executive Visual Effects Supervisor

'Westworld' The Bicameral Mind (2016)

Television Episode

Directed by: Jonathan Nolan

Cinematography by: David Franco

Edited by: Andrew Seklir

Batman v Superman: Dawn of Justice | ShotOnWhat?

Visual Effects Supervisor: Shade Vfx

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Intern | ShotOnWhat?

Visual Effects Supervisor: Shade Vfx

The Intern (2015)

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Gambler | ShotOnWhat?

Visual Effects Supervisor: Shade Vfx

The Gambler (2014)

Directed by: Rupert Wyatt

Cinematography by: Greig Fraser

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Selma | ShotOnWhat?

Visual Effects Supervisor: Shade Vfx

Selma (2014)

Directed by: Ava DuVernay

Cinematography by: Bradford Young

Edited by: Spencer Averick

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses

Marco Polo | ShotOnWhat?

Owner/vfx Supervisor / Vfx Supervisor: Shade Vfx - 10 Episodes, 2016

Marco Polo (2014)

Television Series

Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue

Cinematography by: Vanja Cernjul, Romain Lacourbas, Xavier Grobet, Gavin Struthers

Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver

Cameras: Sony PMW-F55 Camera

Million Dollar Arm | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Million Dollar Arm (2014)

Directed by: Craig Gillespie

Cinematography by: Gyula Pados

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Annie | ShotOnWhat?

Visual Effects Supervisor: Shade Vfx

Annie (2014)

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Tia Nolan

Cameras: Sony PMW-F55 Camera

22 Jump Street | ShotOnWhat?

Visual Effects Supervisor: Shade Vfx

22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

The Amazing Spider-Man 2 | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Gangster Squad | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

A Good Day to Die Hard | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Side Effects | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Side Effects (2013)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red Epic Camera

42 | ShotOnWhat?

Visual Effects Supervisor: Shade FX

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Wolverine | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Project X | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Project X (2012)

Directed by: Nima Nourizadeh

Cinematography by: Ken Seng

Edited by: Jeff Groth

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera

Lenses: Canon Lenses

Jack Reacher | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Jack Reacher (2012)

Directed by: Christopher McQuarrie

Cinematography by: Caleb Deschanel

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

This Means War | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

This Means War (2012)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Chronicle | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Chronicle (2012)

Directed by: Josh Trank

Cinematography by: Matthew Jensen

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Chernobyl Diaries | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Chernobyl Diaries (2012)

Directed by: Bradley Parker

Cinematography by: Morten Søborg

Edited by: Stan Salfas

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Dictator | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

The Dictator (2012)

Directed by: Larry Charles

Cinematography by: Lawrence Sher

Edited by: Greg Hayden, Eric Kissack

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Lenses: Panavision Primo Anamorphic Lenses

Argo | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

I Am Number Four | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Cowboys & Aliens | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Glee: The 3D Concert Movie | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Glee: The 3D Concert Movie (2011)

Directed by: Kevin Tancharoen, Jennifer Arnold

Cinematography by: Glen MacPherson, Justin Talley

Edited by: Myron Kerstein, Jane Moran, Tatiana S. Riegel, Sonja Schenk

Cameras: ARRI ALEXA Camera, Red Epic Camera

Water for Elephants | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Battle Los Angeles | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Fright Night | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

The Muppets | ShotOnWhat?

Visual Effects Supervisor: Shade VFX

The Muppets (2011)

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Cg Supervisor: Cafe FX

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Seven Pounds | ShotOnWhat?

Cg Supervisor: CafeFX

Seven Pounds (2008)

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Speed Racer | ShotOnWhat?

Cg Supervisor

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Ice Age | ShotOnWhat?

Lighting Technician

Ice Age (2002)

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

The One | ShotOnWhat?

Digital Artist

The One (2001)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

X-Men | ShotOnWhat?

Digital Artist

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

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