Kodak Vision 2 Film Neg. Film | 402 Titles
Argo (2012) 
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Jo sok (2005)
Directed by | Tung-Shing Yee | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Girl with a Pearl Earring (2003)
Directed by | Peter Webber | Cinematography by | Eduardo Serra | Editing by | Kate Evans
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Eine ganz heiße Nummer (2011)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Simon Gstöttmayr
Cameras | Moviecam Compact MK2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
The Devil Wears Prada (2006)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Studio (ST) Camera
44 Inch Chest (2009)
Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell
Cameras | ARRICAM Lite (LT) Camera
American Gangster (2007)
Directed by | Ridley Scott | Cinematography by | Harris Savides | Editing by | Pietro Scalia
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Ocean’s Thirteen (2007)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Prince of Persia: The Sands of Time (2010)
Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
King Kong (2005)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Night at the Museum: Battle of the Smithsonian (2009)
Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
35 Shots of Rum (2008)
Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Guy Lecorne
Cameras | Aaton 35-III Camera
36th Precinct (2004)
Sherlock Holmes (2009)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera
Crazy, Stupid, Love. (2011)
Directed by | Glenn Ficarra, John Requa | Cinematography by | Andrew Dunn | Editing by | Lee Haxall
Cameras | Panavision Panaflex Platinum Camera
Act of Valor (2012)
Directed by | Mike McCoy, Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Michael Tronick, Scott Waugh
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera
Ghosts of Girlfriends Past (2009)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Green
Lenses | Panavision Primo Anamorphic Lenses
Poseidon (2006)
Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
The Eagle (2011)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
