Stuart McCowan

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Come Away | ShotOnWhat?

Adr Editor

Come Away (2020)

Directed by: Brenda Chapman

Cinematography by: Jules O'Loughlin

Edited by: Dody Dorn

The Lighthouse | ShotOnWhat?

Adr Editor: UK

The Lighthouse (2019)

Directed by: Robert Eggers

Cinematography by: Jarin Blaschke

Edited by: Louise Ford

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Bausch & Lomb Lenses, Pathé Lenses

Outlaw King | ShotOnWhat?

Adr Editor

Outlaw King (2018)

Directed by: David Mackenzie

Cinematography by: Barry Ackroyd

Edited by: Jake Roberts

Cameras: Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

"Sherlock" Episode #4.2 | ShotOnWhat?

Sound Effects Editor

'Sherlock' The Lying Detective (2017)

Television Episode

Directed by: Nick Hurran

Cinematography by: Neville Kidd

Edited by: Yan Miles

"Sherlock" Episode #4.3 | ShotOnWhat?

Sound Effects Editor

'Sherlock' The Final Problem (2017)

Television Episode

Directed by: Benjamin Caron

Cinematography by: David Luther

Edited by: Yan Miles

"Sherlock" Episode #4.1 | ShotOnWhat?

Sound Effects Editor

'Sherlock' The Six Thatchers (2017)

Television Episode

Directed by: Rachel Talalay

Cinematography by: Stuart Biddlecombe

Edited by: William Oswald

The Book of Henry | ShotOnWhat?

Dialogue / ADR Supervisor

The Book of Henry (2017)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses

Captain America: Civil War | ShotOnWhat?

Dialogue Editor

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

"Sherlock" The Abominable Bride | ShotOnWhat?

Sound Effects Editor

'Sherlock' The Abominable Bride (2016)

Television Episode

Directed by: Douglas Mackinnon

Cinematography by: Suzie Lavelle

Edited by: Andrew McClelland

Jurassic World | ShotOnWhat?

Dialogue Supervisor

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

"Sherlock" The Sign of Three | ShotOnWhat?

Sound Effects Editor

'Sherlock' The Sign of Three (2014)

Television Episode

Directed by: Colm McCarthy

Cinematography by: Steve Lawes

Edited by: Mark Davis

"Sherlock" The Empty Hearse | ShotOnWhat?

Sound Effects Editor

'Sherlock' The Empty Hearse (2014)

Television Episode

Directed by: Jeremy Lovering

Cinematography by: Steve Lawes

Edited by: Charlie Phillips

"Sherlock" His Last Vow | ShotOnWhat?

Sound Effects Editor

'Sherlock' His Last Vow (2014)

Television Episode

Directed by: Nick Hurran

Cinematography by: Neville Kidd

Edited by: Yan Miles

Thor: The Dark World | ShotOnWhat?

Dialogue Editor

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

The Conjuring | ShotOnWhat?

Supervising Adr Editor / Supervising Dialogue Editor

The Conjuring (2013)

Directed by: James Wan

Cinematography by: John R. Leonetti

Edited by: Kirk M. Morri

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

47 Ronin | ShotOnWhat?

Adr Editor

47 Ronin (2013)

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Star Trek Into Darkness | ShotOnWhat?

Adr Editor

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Oblivion | ShotOnWhat?

Sound Effects Editor

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Brave | ShotOnWhat?

Dialogue Editor

Brave (2012)

Directed by: Mark Andrews, Brenda Chapman, Steve Purcell

Edited by: Nicholas C. Smith

Lincoln | ShotOnWhat?

Sound Editor

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

The Company You Keep | ShotOnWhat?

Dialogue/adr Editor

The Company You Keep (2012)

Directed by: Robert Redford

Cinematography by: Adriano Goldman

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera

Flight | ShotOnWhat?

Adr Editor

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Super 8 | ShotOnWhat?

Additional Sound Editor

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Post-production Coordinator

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Last Airbender | ShotOnWhat?

Assistant Dialogue/adr Supervisor

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Death and Cremation | ShotOnWhat?

Audio Consultant

Death and Cremation (2010)

Directed by: Justin Steele

Cinematography by: Akis Konstantakopoulos

Edited by: Adam Beamer

Sherlock | ShotOnWhat?

