Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Baraka (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 96 Minutes

Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson

Cameras | Todd-AO 65mm Camera

Lenses | Schneider Lenses

Seabiscuit (2003)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 140 Minutes

Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg

Starring | Tobey Maguire, Jeff Bridges, Elizabeth Banks, Chris Cooper

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Cinderella Story (2004)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Mark Rosman | Cinematography by | Anthony B. Richmond | Editing by | Cara Silverman

Starring | Hilary Duff, Chad Michael Murray, Jennifer Coolidge, Dan Byrd

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Panavision Lenses

True Grit (2010)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Jeff Bridges, Matt Damon, Hailee Steinfeld, Josh Brolin

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

A Nightmare on Elm Street (2010)

Motion Picture | 2D | Color | 95 Minutes

A Nightmare on Elm Street | ShotOnWhat?

Directed by | Samuel Bayer | Cinematography by | Jeff Cutter | Editing by | Glen Scantlebury

Starring | Jackie Earle Haley, Rooney Mara, Kyle Gallner, Katie Cassidy

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Next Day Air (2009)

Motion Picture | 2D | Color | 84 Minutes

Directed by | Benny Boom | Cinematography by | David A. Armstrong | Editing by | David Checel

Starring | Yasiin Bey, Mike Epps, Donald Faison, Wood Harris

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

The Mothman Prophecies (2002)

Motion Picture | Color | 119 Minutes

Directed by | Mark Pellington | Cinematography by | Fred Murphy | Editing by | Brian Berdan

Starring | Richard Gere, Laura Linney, David Eigenberg, Bob Tracey

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses

Drowning Mona (2000)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Drowning Mona | ShotOnWhat?

Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson

Starring | Danny DeVito, Bette Midler, Neve Campbell, Jamie Lee Curtis

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses

The Illusionist (2006)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Neil Burger | Cinematography by | Dick Pope | Editing by | Naomi Geraghty

Starring | Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Nine (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith

Starring | Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Sandro Dori

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Lost World: Jurassic Park (1997)

Motion Picture | 2D | Color | 1.85:1 | 129 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Vince Vaughn

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

Max Payne (2008)

Motion Picture | 2D | Color | 100 Minutes

Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman

Starring | Mark Wahlberg, Mila Kunis, Beau Bridges, Ludacris

Cameras | ARRIFLEX 435 Camera, Phantom HD Camera

Lenses | Cooke S4 Lenses

Dances with Wolves (1990)

Motion Picture | 2D | Film Project | Color | 181 Minutes

Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis

Starring | Kevin Costner, Mary McDonnell, Graham Greene, Rodney A. Grant

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Where the Truth Lies (2005)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Kevin Bacon, Colin Firth, Alison Lohman, David Hayman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Willow (1988)

Motion Picture | 2D | Color | 126 Minutes

Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott

Starring | Val Kilmer, Joanne Whalley, Warwick Davis, Jean Marsh

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

The Naked Man (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher

Starring | Michael Rapaport, Michael Jeter, John Carroll Lynch, Arija Bareikis

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

The Day the Earth Stood Still (2008)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

The Day the Earth Stood Still | ShotOnWhat?

Directed by | Scott Derrickson | Cinematography by | David Tattersall | Editing by | Wayne Wahrman

Starring | Keanu Reeves, Jennifer Connelly, Kathy Bates, Jaden Smith

Cameras | Panavision Cameras

Eastern Promises (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Naomi Watts, Viggo Mortensen, Armin Mueller-Stahl, Josef Altin

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Your Highness (2011)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert

Starring | Danny McBride, Natalie Portman, James Franco, Rasmus Hardiker

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Bourne Legacy (2012)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

The Bourne Legacy | ShotOnWhat?

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jeremy Renner, Rachel Weisz, Edward Norton, Scott Glenn

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

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