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Friendship’s Field (1995)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 83 Minutes

Directed by | Bruce Neibaur | Cinematography by | Matthew Williams

Starring | Kate Maberly, Jonathan Hernandez, Randall King, Carolyn Hurlburt

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

Shazam! (2019)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller

Starring | Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Zeiss Master Prime Lenses

Shoplifters (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda

Starring | Lily Franky, Sakura Andô, Kirin Kiki, Mayu Matsuoka

Cameras | ARRI ALEXA Mini Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses

Solo: A Star Wars Story (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Bradford Young | Editing by | Pietro Scalia

Starring | Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Malaria (2016)

Motion Picture | 2D | 2.8K Project | Color | 2.39:1 | 86 Minutes

Directed by | Parviz Shahbazi | Cinematography by | Hooman Behmanesh | Editing by | Parviz Shahbazi

Starring | Saed Soheili, Saghar Ghanaat, Azarakhsh Farahani, Azade Namdari

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Taxi Driver (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro

Starring | Robert De Niro, Jodie Foster, Cybill Shepherd, Albert Brooks

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

If Beale Street Could Talk (2018)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 119 Minutes

Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders

Starring | KiKi Layne, Stephan James, Regina King, Teyonah Parris

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses

A Beautiful Mind (2001)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Ed Harris, Jennifer Connelly, Christopher Plummer

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Lyubi ikh vsekh (2019)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Mariya Agranovich | Cinematography by | Dzmitry Karnachyk | Editing by | Olga Grinshpun

Starring | Alyona Mikhailova, Aleksandr Kuznetsov, Sergey Garmash, Aleksandra Kiselyova

Cameras | ARRI ALEXA Mini Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Paradise Now (2005)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos

Starring | Kais Nashif, Ali Suliman, Lubna Azabal, Hamza Abu-Aiaash

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses

The Scythian (2018)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Rustam Mosafir | Cinematography by | Dzmitry Karnachyk | Editing by | Andrey Nazarov

Starring | Aleksey Faddeev, Aleksandr Kuznetsov, Yuriy Tsurilo, Vasilisa Izmaylova

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke Anamorphic/i Prime Lenses, Zeiss Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Master of None (2015)

Television Series | 2D | 4K Project | Color | 2.39:1 | 30 Minutes

| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Starring | Aziz Ansari, Eric Wareheim, Lena Waithe, Noël Wells

Cameras | Panasonic VariCam 35

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Mahanayika (2016)

Motion Picture | 2D | Color | 133 Minutes

Directed by | Saikat Bhakat | Cinematography by | Premendu Bikash Chaki | Editing by | Maloy Laha

Starring | Rituparna Sengupta, Soumitra Chatterjee, Indraneil Sengupta, Saheb Chatterjee

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Ultra Prime Lenses

Amores Perros (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 154 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda

Starring | Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero

Cameras | Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Virunga (2014)

Documentary | 2D | Color | 100 Minutes

Directed by | Orlando von Einsiedel | Cinematography by | Franklin Dow | Editing by | Katie Bryer, Masahiro Hirakubo, Miikka Leskinen, St. John O'Rorke, Peta Ridley

Starring | André Bauma, Emmanuel de Merode, Mélanie Gouby, Rodrigue Mugaruka Katembo

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera, Canon EOS-C300 Camera, Sony PMW-F5 Camera

Lenses | Canon Lenses, Fujinon Alura Lenses

Body of Lies (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia

Starring | Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Bloodline (2015)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | Jaime Reynoso, Darren Lew | Editing by | Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget

Starring | Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Sissy Spacek

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

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