Re-recording Mixer
'Euphoria' All My Life, My Heart Has Yearned for a Thing I Cannot Name (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Re-recording Mixer
'Euphoria' The Theater and Its Double (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Re-recording Mixer
'Euphoria' A Thousand Little Trees of Blood (2022)
Directed by: Sam Levinson
Cinematography by: Rina Yang
Re-recording Mixer
'Euphoria' Stand Still Like the Hummingbird (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Re-recording Mixer
'Euphoria' You Who Cannot See, Think of Those Who Can (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Re-recording Mixer - 14 Episodes, 2019-2025, Re-recording Mixer - 8 Episodes, 2019
Euphoria (2019)
Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Re-recording Mixer
'Euphoria' And Salt the Earth Behind You (2019)
Directed by: Sam Levinson
Cinematography by: Adam Newport-Berra
Edited by: Julio C. Perez IV
Re-recording Mixer
'Euphoria' The Trials and Tribulations of Trying to Pee While Depressed (2019)
Directed by: Sam Levinson
Cinematography by: Adam Newport-Berra
Edited by: Harry Yoon
Re-recording Mixer
'Euphoria' The Next Episode (2019)
Directed by: Pippa Bianco
Cinematography by: Drew Daniels
Edited by: Laura Zempel
Re-recording Mixer
'Euphoria' '03 Bonnie and Clyde (2019)
Directed by: Jennifer Morrison
Cinematography by: Drew Daniels
Edited by: Harry Yoon
Re-recording Mixer
'Euphoria' Shook Ones Pt II (2019)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Edited by: Julio C. Perez IV
Re-recording Mixer
'Euphoria' Made You Look (2019)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Re-recording Mixer
'Euphoria' Stuntin' Like My Daddy (2019)
Directed by: Sam Levinson
Edited by: Julio C. Perez IV
Re-recording Mixer
'Euphoria' Pilot (2019)
Directed by: Augustine Frizzell
Cinematography by: Marcell Rév
Edited by: Julio C. Perez IV
Re-recording Mixer
Assassination Nation (2018)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Edited by: Ron Patane
Cameras: ARRI ALEXA Mini Camera
Re-recording Mixer
Brad's Status (2017)
Directed by: Mike White
Cinematography by: Xavier Grobet
Edited by: Heather Persons
Cameras: ARRI ALEXA Series Cameras
Re-recording Mixer
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Additional Re-recording Mixer
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
Re-recording Mixer
The Love Witch (2016)
Directed by: Anna Biller
Cinematography by: M. David Mullen
Edited by: Anna Biller
Cameras: ARRICAM Studio (ST) Camera
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Moonlight (2016)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA XT Plus Camera
Re-recording Mixer
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Re-recording Mixer
Hell Baby (2013)
Cinematography by: Charles Papert
Edited by: Kevin Oeser
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Warm Bodies (2013)
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
Re-recording Mixer
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Re-recording Mixer
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Alone Yet Not Alone (2013)
Cinematography by: James Suttles
Edited by: M. Scott Smith
Re-recording Mixer
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Re-recording Mixer
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Re-recording Mixer
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Re-recording Mixer
A Better Life (2011)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Re-recording Mixer
There Be Dragons (2011)
Directed by: Roland Joffé
Cinematography by: Gabriel Beristain
Edited by: Richard Nord
Re-recording Mixer
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Re-recording Mixer
You and I (2011)
Directed by: Roland Joffé
Cinematography by: Philip Robertson
Edited by: Richard Nord
Re-recording Mixer
Beastly (2011)
Directed by: Daniel Barnz
Cinematography by: Mandy Walker
Edited by: Thomas J. Nordberg
Re-recording Mixer
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Re-recording Mixer
Temple Grandin (2010)
Directed by: Mick Jackson
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
Re-recording Mixer
Father of Invention (2010)
Directed by: Trent Cooper
Cinematography by: Steve Yedlin
Edited by: Heather Persons
Re-recording Mixer
The Ward (2010)
Directed by: John Carpenter
Cinematography by: Yaron Orbach
Edited by: Patrick McMahon
Cameras: Moviecam Compact MK2 Camera
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Re-recording Mixer
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer
Jesse Stone: Thin Ice (2009)
Directed by: Robert Harmon
Cinematography by: Rene Ohashi
Edited by: Steven Cohen
Re-recording Mixer
Saint John of Las Vegas (2009)
Directed by: Hue Rhodes
Cinematography by: Giles Nuttgens
Edited by: Annette Davey
Re-recording Mixer
Powder Blue (2009)
Directed by: Timothy Linh Bui
Cinematography by: Jonathan Sela
Edited by: Leo Trombetta
Re-recording Mixer
Assassination of a High School President (2008)
Directed by: Brett Simon
Cinematography by: M. David Mullen
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Re-recording Mixer
Rambo (2008)
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Re-recording Mixer
Death Sentence (2007)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Michael N. Knue
Re-recording Mixer
Southland Tales (2006)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Edited by: Sam Bauer
Re-recording Mixer
Larry the Cable Guy: Health Inspector (2006)
Directed by: Trent Cooper
Cinematography by: Kim Marks
Edited by: Gregg Featherman
Additional Sound Re-recording Mixer
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Re-recording Mixer
