Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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The Place Beyond the Pines (2012)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane

Starring | Ryan Gosling, Bradley Cooper, Eva Mendes, Craig Van Hook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses

The Loss of Sexual Innocence (1999)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 106 Minutes

The Loss of Sexual Innocence | ShotOnWhat?

Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood

Starring | Julian Sands, Saffron Burrows, Stefano Dionisi, Kelly Macdonald

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

The Hitchhiker’s Guide to the Galaxy (2005)

Motion Picture | 2D | Color | 109 Minutes

The Hitchhiker’s Guide to the Galaxy | ShotOnWhat?

Directed by | Garth Jennings | Cinematography by | Igor Jadue-Lillo | Editing by | Niven Howie

Starring | Martin Freeman, Yasiin Bey, Sam Rockwell, Zooey Deschanel

Cameras | Panavision Cameras

Lenses | Panavision Lenses

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Anything Else (2003)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter

Starring | Woody Allen, Jason Biggs, Christina Ricci, Danny DeVito

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Waiting Alone (2004)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | Dayyan Eng | Cinematography by | Toby Oliver | Editing by | Dayyan Eng

Starring | Yu Xia, Bingbing Li, Beibi Gong, Qi Gao

Cameras | ARRIFLEX 535 B Camera

Robin Hood (2010)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Robin Hood | ShotOnWhat?

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Cate Blanchett, Matthew Macfadyen, Max von Sydow

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses | Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Elizabeth: The Golden Age (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Clive Owen, Geoffrey Rush, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Hustle & Flow (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 116 Minutes

Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox

Starring | Terrence Howard, Ludacris, Anthony Anderson, Taryn Manning

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Ultra Prime Lenses

Big Fish (2003)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 125 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Mask of Zorro (1998)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, José María de Tavira

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

A Soldier’s Daughter Never Cries (1998)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson

Starring | Leelee Sobieski, Kris Kristofferson, Barbara Hershey, Jane Birkin

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Absolute Power (1997)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Gene Hackman, Ed Harris, Laura Linney

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Troy (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 163 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess

Starring | Brad Pitt, Eric Bana, Orlando Bloom, Julian Glover

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Cooke S4 Lenses

Shooter (2007)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Shooter | ShotOnWhat?

Directed by | Antoine Fuqua | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV, Eric A. Sears

Starring | Mark Wahlberg, Michael Peña, Rhona Mitra, Danny Glover

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

A Dangerous Method (2011)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Michael Fassbender, Keira Knightley, Viggo Mortensen, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Ali (2001)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Starring | Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Broken Embraces (2009)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Pedro Almodóvar | Cinematography by | Rodrigo Prieto | Editing by | José Salcedo, Roberto Serrano

Starring | Penélope Cruz, Lluís Homar, Blanca Portillo, José Luis Gómez

Cameras | ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses

Juno (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 96 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Elliot Page, Michael Cera, Jennifer Garner, Jason Bateman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

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