Sound Effects Editor - 7 Episodes, 2014-2017

Sherlock (2010)

Television Series

Directed by: Paul McGuigan, Nick Hurran, Coky Giedroyc, Euros Lyn, Toby Haynes, Jeremy Lovering, Colm McCarthy, Douglas Mackinnon, Benjamin Caron, Rachel Talalay

Cinematography by: Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther

Edited by: Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald

Cameras: ARRI ALEXA Series Cameras, Sony CineAlta F35 Camera

Lenses: Cooke S4 Lenses, Zeiss Super Speed Lenses

TRON | ShotOnWhat?

Adr Editor

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Redwoods | ShotOnWhat?

Sound Editor

Redwoods (2009)

Directed by: David Lewis

Cinematography by: Joe Rivera

Edited by: Mathias Hilger

Adr Editor

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

The Curious Case of Benjamin Button | ShotOnWhat?

Assistant Adr Editor

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Adr Editor

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Eye | ShotOnWhat?

Assistant Supervising Sound Editor

The Eye (2008)

Directed by: David Moreau, Xavier Palud

Cinematography by: Jeffrey Jur

Edited by: Patrick Lussier

The Simpsons Movie | ShotOnWhat?

Assistant Supervising Sound Editor / First Assistant , Sound Effects Editor

The Simpsons Movie (2007)

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

Zodiac | ShotOnWhat?

Assistant Adr Editor

Zodiac (2007)

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: Angus Wall

Cameras: Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Charlotte's Web | ShotOnWhat?

Assistant Sound Editor

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

War of the Worlds | ShotOnWhat?

Foreign Dialogue Editor: Italian

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

Foreign Dialogue Editor: Italian & Latin Spanish

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

The Matador | ShotOnWhat?

Sound Effects Editor

The Matador (2005)

Directed by: Richard Shepard

Cinematography by: David Tattersall

Edited by: Carole Kravetz Aykanian

Munich | ShotOnWhat?

Assistant Adr Editor

Munich (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Moviola Editing System

Rent | ShotOnWhat?

Assistant Adr Editor

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

The Polar Express | ShotOnWhat?

Assistant Supervising Sound Editor

The Polar Express (2004)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Shrek 2 | ShotOnWhat?

Assistant Supervising Sound Editor

Shrek 2 (2004)

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Finding Nemo | ShotOnWhat?

Assistant Supervising Sound Editor

Finding Nemo (2003)

Directed by: Andrew Stanton, Lee Unkrich

Cinematography by: Sharon Calahan, Jeremy Lasky, Jericca Cleland

Edited by: David Ian Salter

Hulk | ShotOnWhat?

Dialogue Assistant Editor

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

The Recruit | ShotOnWhat?

Assistant Sound Effects Editor , Sound Effects Assistant

The Recruit (2003)

Directed by: Roger Donaldson

Cinematography by: Stuart Dryburgh

Edited by: David Rosenbloom

Peter Pan | ShotOnWhat?

Assistant Dialogue Editor

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Minority Report | ShotOnWhat?

Assistant Dialogue Editor

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Panic Room | ShotOnWhat?

Assistant Adr Editor

Panic Room (2002)

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Punch-Drunk Love | ShotOnWhat?

Assistant Sound Editor

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Jay and Silent Bob Strike Back | ShotOnWhat?

Assistant Adr Editor, Assistant Sound Effects Editor

Jay and Silent Bob Strike Back (2001)

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Avalon | ShotOnWhat?

Sound Design Assistant: Skywalker Sound

Avalon (2001)

Directed by: Mamoru Oshii

Cinematography by: Grzegorz Kedzierski

Edited by: Hiroshi Okuda

Osmosis Jones | ShotOnWhat?

Assistant Sound Designer

Osmosis Jones (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Lois Freeman-Fox, Stephen Schaffer, Sam Seig

Reindeer Games | ShotOnWhat?

Apprentice Sound Designer

Reindeer Games (2000)

Directed by: John Frankenheimer

Cinematography by: Alan Caso

Edited by: Antony Gibbs, Michael Kahn

Cameras: Panavision Cameras, Spacecam Aerial Cameras

What Lies Beneath | ShotOnWhat?

Apprentice Sound Designer

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Cast Away | ShotOnWhat?

Sound Design Assistant

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Iron Giant | ShotOnWhat?

Apprentice Sound Designer

The Iron Giant (1999)

Directed by: Brad Bird

Cinematography by: Steven Wilzbach

Edited by: Darren T. Holmes

Bicentennial Man | ShotOnWhat?

Apprentice Sound Designer

Bicentennial Man (1999)

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

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