Eastman Kodak Neg. Films | 1495 Titles
La dame de trèfle (2009)
Directed by | Jérôme Bonnell | Cinematography by | Pascal Lagriffoul | Editing by | Laure Gardette
Cameras | ARRICAM Studio (ST) Camera
Lenses | Cooke S4 Lenses
Little Birds (2011)
Directed by | Elgin James | Cinematography by | Reed Morano | Editing by | Suzanne Spangler
Lenses | Panavision Primo Anamorphic Lenses
$lowdown (2011)
Directed by | Saman Yaghmai-Aledavoud | Cinematography by | Saman Yaghmai-Aledavoud | Editing by | Gene Ivery
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Zeiss Super Speed Lenses
Wendy and Lucy (2008)
Directed by | Kelly Reichardt | Cinematography by | Sam Levy | Editing by | Kelly Reichardt
Cameras | ARRIFLEX 16SR3 Camera
Sherrybaby (2006)
Directed by | Laurie Collyer | Cinematography by | Russell Lee Fine | Editing by | Curtiss Clayton, Joe Landauer
Cameras | ARRI Cameras
The Black Balloon (2008)
Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
To Rome with Love (2012)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses
Blood: The Last Vampire (2009)
Directed by | Chris Nahon | Cinematography by | Hang-Sang Poon | Editing by | Marco Cavé
Cameras | ARRI Cameras, ARRIFLEX 435 Xtreme Camera
Nancy Drew (2007)
Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman
Lenses | Panavision Primo Anamorphic Lenses
The Four Feathers (2002)
Virtuosity (1995)
Directed by | Brett Leonard | Cinematography by | Gale Tattersall | Editing by | Rob Kobrin, B.J. Sears
Cameras | ARRIFLEX 535 B Camera, Moviecam Compact Camera
Take (2007)
Directed by | Charles Oliver | Cinematography by | Tristan Whitman | Editing by | Andrew McAllister
Lenses | Panavision Primo Anamorphic Lenses
South Pacific (1958)
Directed by | Joshua Logan | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Cameras | Todd-AO 65mm Camera
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
The Grifters (1990)
Directed by | Stephen Frears | Cinematography by | Oliver Stapleton | Editing by | Mick Audsley
Cameras | Panavision Cameras
Gone in Sixty Seconds (2000)
Directed by | Dominic Sena | Cinematography by | Paul Cameron | Editing by | Roger Barton, Chris Lebenzon, Tom Muldoon
Ballistic: Ecks vs. Sever (2002)
Directed by | Wych Kaosayananda | Cinematography by | Julio Macat | Editing by | Jay Cassidy, Caroline Ross
Lenses | Cooke S4 Lenses
Best in Show (2000)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton Cameras
Rambo (2008)
Directed by | Sylvester Stallone | Cinematography by | Glen MacPherson | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Ultra Prime Lenses
The Human Stain (2003)
Directed by | Robert Benton | Cinematography by | Jean-Yves Escoffier | Editing by | Christopher Tellefsen
Lenses | Panavision Primo Anamorphic Lenses