Dust to Glory (2005)
Directed by: Dana Brown
Cinematography by: Kevin Ward
Cameras: Panasonic AG-DVX100 Camera
Editing System: Adobe Premiere Editing System
Re-recording Mixer
Paparazzi (2004)
Directed by: Paul Abascal
Cinematography by: Daryn Okada
Edited by: Robin Russell
Re-recording Mixer
Soul Plane (2004)
Directed by: Jessy Terrero
Cinematography by: Jonathan Sela
Edited by: Michael R. Miller
Re-recording Mixer
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Re-recording Mixer
Blue Collar Comedy Tour: The Movie (2003)
Directed by: C.B. Harding
Cinematography by: Bruce L. Finn
Edited by: Tony Hayman
Re-recording Mixer: Wilshire Stages
Sin (2003)
Directed by: Michael Stevens
Cinematography by: Zoran Popovic
Edited by: Suzanne Fenn
Re-recording Mixer
Bringing Down the House (2003)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Re-recording Mixer
The Good Girl (2002)
Directed by: Miguel Arteta
Cinematography by: Enrique Chediak
Edited by: Jeff Betancourt
Re-recording Mixer
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Re-recording Mixer
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Re-recording Mixer / Sound Re-recording Mixer: Director's Cut
Donnie Darko (2001)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Re-recording Mixer
Morgan's Ferry (2001)
Directed by: Sam Pillsbury
Cinematography by: Johnny E. Jensen
Edited by: Margaret Goodspeed
Re-recording Mixer
Where the Money Is (2000)
Directed by: Marek Kanievska
Cinematography by: Thomas Burstyn
Re-recording Mixer
Timecode (2000)
Directed by: Mike Figgis
Cinematography by: Patrick Alexander Stewart
Re-recording Mixer
The Way of the Gun (2000)
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
Re-recording Mixer
Nurse Betty (2000)
Directed by: Neil LaBute
Cinematography by: Jean-Yves Escoffier
Re-recording Mixer
Chill Factor (1999)
Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Re-recording Mixer
American Pie (1999)
Cinematography by: Richard Crudo
Edited by: Priscilla Nedd-Friendly
Re-recording Mixer
Half Baked (1998)
Directed by: Tamra Davis
Cinematography by: Steven Bernstein
Edited by: Don Zimmerman
Re-recording Mixer
The Patriot (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Derek Brechin
Cameras: Panavision Cameras
Re-recording Mixer
Disturbing Behavior (1998)
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Randy Jon Morgan
Re-recording Mixer
Rounders (1998)
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Re-recording Mixer
Double Team (1997)
Directed by: Hark Tsui
Cinematography by: Peter Pau
Edited by: Bill Pankow
Lenses: Angenieux Lenses, Zeiss Lenses
Re-recording Mixer
Dad's Week Off (1997)
Directed by: Neal Israel
Cinematography by: Jan Kiesser
Edited by: Tom Walls
Additional Sound Re-recording Mixer
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Cable Guy (1996)
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Re-recording Mixer
The Pallbearer (1996)
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Re-recording Mixer
Clueless (1995)
Directed by: Amy Heckerling
Cinematography by: Bill Pope
Edited by: Debra Chiate
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses, Zeiss Lenses
Re-recording Mixer
While You Were Sleeping (1995)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Additional Sound Re-recording Mixer
Wild Bill (1995)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Re-recording Mixer
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Re-recording Mixer
PCU (1994)
Directed by: Hart Bochner
Cinematography by: Reynaldo Villalobos
Edited by: Nicholas C. Smith
Sound Re-recordist: Todd A-O/Glen Glenn Studios
Exit to Eden (1994)
Directed by: Garry Marshall
Cinematography by: Theo van de Sande
Edited by: David Finfer
Re-recording Mixer
Legends of the Fall (1994)
Directed by: Edward Zwick
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Lenses: Canon Lenses, Panavision Lenses
Re-recording Mixer
Milk Money (1994)
Directed by: Richard Benjamin
Cinematography by: David Watkin
Edited by: Jacqueline Cambas
Re-recording Mixer: Todd-AO Studios
Don Juan DeMarco (1994)
Directed by: Jeremy Leven
Cinematography by: Ralf D. Bode
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Re-recording Mixer
Striking Distance (1993)
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg
Additional Sound Re-recording Mixer
Geronimo: An American Legend (1993)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Re-recording Mixer
Jack the Bear (1993)
Directed by: Marshall Herskovitz
Cinematography by: Fred Murphy
Edited by: Steven Rosenblum
Re-recording Mixer
Look Who's Talking Now (1993)
Directed by: Tom Ropelewski
Cinematography by: Oliver Stapleton
Re-recording Mixer
Buffy the Vampire Slayer (1992)
Directed by: Fran Rubel Kuzui
Cinematography by: James Hayman
Re-recording Mixer
Medicine Man (1992)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Re-recording Mixer
Dying Young (1991)
Directed by: Joel Schumacher
Cinematography by: Juan Ruiz Anchía
Re-recording Mixer
29th Street (1991)
Directed by: George Gallo
Cinematography by: Steven Fierberg
Edited by: Kaja Fehr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stereo Sound Consultant: Dolby
Subway (1985)
Directed by: Luc Besson
Cinematography by: Carlo Varini
Edited by: Sophie Schmit
Stereo Sound Consultant: Dolby
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
Stereo Sound Consultant: Dolby
A Passage to India (1984)
Directed by: David Lean
Cinematography by: Ernest Day
Edited by: David Lean
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby
Le Dernier Combat (The Last Battle) (1983)
Directed by: Luc Besson
Cinematography by: Carlo Varini
Edited by: Sophie Schmit
