Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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They Live (1988)

Motion Picture | 2D | Color, Black and White | 2.35:1 | 94 Minutes

They Live | ShotOnWhat?

Directed by | John Carpenter | Cinematography by | Gary B. Kibbe | Editing by | Gib Jaffe, Frank E. Jimenez

Starring | Roddy Piper, Keith David, Meg Foster, George 'Buck' Flower

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Anamorphic Super High Speed Lenses

Villa Amalia (2009)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Villa Amalia | ShotOnWhat?

Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier

Starring | Isabelle Huppert, Jean-Hugues Anglade, Xavier Beauvois, Maya Sansa

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Tootsie (1982)

Motion Picture | 2D | Color | 2.35:1 | 116 Minutes

Tootsie | ShotOnWhat?

Directed by | Sydney Pollack | Cinematography by | Owen Roizman | Editing by | Fredric Steinkamp, William Steinkamp

Starring | Dustin Hoffman, Jessica Lange, Teri Garr, Dabney Coleman

Cameras | Panavision Cameras

21 Grams (2003)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione

Starring | Sean Penn, Benicio Del Toro, Naomi Watts, Danny Huston

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

In the Line of Fire (1993)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 128 Minutes

In the Line of Fire | ShotOnWhat?

Directed by | Wolfgang Petersen | Cinematography by | John Bailey | Editing by | Anne V. Coates

Starring | Clint Eastwood, John Malkovich, Rene Russo, Dylan McDermott

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses | Panavision Primo Anamorphic Lenses

Thank You for Smoking (2005)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Thank You for Smoking | ShotOnWhat?

Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman

Starring | Aaron Eckhart, Cameron Bright, Maria Bello, Joan Lunden

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses

Lars and the Real Girl (2007)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Craig Gillespie | Cinematography by | Adam Kimmel | Editing by | Tatiana S. Riegel

Starring | Ryan Gosling, Emily Mortimer, Paul Schneider, R.D. Reid

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Dracula (1992)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Dracula | ShotOnWhat?

Directed by | Francis Ford Coppola | Cinematography by | Michael Ballhaus | Editing by | Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Starring | Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves

Cameras | ARRIFLEX 535 Camera

Con Air (1997)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Starring | Nicolas Cage, John Cusack, John Malkovich, Colm Meaney

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Third Star (2010)

Motion Picture | 2D | Color | 92 Minutes

Third Star | ShotOnWhat?

Directed by | Hattie Dalton | Cinematography by | Carlos Catalán | Editing by | Peter Christelis

Starring | Tom Burke, Benedict Cumberbatch, JJ Feild, Adam Robertson

Cameras | ARRI Cameras

4 Months, 3 Weeks and 2 Days (2007)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

4 Months, 3 Weeks and 2 Days | ShotOnWhat?

Directed by | Cristian Mungiu | Cinematography by | Oleg Mutu | Editing by | Dana Bunescu

Starring | Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alexandru Potocean

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Ultra Prime Lenses

Enigma (2001)

Motion Picture | 2D | Color | 2.35:1 | 119 Minutes

Enigma | ShotOnWhat?

Directed by | Michael Apted | Cinematography by | Seamus McGarvey | Editing by | Rick Shaine

Starring | Dougray Scott, Kate Winslet, Saffron Burrows, Jeremy Northam

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

Midnight in Paris (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 94 Minutes

Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter

Starring | Owen Wilson, Rachel McAdams, Kathy Bates, Kurt Fuller

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses

Terminator Salvation (2009)

Motion Picture | 2D | Color | 2.35:1 | 115 Minutes

Terminator Salvation | ShotOnWhat?

Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV

Starring | Christian Bale, Sam Worthington, Anton Yelchin, Moon Bloodgood

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Playtime (1967)

Motion Picture | 2D | Color | 115 Minutes

Playtime | ShotOnWhat?

Directed by | Jacques Tati | Cinematography by | Jean Badal, Andréas Winding | Editing by | Gérard Pollicand

Starring | Jacques Tati, Barbara Dennek, Rita Maiden, France Rumilly

Cameras | Mitchell Cameras

Hidalgo (2004)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva

Starring | Viggo Mortensen, Omar Sharif, Zuleikha Robinson, Louise Lombard

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Zelary (2003)

Motion Picture | 2D | Color | 1.85:1 | 150 Minutes

Directed by | Ondrej Trojan | Cinematography by | Asen Sopov | Editing by | Vladimír Barák

Starring | Anna Geislerová, György Cserhalmi, Ivan Trojan, Jaroslava Adamová

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Classic Spherical Lenses

Blow (2001)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Ted Demme | Cinematography by | Ellen Kuras | Editing by | Kevin Tent

Starring | Johnny Depp, Penélope Cruz, Franka Potente, Rachel Griffiths

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Up in the Air (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 109 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | George Clooney, Vera Farmiga, Anna Kendrick, Jason Bateman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Lost Highway (1997)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | David Lynch | Cinematography by | Peter Deming | Editing by | Mary Sweeney

Starring | Bill Pullman, Patricia Arquette, John Roselius, Louis Eppolito

Cameras | Mitchell Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

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