Kodak Vision2 50D 5201/7201 Neg. Film | 89 Titles
Divergence (2007)
Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead
Lenses | ARRI / Fujinon Lenses
Breaking Bad (2008)
| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses
Pirates of the Caribbean: At World’s End (2007)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Body of Lies (2008)
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Thor (2011)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
The Curious Case of Benjamin Button (2008)
Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall
Lenses | Zeiss DigiPrime Lenses
The Visitor (2007)
Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle
Cameras | ARRICAM Lite (LT) Camera
Julie & Julia (2009)
Mauvaise fille (2012)
Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses
Let My People Go! (2011)
Directed by | Mikael Buch | Cinematography by | Céline Bozon | Editing by | Simon Jacquet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens
Les hommes libres (2011)
Directed by | Ismaël Ferroukhi | Cinematography by | Jérôme Alméras | Editing by | Annette Dutertre
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Sur la piste du Marsupilami (2012)
Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Lore (2012)
Directed by | Cate Shortland | Cinematography by | Adam Arkapaw | Editing by | Veronika Jenet
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Plus Camera
Lenses | Canon Lenses, Zeiss Ultra 16 Lenses
Nosso Lar (2010)
Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes
Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Friendship! (2010)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer
Lenses | Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Je vais te manquer (2009)
Directed by | Amanda Sthers | Cinematography by | Régis Blondeau | Editing by | Elise Fievet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Les deux mondes (2007)
Directed by | Daniel Cohen | Cinematography by | Laurent Dailland | Editing by | Catherine Kelber
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Mentalist (2008)
| Cinematography by | Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe | Editing by | Christopher Cibelli, David Ekstrom, Glenn Farr, James Gadd, Joseph Butler, Anthony J. Rivard, Paul Karasick
Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Sivaji (2007)
Directed by | S. Shankar | Cinematography by | K.V. Anand | Editing by | Anthony
Cameras | ARRIFLEX 435 Camera