Andy Koyama

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Zack Snyder's Justice League | ShotOnWhat?

Re-recording Mixer

Zack Snyder's Justice League (2021)

Directed by: Zack Snyder

Cinematography by: Fabian Wagner

Edited by: David Brenner, Carlos M. Castillón, Dody Dorn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Leitz Summilux-C Series Lenses

Five Feet Apart | ShotOnWhat?

Re-recording Mixer

Five Feet Apart (2019)

Directed by: Justin Baldoni

Cinematography by: Frank G. DeMarco

Edited by: Angela M. Catanzaro

Cameras: ARRI AMIRA Camera

Lenses: Cooke Lenses, Cooke Spherical Lenses

Flock of Four | ShotOnWhat?

Re-recording Mixer

Flock of Four (2017)

Directed by: Gregory Caruso

Cinematography by: Gus Bendinelli

Edited by: Vic Brown

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision B Series Anamorphic Lenses

The Finest Hours | ShotOnWhat?

Re-recording Mixer

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

John Wick | ShotOnWhat?

Re-recording Mixer

John Wick (2014)

Directed by: Chad Stahelski, David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Million Dollar Arm | ShotOnWhat?

Re-recording Mixer

Million Dollar Arm (2014)

Directed by: Craig Gillespie

Cinematography by: Gyula Pados

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Nightcrawler | ShotOnWhat?

Re-recording Mixer

Nightcrawler (2014)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Selma | ShotOnWhat?

Re-recording Mixer

Selma (2014)

Directed by: Ava DuVernay

Cinematography by: Bradford Young

Edited by: Spencer Averick

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses

The Book of Life | ShotOnWhat?

Re-recording Mixer

The Book of Life (2014)

Directed by: Jorge R. Gutiérrez

Edited by: Ahren Shaw

Lone Survivor | ShotOnWhat?

Re-recording Mixer

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Walking with Dinosaurs 3D | ShotOnWhat?

Re-recording Mixer

Walking with Dinosaurs 3D (2013)

Directed by: Barry Cook, Neil Nightingale

Cinematography by: John Brooks

Edited by: John Carnochan

Cameras: Red Epic Camera

Carrie | ShotOnWhat?

Re-recording Mixer

Carrie (2013)

Directed by: Kimberly Peirce

Cinematography by: Steve Yedlin

Edited by: Lee Percy, Nancy Richardson

Cameras: ARRI ALEXA Camera

Iron Man Three | ShotOnWhat?

The Last Stand | ShotOnWhat?

Re-recording Mixer

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

The Dictator | ShotOnWhat?

Re-recording Mixer

The Dictator (2012)

Directed by: Larry Charles

Cinematography by: Lawrence Sher

Edited by: Greg Hayden, Eric Kissack

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Lenses: Panavision Primo Anamorphic Lenses

A Thousand Words | ShotOnWhat?

Re-recording Mixer

A Thousand Words (2012)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Battleship | ShotOnWhat?

Re-recording Mixer

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Grey | ShotOnWhat?

Additional Re-recording Mixer

The Grey (2011)

Directed by: Joe Carnahan

Cinematography by: Masanobu Takayanagi

Edited by: Roger Barton, Jason Hellmann

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Mr. Popper's Penguins | ShotOnWhat?

Re-recording Mixer

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Roommate | ShotOnWhat?

Re-recording Mixer

The Roommate (2011)

Directed by: Christian E. Christiansen

Cinematography by: Phil Parmet

Edited by: Randy Bricker

Cameras: Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

She's Out of My League | ShotOnWhat?

Re-recording Mixer

She's Out of My League (2010)

Directed by: Jim Field Smith

Cinematography by: Jim Denault

Edited by: Dan Schalk

Burlesque | ShotOnWhat?

Re-recording Mixer

Burlesque (2010)

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Dinner for Schmucks | ShotOnWhat?

Re-recording Mixer

Dinner for Schmucks (2010)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Re-recording Mixer

Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

The Twilight Saga: New Moon | ShotOnWhat?

Re-recording Mixer

The Twilight Saga: New Moon (2009)

Directed by: Chris Weitz

Cinematography by: Javier Aguirresarobe

Edited by: Peter Lambert

The Express | ShotOnWhat?

Re-recording Mixer

The Express (2008)

Directed by: Gary Fleder

Cinematography by: Kramer Morgenthau

Edited by: Padraic McKinley, William Steinkamp

Welcome Home, Roscoe Jenkins | ShotOnWhat?

Re-recording Mixer

Welcome Home, Roscoe Jenkins (2008)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: George Bowers, Paul Millspaugh

The Incredible Hulk | ShotOnWhat?

Re-recording Mixer

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Illegal Tender | ShotOnWhat?

Re-recording Mixer

Illegal Tender (2007)

Directed by: Franc. Reyes

Cinematography by: Frank Byers

Edited by: Tony Ciccone

The Comebacks | ShotOnWhat?

Re-recording Mixer

The Comebacks (2007)

Directed by: Tom Brady

Cinematography by: Anthony B. Richmond

Edited by: Alan Edward Bell

The Pink Panther | ShotOnWhat?

Supervising Sound Mixer

The Pink Panther (2006)

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: George Folsey Jr., Brad Wilhite

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Re-recording Mixer

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

She's the Man | ShotOnWhat?

Re-recording Mixer

She's the Man (2006)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

The Omen | ShotOnWhat?

