Film Laboratory Contact
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Laboratory Contact: Deluxe Laboratories
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Color Timer
Hyde Park on Hudson (2012)
Directed by: Roger Michell
Cinematography by: Lol Crawley
Edited by: Nicolas Gaster
Laboratory: Deluxe Laboratories
The Angels' Share (2012)
Directed by: Ken Loach
Cinematography by: Robbie Ryan
Edited by: Jonathan Morris
Laboratory Contact: Deluxe London
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Laboratory Contact
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Laboratory Contact: Dailies
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Digital Intermediate Laboratory Contact
Coriolanus (2011)
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
Lab Contact: Deluxe
The Best Exotic Marigold Hotel (2011)
Directed by: John Madden
Cinematography by: Ben Davis
Edited by: Chris Gill
Laboratory Contact
Tamara Drewe (2010)
Directed by: Stephen Frears
Cinematography by: Ben Davis
Edited by: Mick Audsley
Lab Contact
Made in Dagenham (2010)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Michael Parker
Laboratory Liaison: Deluxe Laboratories
Another Year (2010)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Lenses: Cooke S4 Lenses
Laboratory Contact
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Laboratory Liaison
Everybody's Fine (2009)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Laboratory Contact: DeLuxe
Boogie Woogie (2009)
Directed by: Duncan Ward
Cinematography by: John Mathieson
Edited by: Kant Pan
Cameras: Panavision Cameras
Laboratory Contact
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Laboratory Contact
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Laboratory Contact
Glorious 39 (2009)
Directed by: Stephen Poliakoff
Cinematography by: Danny Cohen
Edited by: Jason Krasucki
Cameras: ARRICAM Lite (LT) Camera
Laboratory Contact
The Other Man (2008)
Directed by: Richard Eyre
Cinematography by: Haris Zambarloukos
Edited by: Tariq Anwar
Laboratory Contact
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Laboratory Contact
The Duchess (2008)
Directed by: Saul Dibb
Cinematography by: Gyula Pados
Edited by: Masahiro Hirakubo
Laboratory Liaison
Happy-Go-Lucky (2008)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: ARRI ARRIFLEX Series Cameras
Lab Contact: Deluxe
Miss Pettigrew Lives for a Day (2008)
Directed by: Bharat Nalluri
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: Panavision Cameras
Senior Client Contact
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Laboratory Contact
Atonement (2007)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Editing System: Avid Editing System
Laboratory Liaison
Run, Fat Boy, Run (2007)
Directed by: David Schwimmer
Cinematography by: Richard Greatrex
Edited by: Michael Parker
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Laboratory Contact
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Lab Liaison: Deluxe Laboratories
Far North (2007)
Directed by: Asif Kapadia
Cinematography by: Roman Osin
Edited by: Ewa J. Lind
Laboratory Contact
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Laboratory Contact
The Walker (2007)
Directed by: Paul Schrader
Cinematography by: Chris Seager
Edited by: Julian Rodd
Cameras: ARRI Cameras
Laboratory Liaison
Big Nothing (2006)
Directed by: Jean-Baptiste Andrea
Cinematography by: Richard Greatrex
Edited by: Antoine Vareille
Laboratory Contact
Venus (2006)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Cameras: ARRIFLEX 16SR3 Camera
Laboratory Contact
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Laboratory Contact: Deluxe
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Laboratory Contact
The Descent (2005)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Jon Harris
Contact: Deluxe Laboratory
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Color Grader, Laboratory Contact
Vera Drake (2004)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: Aaton XTR Prod Camera
Lenses: Cooke S4 Lenses
Laboratory Contact: DeLuxe Laboratories Ltd.
Enduring Love (2004)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Laboratory Contact
The Sleeping Dictionary (2003)
Directed by: Guy Jenkin
Cinematography by: Martin Fuhrer
Edited by: Lesley Walker
Laboratory Contact
My House in Umbria (2003)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Humphrey Dixon
Laboratory Contact
Nicholas Nickleby (2002)
Directed by: Douglas McGrath
Cinematography by: Dick Pope
Edited by: Lesley Walker
Color Timer
All or Nothing (2002)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Lesley Walker
Lenses: Angenieux Lenses, Zeiss Lenses
Laboratory Liaison
Quills (2000)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Peter Boyle
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Laboratory Contact: DeLuxe
Sexy Beast (2000)
Directed by: Jonathan Glazer
Cinematography by: Ivan Bird
Cameras: ARRI ARRIFLEX Series Cameras
Lenses: ARRI Lenses
Laboratory Liaison
There's Only One Jimmy Grimble (2000)
Directed by: John Hay
Cinematography by: John de Borman
Edited by: Oral Norrie Ottey
Color Grader
Notting Hill (1999)
Directed by: Roger Michell
Cinematography by: Michael Coulter
Edited by: Nick Moore
Cameras: Moviecam Cameras
Editing System: Lightworks Editing System
Color Timer
Topsy-Turvy (1999)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Robin Sales
Grader
The Tribe (1998)
Directed by: Stephen Poliakoff
Cinematography by: Wit Dabal
Edited by: Anne Sopel
Color Timer
Career Girls (1997)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Robin Sales
Color Grader
TwentyFourSeven (1997)
Directed by: Shane Meadows
Cinematography by: Ashley Rowe
Edited by: William Diver
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Lenses
Color Timer
Secrets & Lies (1996)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Supervisor
An Awfully Big Adventure (1995)
Directed by: Mike Newell
Cinematography by: Dick Pope
Edited by: Jon Gregory
Negative Cutter
Waterland (1992)
Directed by: Stephen Gyllenhaal
Cinematography by: Robert Elswit
Edited by: Lesley Walker
