Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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The Untouchables (1987)

Motion Picture | 2D | Color | 119 Minutes

The Untouchables | ShotOnWhat?

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Gerald B. Greenberg, Bill Pankow

Starring | Kevin Costner, Sean Connery, Robert De Niro, Charles Martin Smith

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision Lenses

Rendition (2007)

Motion Picture | Color | 2.35:1 | 122 Minutes

Rendition | ShotOnWhat?

Directed by | Gavin Hood | Cinematography by | Dion Beebe | Editing by | Megan Gill

Starring | Reese Witherspoon, Jake Gyllenhaal, Peter Sarsgaard, Alan Arkin

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Billy Elliot (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson

Starring | Jamie Bell, Julie Walters, Jean Heywood, Jamie Draven

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

The Last Samurai (2003)

Motion Picture | 2D | Color | 2.39:1 | 154 Minutes

Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum

Starring | Tom Cruise, Ken Watanabe, Billy Connolly, William Atherton

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coming to America (1988)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | John Landis | Cinematography by | Woody Omens | Editing by | Malcolm Campbell, George Folsey Jr.

Starring | Eddie Murphy, Paul Bates, Garcelle Beauvais, Feather

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Rite (2011)

Motion Picture | 2D | Color | 2.35:1 | 114 Minutes

The Rite | ShotOnWhat?

Directed by | Mikael Håfström | Cinematography by | Ben Davis | Editing by | David Rosenbloom

Starring | Colin O'Donoghue, Anthony Hopkins, Ciarán Hinds, Alice Braga

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

Downfall (2004)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 156 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Bruno Ganz, Alexandra Maria Lara, Ulrich Matthes, Juliane Köhler

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

Beasts of the Southern Wild (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves

Starring | Quvenzhané Wallis, Dwight Henry, Levy Easterly, Lowell Landes

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Eagle Eye (2008)

Motion Picture | 2D | Color | 2.35:1 | 118 Minutes

Eagle Eye | ShotOnWhat?

Directed by | D.J. Caruso | Cinematography by | Dariusz Wolski | Editing by | Jim Page

Starring | Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Michael Chiklis

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

D.O.A. (1988)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 96 Minutes

Directed by | Annabel Jankel, Rocky Morton | Cinematography by | Yuri Neyman | Editing by | Raja Gosnell, Michael R. Miller

Starring | Dennis Quaid, Meg Ryan, Charlotte Rampling, Daniel Stern

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Super Speed Lenses

Armored (2009)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Nimród Antal | Cinematography by | Andrzej Sekula | Editing by | Armen Minasian

Starring | Columbus Short, Matt Dillon, Laurence Fishburne, Jean Reno

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Tree of Life (2011)

Motion Picture | Color | 1.85:1 | 139 Minutes

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Starring | Brad Pitt, Sean Penn, Jessica Chastain, Hunter McCracken

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Super 8 (2011)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey

Starring | Elle Fanning, AJ Michalka, Kyle Chandler, Joel Courtney

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Carnage (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Jodie Foster, Kate Winslet, Christoph Waltz, John C. Reilly

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Being Julia (2004)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton

Starring | Annette Bening, Michael Gambon, Maury Chaykin, Jeremy Irons

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Varotal Lenses

Space Cowboys (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 130 Minutes

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Tommy Lee Jones, Donald Sutherland, James Garner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Match Point (2005)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Woody Allen | Cinematography by | Remi Adefarasin | Editing by | Alisa Lepselter

Starring | Scarlett Johansson, Jonathan Rhys Meyers, Emily Mortimer, Matthew Goode

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

In the Valley of Elah (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis

Starring | Tommy Lee Jones, Charlize Theron, Jonathan Tucker, Jason Patric

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Braveheart (1995)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 178 Minutes

Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum

Starring | Mel Gibson, Sophie Marceau, Patrick McGoohan, Angus Macfadyen

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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