Sound Mixer

The Omen (2006)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: Panavision Cameras

Big Momma's House 2 | ShotOnWhat?

Re-recording Mixer

Big Momma's House 2 (2006)

Directed by: John Whitesell

Cinematography by: Mark Irwin

Edited by: Priscilla Nedd-Friendly

Deck the Halls | ShotOnWhat?

Re-recording Mixer

Deck the Halls (2006)

Directed by: John Whitesell

Cinematography by: Mark Irwin

Edited by: Paul Hirsch, James Start

Accepted | ShotOnWhat?

Re-recording Mixer

Accepted (2006)

Directed by: Steve Pink

Cinematography by: Matthew F. Leonetti

Edited by: Scott Hill

Cameras: Moviecam Cameras

The Game of Their Lives | ShotOnWhat?

Re-recording Mixer

The Game of Their Lives (2005)

Directed by: David Anspaugh

Cinematography by: Johnny E. Jensen

Edited by: Ian Crafford, Lee Grubin, Bud S. Smith, M. Scott Smith

Just Like Heaven | ShotOnWhat?

Supervising Sound Mixer

Just Like Heaven (2005)

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Bruce Green

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Aurora Borealis | ShotOnWhat?

Re-recording Mixer

Aurora Borealis (2005)

Directed by: James C.E. Burke

Cinematography by: Alar Kivilo

Edited by: Richard Nord

Ladder 49 | ShotOnWhat?

Re-recording Mixer

Ladder 49 (2004)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Bud S. Smith, M. Scott Smith

Along Came Polly | ShotOnWhat?

Supervising Sound Mixer

Along Came Polly (2004)

Directed by: John Hamburg

Cinematography by: Seamus McGarvey

Edited by: William Kerr, Nick Moore

I'll Be There | ShotOnWhat?

Re-recording Mixer

I'll Be There (2003)

Directed by: Craig Ferguson

Cinematography by: Ian Wilson

Edited by: Sheldon Kahn

2 Fast 2 Furious | ShotOnWhat?

Re-recording Mixer

2 Fast 2 Furious (2003)

Directed by: John Singleton

Cinematography by: Matthew F. Leonetti

Edited by: Bruce Cannon, Dallas Puett

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

The Core | ShotOnWhat?

Additional Sound Re-recording Mixer

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

About a Boy | ShotOnWhat?

Re-recording Mixer

About a Boy (2002)

Directed by: Chris Weitz, Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Nick Moore

Cameras: ARRIFLEX 35mm Cameras

Lenses: ARRI Lenses

Editing System: Avid Editing System

Undercover Brother | ShotOnWhat?

Re-recording Mixer

Undercover Brother (2002)

Directed by: Malcolm D. Lee

Cinematography by: Tom Priestley Jr.

Edited by: William Kerr

Austin Powers in Goldmember | ShotOnWhat?

Re-recording Mixer

Austin Powers in Goldmember (2002)

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

Down to Earth | ShotOnWhat?

Re-recording Mixer

Down to Earth (2001)

Directed by: Chris Weitz, Paul Weitz

Cinematography by: Richard Crudo

Edited by: Priscilla Nedd-Friendly

American Pie 2 | ShotOnWhat?

Re-recording Mixer

American Pie 2 (2001)

Directed by: J.B. Rogers

Cinematography by: Mark Irwin

Edited by: Larry Madaras, Stuart H. Pappé

Cameras: Moviecam Compact Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses

Lara Croft: Tomb Raider | ShotOnWhat?

Additional Re-recording Mixer

Lara Croft: Tomb Raider (2001)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Zoolander | ShotOnWhat?

Re-recording Mixer

Zoolander (2001)

Directed by: Ben Stiller

Cinematography by: Barry Peterson

Edited by: Greg Hayden

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Meet the Parents | ShotOnWhat?

Re-recording Mixer

Meet the Parents (2000)

Directed by: Jay Roach

Cinematography by: Peter James

Edited by: Greg Hayden, Jon Poll

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Hurricane | ShotOnWhat?

Re-recording Mixer

The Hurricane (1999)

Directed by: Norman Jewison

Cinematography by: Roger Deakins

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

She's All That | ShotOnWhat?

Re-recording Mixer

She's All That (1999)

Directed by: Robert Iscove

Cinematography by: Francis Kenny

Edited by: Casey O. Rohrs

The Big Hit | ShotOnWhat?

Re-recording Mixer

The Big Hit (1998)

Directed by: Kirk Wong

Cinematography by: Danny Nowak

Edited by: Robin Russell, Pietro Scalia

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Bride of Chucky | ShotOnWhat?

Re-recording Mixer

Bride of Chucky (1998)

Directed by: Ronny Yu

Cinematography by: Peter Pau

Edited by: Randy Bricker, David Wu

Knock Off | ShotOnWhat?

Re-recording Mixer

Knock Off (1998)

Directed by: Hark Tsui

Cinematography by: Arthur Wong

Edited by: Craig Henighan, Marco Mak, Annellie Rose Samuel

Lolita | ShotOnWhat?

Location Foley Mixer

Lolita (1997)

Directed by: Adrian Lyne

Cinematography by: Howard Atherton

Edited by: David Brenner, Julie Monroe

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

E.T. the Extra-Terrestrial | ShotOnWhat?

Re-recording Mixer - 2002 Special Version

E.T. the Extra-Terrestrial (1982)

Directed by: Steven Spielberg

Cinematography by: Allen Daviau

Edited by: Carol Littleton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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